Emilie Black Wraps Up Blood in the Snow 2016

bits2016Blood in the Snow, also known as BITS, ran from November 25th to the 27th in Toronto, Ontario, Canada and showcased as it usually does a wide array of horror and genre related feature films, short films, and documentary.  This year’s crop of films has something from everyone including a documentary on the resurgence of posters as collectibles, a postpartum-tinged thriller, a short about a cannibal runner, etc.

The films were of high quality and most were great fun to watch.  In case you missed any of Cinema Crazed’s coverage, here it is in one nifty spot.

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Home Alone 2: Lost in New York (1992)

homealone2“Home Alone” already stretched the idea of logic and suspension of disbelief already, but when Dreamworks squeezed out a sequel hoping for equal to more success, we instead got “Lost in New York.” Not only did this follow up basically prove that the original’s premise was a tad far-fetched, but something of a flash in the pan. This sequel is just leaps and bounds sillier than even the third “Home Alone” and even presents a ton of misguided morals within its narrative. You can sense the movie is one giant misstep, when it casts the likes of Tim Curry as one of Kevin’s adversaries, and turns Rob Schneider in to a hilariously slimy bellboy, and wastes them in favor of rehashing the same dynamic we saw with Marv and Harry from the first film.

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Independence Day: Resurgence (2016)

id4-resOne thing you can always count on with aliens, that no matter how advanced or sentient they are, their primary form of security is always two huge closing doors that slide together and seal as gradually as possible. You assume in their world they’d have laser doors that seal up in a matter of milliseconds, but no. It’s always very slow closing doors that never quite close fast to stop our heroes. But of course they always murder the alien pilots because–they’re obviously not trained to zip through the doors I assume. “Independence Day: Resurgence” is a sequel with such an obvious mission to launch an “ID4” cinematic universe that it’s almost not really worth watching “Resurgence” at all, when you get down to it.

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The Shorts of Blood in the Snow 2016 – Part Three

ingrid-and-the-black-holeIngrid & the Black Hole (Canada) (2016)
A boy and a girl see what they think is a black hole one night and ponder on time travel.  Written and directed by Leah Johnston, this short is sweet without being saccharine and it has a touching way of going through these two kids’ lives and showing how a small thing can affect someone for a very long time.  The cinematography by Christopher Ball looks great and shows the night sky in a beautiful manner as well as the interpersonal relationships of the characters through the years.

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The Sublet (2015) [Blood in the Snow 2016]

the-subletA young couple with a baby move into a sublet with a mysterious locked room and a few secrets.  As he works more and more toward getting his acting career on track, the more she spends time alone in the sublet with their son.  As time goes by, odd happenings add up and she begins to seemingly lose her mind.  Written by John Ainslie and Alyson Richards with Ainslie directing, The Sublet build tension as the characters drift apart due to life and due to whatever force is working on the new mother, Joanna.  As her mind seems to unravel, the potentially supernatural happenings multiply and so does the tension.

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Dangerous Worry Dolls (2007)

dangerous-worry-dollsLife is funny. One moment you’re in prison being beaten up, the next moment you’re having a miniature skull growing out of your forehead. “Dangerous Worry Dolls” is a silly, dumb, and very unscary take on the further obsession of mini monsters doing dangerous things by Charles Band. You have to give it to the man, he always finds a way to squeeze in miniature monsters on to film and look for new and unique ways to make them villains. “Dangerous Worry Dolls” is terrible, but at least Band has a new and unique idea for making mini-monsters become the villain for a movie that looks like it was made on a budget of ten dollars.

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The Eyes of My Mother (2016)

the-eyes-of-my-motherA young woman is thought to handle dead bodies and see them as normal as well as operating on them.   After her mother is killed in their house, she slowly unravels and assumes things to be normal as she learns to live her new life. Written and directed by Nicolas Pesce, the entirety of the film revolves around one young woman and her descent into possible madness as she adapts to her surroundings from childhood and handles death in a particular manner into adulthood and life changes.  The lead character Pesce builds here is a disturbed young woman who does not know any better.  The way she goes through life, constantly referring to her death mother and trying to make her proud while doing things that most would consider twisted or wrong.

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