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The Vincent Price Collection III [Blu-Ray]

VPcollection3Scream Factory is back with another in the collection of growing Vincent Price movies. Offering part three in the series, there’s “Master of the World,” a movie based on the Jules Verne novels. It’s a science fiction drama that follows Price as Captain Robur, a mad inventor who kidnaps a team on a government expedition to investigate a crater in Pennsylvania. Robur’s focus is to build a massive war weapon and rule the world, and experiences obstacles along the way. This arouses some conflict about morality and power. Starring a young Charles Bronson this is an interesting film as written by Richard Matheson.

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You Have to See This! Private Resort (1985)

Well it just goes to show all the aspiring actors out there hoping for success. Most times you have to earn your stripes by being in junk you think is awful, all for the sake of an inevitable break out role. The two stars of the piece are Rob Morrow and post – “Nightmare on Elm Street” Johnny Depp at very young ages, and starring in what was one of maybe two hundred teen sex comedies released in the eighties. Ben and Jack crash a Jamaican resort club during Spring Break intent on causing trouble with the colorful variety of guests, and scoping out babes for the sake of getting laid.

In the process they run afoul hotel security, a weird spiritualist, her goofy wealthy grandmother, a jewel thief, an abusive waiter, a meat head hotel patron and his drunken girlfriend, and a sexy Southern Belle. While “Private Resort” is often pure nonsense, Morrow eventually went on to a long interesting career in television and film. As for Johnny Depp, after this he went on to a break out role in “Platoon” and then from then on, I think he worked in other films and TV, who knows? Did we ever hear from Johnny Depp after “Platoon”? That said, Depp and Morrow allegedly despise “Private Resort” and who can blame them?

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I often bash some movies for having absolutely no narrative, but hot damn does “Private Resort” have no story. It’s like one giant punch line to a joke without the initial set up and build up. Yet another entry in the shockingly popular sub-genre from the eighties that began with films like “Last American Virgin” and “Porky’s,” George Bowers “Private Resort” embraces the sub-genre without any of the finesse of classics like “Revenge of the Nerds.” It’s just eighty five minutes of stock comedy tropes running in to one another and clashing for the sake of hopefully grabbing a laugh from the audience.

Ben and Jack are two teens that break in to a local resort in Jamaica during Spring Break, and begin walking around harassing guests, causing trouble, and looking to get laid. That’s literally the entire movie. There’s no explanation how they got their room, who they’re staying with, or why they’re at the resort originally. Most of their time is spent walking around the lounges and pool side hitting on women and trying to lure them back to their suite for the sake of having sex with them. On occasion, their wacky misadventures spiral out of control and they end up getting in to a sexual scenario.

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During one scene Ben and Jack meet Leslie Easterbrook’s incredibly sexy Bobby Sue, who is sun bathing pool side, and despite their flirtations, she rebuffs their advances. Accidentally leaving her room key behind, they think it’s a hint, and break in to her room. Bobby Sue has a very viciously jealous husband, of course. He’s called the Maestro and is played by Hector Elizondo for reasons I’m sure involved an easy payday. He’s the obligatory villain of the comedy mistaking Morrow’s character Ben for the hotel barber prompting Ben to mangle his precious doo while Jack is in Bobby Sue’s room nude and trying to find an escape.

Like one long episode of “Three’s Company,” there’s a ton of goofy physical double takes, Depp trying his damndest to be wacky, and many scenes involving the pair of pals running around the halls of the hotel outrunning someone who rightfully wants to arrest them or beat them up. And wouldn’t you know it? Despite this hotel being a high priced swanky vacation spot, every room has a lion share of wacky and outrageous residents. For some odd reason during the big chase scene in the finale, Maestro crashes in to a room where two sumo wrestlers are apparently standing around preparing to fight? I think?

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Like every teen sex comedy, Ben and Jack eventually run across women they want to have sex with but end up in potentially meaningful relationships and given the opportunities to redeem themselves. For Ben his form of redemption involves getting potential girlfriend Patti out of an abusive relationship with a waiter as she refuses to stand up for herself afraid of losing her job. Obviously the complicated problem is solved by a comical punch in the face, and a declaration of love, because why add some characterization to what is unsalvageable dreck by the time the second half rolls around.

Elizondo is seemingly in the movie for no reason, so he’s given a half assed sub-plot mid-way where he plans to romance wealthy woman Mrs. Rawlings for the sake of stealing her precious diamond. That proves disastrous thanks to Ben and Jack when they accidentally interfere with his attempts to seduce her constantly. Every cast member is so ill fitted for the movie that if there is a laugh or two, it will be entirely accidental. To show how utterly inept the movie tends to be, even at the standards of a forgettable cash in, “Private Resort” actually steals a running joke from “Airplane!” involving a taxi and its running meter as Bobby Sue waits in the car.

If none of “Private Resort” appeals to you, then you have to at least sit through it for the sake of Leslie Easterbrook. If you ever sat through any of the “Police Academy” movies wondering what she looked like underneath the uniform, Easterbook is an absolute bombshell here who flashes skin as character Bobby Sue. She appears constantly in skimpy clothing and bathing suits, and even wears a see through robe that reveals her amazing bare body underneath.

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Easterbrook is one of the most underrated sex symbols of the eighties, and she shows here why she deserves to be the reigning queen above everyone else. One scene finds hotel security harassing a woman for wearing a skimpy bathing suit and she teases him by making it shorter and wiggling her back side. There’s also the insanely hot Lisa London who plays the drunken girlfriend of Andrew Dice Clay’s character. While she’s mostly on the floor, she shows off her curves without hesitation and looks incredible.

Meanwhile while her husband is involved in all sorts of running around, getting in to fights and inevitably getting the crap kicked out of him by Dody Goodman. It then simply ends on a freeze frame of Morrow. There’s no resolution, no climax, it just ends so swiftly. Almost like tearing a band aid off. Is there any wonder there was never a Private Resort 2″? Everyone starts somewhere, and for good inspiration on how major actors also have to pay their dues, “Private Resort” is a prime example. Rob Morrow, Johnny Depp, Hector Elizondo, and yes, even Leslie Easterbrook who went on to cult fame with the “Police Academy” film series, are all here slumming it up with a sub-genre milked way beyond its threshold in the 1980’s. It’s not at all the worst of its kind, but it is definitely a low point for teen sex comedies of the decade.

Zombie Fight Club (2014) [Blu-ray]

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While I’d say “Zombie Fight Club” is not the worst zombie movie ever made, it’s definitely up there in the top five. Joe Chien’s zombie, comedy, action… horror movie (?) is so painfully written and poorly directed, it watches like an amateur production from a failed film student. The script watches like it was put together in five minutes with a bunch of concepts that never ever mix together in to a coherent or remotely entertaining movie. Explaining the premise would be like listening to a child with ADD talk as if they’re trying to cram a whole hour’s worth of nonsense in to two minutes. There’s Singapore, and a high rise where a gang of drug abusers are living. The leader of the gang gets a bag of bath salts; said bath salts mysteriously turn the users in to flesh eating zombies.

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Extinction (2015)

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Miguel Ángel Vivas’s is essentially “I Am Legend” with two men and a little lady, fighting off the elements with TV quality special effects and so so direction. And in the end we’re left with a mediocre apocalypse film that at least tries for something unique and different. The opening is kind of a riff on “28 Days Later,” and there are some take aways from “The Walking Dead,” but I have to give it to writers Alberto Marini and Miguel Ángel Vivas side stepping the same old zombie apocalypse doldrums. Even if the prologue does involve that same zombie carnage we’ve seen a thousand times over.

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Beach Babes From Beyond (1993)

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“Whoa! You’re beach babes from beyond.”
“You bet your ass, man.”

I’m a big fan of David DeCoteau’s early work with Charles Band and Full Moon, but with “Beach Babes from Beyond,” I might have finally found something of his I really dislike. It’s a nineties softcore skin flick (from Band’s softcore label Torchlight Entertainment) that feels like an eighties science fiction comedy. And when I say that it’s softcore, I mean soft. The sex scenes don’t really look like two people have sex so much as they resemble two naked people trying to climb over one another to get in to bed. Not that it matters, since there are only about three sex scenes and they’re not the highlight of the movie, mysteriously.

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Cabin Fever (2016)

It’s no secret what my feelings are about 2003’s “Cabin Fever.” I hate it. I despise it. If I could go back in time, I’d prevent myself from spending money on it in theaters and instead go see the mediocre “Underworld.” It’s one of the most painful movie going experiences I’ve ever endured, and I welcomed a remake. Surely, it’s disgraceful that in this day and age “Cabin Fever” has had two sequels, and a remake, while films like “Behind the Mask” are scrounging for money for a follow-up. But Hollywood is Hollywood, and people love their trash. Thankfully, 2016’s “Cabin Fever” is a superior remake, even if it is still abysmal nonsense.

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Total Recall (2012)

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Colin Farrell is back again as an odd choice for action hero playing “Average Joe” Douglas Quaid. He is a factory worker who helps produce police bots for his world that has been divided in to two separate factions. The remaining world that has survived chemical war fare are living on various levels, all controlled by the government. Douglas’ world remains a stink hole lower class existence until he arrives at Rekall, anxious to install artificial memories in to his brain for the sake of amusement. Upon implanting a fantasy in his mind, Quaid learns he is really a super spy, and now Chancellor Cohaagen who is slowly rising to power, is after him. Along with him and his army of robotic police, there’s Doug’s smoking hot wife Lori, who is revealed to be a skilled assassin who is driven to kill Douglas at all costs.

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