Mann is in quite a predicament with “Miami Vice” a remake of his hit show from the eighties. He created a show that was ahead of its time, a gritty realistic show about two cops in the underground, years subsequent to the shows success and ending, over a thousand imitations popped up in film, television, and novels, and the formula became old. The sad state of Mann’s adaptation of his own work is that “Miami Vice” was edgy in its time, but these days we’ve had so many gritty cop flicks with a black and white officer partnership, that the concept presented here is just tired and feels simply like a vehicle for its two stars.
Tag Archives: Thriller
Soul Searcher (2005)
I am the grim reaper, I walk softly, carry a big scythe, and kick demonic ass from here to Narnia. And now you know the concept of “Soul Searcher”. I enjoyed this flick from the very beginning where our hero is driving a truck overnight and accidentally interrupts the grim reaper kicking a demons ass all over the street. The grim reaper is falling ill and needs a new apprentice to help him in stopping the forces of evil from opening the realm of Hades and letting in a horde of uglies, and the guy named Joe happens to be the man he’s looking for–and he’s taking no prisoners.
Silent Hill (2006)
Christophe Gans’ depiction of the “Silent Hill” video game is really above dreck like “Doom” and “Resident Evil”. It’s a very popular series of games that are basically just a woman looking for her daughter in the ghost infested abandoned town, as she battles demons and tries to decrypt a mystery. Instead of adhering to the game and letting its formulas trap it down, it instead attempts to break out. It sticks true to the source material and also delves deep into focusing on an actual story and deep characterization in spite of its failings. Though there’s yet to be an actual video game adaptation that’s been fantastic, “Silent Hill” works because it dares to challenge its conventions of the video game world.
In Memorium (2005)
Director Amanda Gusack creates a film very much in the vein of “Blair Witch Project”, and from the get go there’s this sense of pure dread and impending doom that’s presented with a stark gray ambiance. The character Dennis is dying from terminal bone cancer that is eating away at his body. He and his wife (the gorgeous Johanna Watts) move into a new home they then rig with various cameras to film every one of his developments and movements to chronicle and possibly create as a documentary for his legacy and his wife to bank off of. But this documenting is interrupted with something ever more sinister.
The Crow: Wicked Prayer (2005)
Rule number one: Casting one of the most irritating actors of all time in a sequel to one of my favorite movies of all time is not a wise move, and is right earning of an old fashioned smack down. The newest craperrific sequel to one of the best films I’ve ever seen earns itself a place in my shit list casting Eddie Furlong as the hero. Furlong is just not hero material, and that’s one of the many mistakes of “Wicked Prayer”. It’s bad enough everyone here looks bored as hell, but Furlong’s character Jimmy Cuervo is a boring man who has no characterization.
Ultimate Avengers 2 (2006)
I was a little less forgiving for the sequel of “Ultimate Avengers” mainly because it was a sequel and I expected a lot from it, and mostly because it was so utterly disappointing. People whom have been following the “Ultimate Avengers” story, will be surprised to see that there are twists aplenty including some deaths of very important characters that could decide the fate of them all, and lead to rather sinister developments—but if you’ve read the comics, then you know what happens. Meanwhile, the animation is still rather excellent, especially since it’s darker and yet just as colorful as we previously remember. “Ultimate Avengers 2” is a lot of fun to look, but not suggested for kids. I wanted more of a story, more linear characterization, more personality, and I received just more of the first film. Surely, this adds a new character attempting to mix-up the chemistry and conflict, but it’s just a copy of the first in the end.
Amateur Porn Star Killer: The New Cut (2005)

This new cut of Shane Ryan’s “Amateur Pornstar Killer” (a film you must try to get a hold of) is much more sophisticated. Not only in terms of quality in which Ryan manages to improve his creation without tarnishing the original, but in technical aspects where Ryan is able to convey his story and imagery with much more coherency. While I loved the original, it was polarizing to one-minded people expecting a standard thriller and getting more of a thought provoking thriller. There’s no chase, no climactic battle, no back stories. It’s just a man running out of options and places to hide very quickly, and a young girl who gets snared in his trap. Much more is realized in this new version, and watching it a second time you begin to notice much of the nuances Ryan enlisted.
