What occurs in “Starship Troopers 2” is an odd thing, something that happens very rarely in franchise land. First off, I’ll be the first to admit that the sub-title “Hero of the Federation” makes no sense to me. What is it supposed to mean? Is it supposed to refer to the character Dax? Regardless, I would have preferred something like “Dark Corruption” or something to that effect, something that refers to the plot. What’s odd is, this is so very different from the first film, and that was perplexing to me. I’d read about this movie and about how dark and murky it would be from the original film, but I didn’t expect anything like this. I thought the original film was decent for what it was; a balls to the wall action film without a brain in its head, but I liked it, and I even liked the obscure dark animated series “Roughnecks”, so it’s safe to say the writer strays away from the original formula that made the Verhoeven directed original so successful and decides to take its own route in storytelling.
Tag Archives: Thriller
Walking Tall (2004)
Chris Vaughn is an ex military veteran who has just returned to his home town. Back after eight years, he suddenly gets a crash course in learning the fact that you can never go home again, and now he walks tall and carries a big stick. Dwayne Johnson jumps into the seat of action hero yet again this time around, first with the crappy “Scorpion King”, the next with the wicked “The Rundown” and now with this very good action ride known as “Walking Tall”. A remake of the cult classic “Walking Tall”, and based on the true story of the utterly heroic feats of sheriff Buford Pusser, a man who was elected to sheriff after promising to clean up crime, and did so, taking down big time crime syndicates and corruption in his hometown of Tennessee with his giant wooden club.
Torque (2004)
Why anyone would want to rip off “The Matrix” is understandable; it was a very influential movie that paved the way for a lot of really bad, and mediocre rip-offs to come for years that I would inevitably have to suffer through, but why anyone would want to rip-off “The Fast and the Furious”, a mediocre action popcorn flick fueled (no pun intended) only by Vin Diesel’s pecks and some good effects is a stunner. Like many have said, dumb studio execs tend to confuse high grosses with film quality and what “The Fast and the Furious” had was not quality. Charisma? Yes. Good effects? Granted. But quality? I’m afraid not, my friend, so why do we have to suffer through these horrible rip-offs? Directed by Joseph Kahn, who is, surprise, surprise, a music video director, composes one really bad B movie that isn’t even worthy of being called a B movie because it’s so blatantly a really long drawn out music video sans the music ad nauseum.
I, Robot (2004)
“I, Robot” is very, very loosely based on Asimov’s concept and stories, and, as much as I wanted to, I didn’t hate it. As a matter of fact, I had a real blast. The first point this had up for it was the fact it was directed Alex Proyas, Proyas is the director of two of my favorite films of the past fifteen years, the first one being the imaginative and beautifully morbid film “Dark City”, and one of my favorite films of all time “The Crow” a marvelous ode to the legacy of Brandon Lee, one of my film icons. Proyas is one great underrated director and he puts his skills to work in this wild and fun but still thought-provoking film. Will Smith plays Dell Spooner, an officer for the now futuristic Chicago who despises robots. The problem with his hatred for them is that they’re everywhere now under servitude as tools for humans like a utensil.
Saw (2004)
The Grudge (2004)
The remake of “Ju-On” now called (sigh) “The Grudge” is the perfect example of faulty westernization in which the translated work suffers in the translation and completely misses the point of the original. The original had the surprise ending which makes you re-assert your thoughts on the characters, while the remake has the “You thought the monster was dead, but its not!” ending that I yawned at.
Gothika (2003)
“Gothika” is never sure if it wants to be a supernatural thriller, a psychological thriller or a murder mystery, and that’s pretty difficult to discern through the clichés and obvious plot devices given to the audience non-stop. Every bit of scenery is murky, dim, dull, bland, and dreary to create the effect of suspense, and while scenery matters with setting a mood in horror films, it’s also up to the director to set it, and here it seems the director relies only on scenery, scenery that is so predictable and hard to swallow. There’s the dark and stormy night (check), the cheap shocks that will presumably keep the audience more annoyed than actually scared (check), the very loud score intent on keep the audience in suspense when nothing follows (check!), especially in one really stupid moment where Berry’s character etches her way down a dark basement, and as she opens the door, the score goes slowly up higher! And higher! And higher! Until–! Nothing.