Jason Ritter, Kristen Schaal, Kevin Michael Richardson, and Linda Cardellini. You can’t not love “Gravity Falls” with a voice cast like that. Delivering a Halloween treat three months before my favorite holiday, “Gravity Falls” sets down upon two siblings who incidentally happen to be vacationing in Gravity Falls Oregon, a town filled with the supernatural and the paranormal that keeps them on their toes and constantly in peril. Imagine if agents Mulder and Scully were a young boy with an eye for the suspicious and a girl with a few screws loose and you basically have “Gravity Falls.” And is it any wonder that the theme song sounds like a lighter variation of the “X-Files” theme song?
Monthly Archives: July 2012
Dirty Laundry (2012)
I love 2004’s iteration of “The Punisher” starring Thomas Jane as Frank Castle also known as The Punisher. It’s a slow boiled crime thriller that eventually transforms in to a chaotic bloodbath with seemingly no limits on its cruelty. And it also has an admirable demented sense of humor. After 2004’s film, Thomas Jane dropped out of the role after a brouhaha with the studios and their direction toward the sequel that was apparently so bad and or radical that Jane just couldn’t abide by it. But since then many fans have argued that Thomas Jane’s performance of Frank Castle is the definitive cinematic performance of the character and his turn as Castle was admirable. It was layered, tragic, searing, bold, and genuine.
Alyas Batman en Robin (1991)
Holy Smokes, Batman and Robin! Oh my god, Batman and Robin! Praise the lord, Batman and Robin! Shoot now, shoot, Batman and Robin! Let’s Do Bruce Wayne now, Let’s do Dick Grayson now! They Are Apart of Me!
Come on, everybody sing along! What does “Alyas Batman en Robin” teach us? It’s always a good idea for any crime boss to gun down their own henchmen when they manage to apprehend new fire arms for their operation. No new henchmen to do your bidding? Hell, just hire new ones, they’re always available in the trades I assume. When you’re holding up a bank, it’s good to have a musical number while holding people at gun point. And the bank tellers will be so inspired by your musical prowess they’ll dance along while you sing. Crime bosses apparently do nothing but sit in their mansions donning their costumes awaiting guests like Catwoman does. Batman oddly has his own brand of tea and milk ready in the bat cave.
Alvin and the Chipmunks: Batmunk (2012)
Based on the research I’ve done, “Batmunk” is being packaged as a one hour special featuring Alvin and the Chipmunks re-telling the story of Batman. Clearly it’s to market off of the upcoming Batman film release and the fan base may not be any the wiser. Basically, “Batmunk” is an hour long re-packaged set of Chipmunks cartoons, one of which is Batmunk and the other is Treasure Island. With no original title cards or theme songs, the cartoon segments are presented in disconnected formats with Batmunk being the first of the stories.
Bad Channels (1992)
This is one of the first Full Moon movies I’ve ever seen that was scored by Blue Oyster Cult, so even if the movie sucked, there’s a good chance the movie rocks by default. Blue Oyster Cult manages to provide a raucous and rocking soundtrack for what is generally a cheesy and absolutely goofy piece of early nineties schlock, but it has genuine camp value in its corner, as well as the always attractive Martha Quinn as a heroine.
The Bad Seed (1956)
For the most part, “The Bad Seed” is a classic horror film that lives up to its reputation of being an infamous movie about a little monster who will stop at nothing for gratify herself and her own ego. She’s the product of over privilege and an abundance of deifying from the people around her. To get it out of the way, my one gripe with “The Bad Seed” is ultimately the ending. Since audiences couldn’t bear watching a film end on a downbeat with the villain winning, and the studios insistent on the bad guy losing in the end, no matter how contrived or tacked on it seemed, the climax to “The Bad Seed” keeps the film from being a perfect thriller.
J. Edgar (2012) [Blu-ray/DVD]
For a film directed by someone as beloved and accomplished as Clint Eastwood, it’s hard to fathom that such a film would come off so amateur and tedious to sit through. Leonardo DiCaprio goes whole hog for Oscar territory delivering one of the worst performances of 2011 mimicking the drawl of J. Edgar Hoover but often times sounding like a man overplaying his role in a local community theater production in New Hampshire or something. “J. Edgar” has no style to it, nor does it possess an iota of compelling tidbits about Hoover’s life and career. Mostly it places gaudy cinematography above all else and aims to merely gloss over much of what J. Edgar had accomplished or fumbled in to.