Sell Your Own Damn Movie! [Paperback]

It should serve as no surprise that since its initial release, “Sell Your Own Dan Movie!” has sold big with aspiring filmmakers across the country, and it should also serve as no surprise that “Sell Your Own Damn Movie!” is probably the best how to guide for indie filmmakers on how to get their completed films out there and consumed for mass audiences. Whether you love Troma to death or hate Lloyd Kaufman like date rape, there’s no denying that the man has amassed decades of experience in indie filmmaking and has built an encyclopedic knowledge on the do’s and don’t’s on selling your film and how to get certain audiences aware of your creative work.

Co-author Lloyd Kaufman has a lot of wonderful and genius advice for indie flmmakers on how to sell their movies and get them in to festivals, and he does so with a ingenuity and humor that’s admirable. True, the book is mainly a how to guide, but it’s also laugh out loud funny. The chapters are filled with addendums that will make you giggle more times than you can count, and often times co-author Sara Antill adds her own addendums to Kaufman’s own anecdotes or false information that will spark some real gut busters from the reader. The list of ways you can raise money for festival entry fees is probably the funniest part of the book. While Kaufman and Antill definitely have their fun and lighten the mood with their dry wit and sharp humor, the book doesn’t hold back with its facts and truths. Getting your film seen is tough, getting it out there is even worse. Odds are you won’t get a distribution deal, but that doesn’t mean you shouldn’t try as hard as you can.

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Talking with Lloyd Kaufman: Tromadance, Toxie, and Tits

His name is Lloyd Kaufman. For fans of cult cinema and indie filmmaking, the name rings like a doorbell to some of the unusual most twisted films ever conceived by the human mind. To us, the man has been a proponent of what we advocate here on Cinema Crazed: Independent Filmmaking to the very core. Sick and tired of the bloated and corrupt submission guidelines and festival scene that is the Sundance Film Festival, every year for twelve years, Lloyd Kaufman and Tromaniacs throw the the TromaDance film festival.

There’s no entry fee. There’s no ticket price. The only catch is to bring your best film and be ready for some fun. This year we were honored to grab an opportunity to interview Mr. Lloyd Kaufman during his press junket for Tromadance storms New Jersey, and we’re honored to speak to the man who has pushed the very ideals of independent filmmaking for decades and, unlike other filmmakers of his ilk, has actually stuck to his guns even his age where he’s become a bona fide icon among the masses of cult fans, indie filmmaking fans, and horror buffs across the world.

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The Taint (2010)

After reading the press materials for Dan Nelson and Drew Bolduc’s “The Taint,” I expected almost anything to happen while watching it. And that’s pretty much what I was given when watching “The Taint.” Just about anything and everything that you can imagine happened. And some things you were too afraid to imagine happened. It’s almost impossible to describe the film that was made by directors Dan Nelson and Drew Bolduc, but it’s an experience that no one will forget after watching it. And surely enough it has Troma written all over it. It’s compelling while also entertaining. It’s trashy but it’s clever. And it’s completely abundantly moronic, but also has a wit to it that makes it entertaining.

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There's Nothing Out There (Two-Disc 20th Anniversary Edition) (1990) (DVD)

91tJubJ-tKL._SL1500_From Troma comes the twentieth anniversary release of “There’s Nothing Out There!” a film I’d admittedly never heard of and was most surprised to see that not only was “There’s Nothing Out there!” something of a fun early nineties horror comedy, but one that was a self-aware jab at the genre long before “Scream” ever convinced audiences it did it first. “There’s Nothing Out There!” is about a bunch of high schoolers who out in to the woods for Spring break to party, drink, and bone each other senselessly. Around the same time as their arrival, an alien being has just crash landed in to Earth, and is now lurking in the woods. Is it out there? Where is it if it is out there? Why is it not in there with them?

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Poultrygeist: Night of the Chicken Dead (2006)

Arbie: I’ll believe in the supernatural when I see it, talking sandwich.

So I sat down at my chair, popped in the movie and sat prepared to watch another shit fest from Troma. I’m somewhat of an anti-Troma pusher, so I was not looking forward to this. And my eventual reactions were a varying degree of disgust, horror, disbelief, and amusement. I laughed. And I laughed a lot. I’d even go so far to say that “Poultrygeist” is quite excellent. It’s something of a demented twist that it took Native American chicken zombies to finally get me to like a Troma movie, and trust me I had no intention of enjoying “Poultrygeist,” so much. But from the ridiculous opening to the horribly catchy musical numbers, Lloyd Kaufman has created a very memorable bit of horror comedy that may just lure more anti-Troma individuals like me.

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