Lisa Frankenstein (2024)

Director Zelda Williams and Diablo Cody’s “Lisa Frankenstein” doesn’t just wear its influences on its sleeves, it bedazzles those influences and flashes its sleeves around proudly. “Lisa Frankenstein” watches as if Diablo Cody pitched: “Remember “Edward Scissorhands”? What if “Edward Scissorhands” but in the 80’s?” All the cards are set up from minute one, from the Gothic animated opening sequence, and the pastel photography, while Kathryn Newton and Cole Sprouse do their very best Winona Ryder and Johnny Depp impersonations.

Mix in “Heathers,” “My Boyfriend’s Back,” and “Warm Bodies” and we’re given what is essentially a ton of talent with no place to go.

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Every Bugs Bunny Ever: Rabbit Punch (1948)

Rabbit Punch (1948)
Directed by Chuck Jones
Written by Ted Pierce
Music by Carl W. Stalling
Animation by Phil Monroe

The bad new is that Chuck Jones re-uses a lot of the material from “Baseball Bugs” for “Rabbit Punch.” The good news is that “Rabbit Punch” ends up being very funny and memorable just the same. If you watch this and “Baseball Bugs” back to back you’ll see the obvious cut and paste, but this short is helped by the hysterical animation which really helps punctuate the hilarious physical gags and sight gags. There are some subtle bits of comedy that I still chuckle over. The frame as Bugs is hit by The Champ’s brick fist is absolutely priceless, and the POV of The Champ getting hit with a boulder by Bugs’ slingshot is just genius.

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Darkman (1990): Collector’s Edition [4K UHD/Blu-ray]

The one thing about Sam Raimi’s movies is that good or bad, very few of them age poorly. Even for a movie made in the early nineties at an age where every studio were seeking to duplicate the success of “Batman,” Raimi makes “Darkman” his own movie. It’s a superhero movie in the horror vein where our masked dark avenger is also a deformed an unhinged Frankenstein monster. Something in the vein of Brundlefly, Liam Neeson really does offer up a wildly unique and off the rails performance.

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Suncoast (2024)

Now Streaming on Hulu.

Laura Chinn’s “Suncoast” feels like it comes from a very deep and personal place. It’s a movie about loss, and grief, and trying to find a way to live again when a big piece of you has been taken out of your life. Suffice to say “Suncoast” is one of the first great films of 2024 and an excellent drama I’d place right alongside gems like “Ladybird” and “The Perks of Being a Wallflower.” Chinn manages to evoke so many core emotions about coming to terms with death and how tough it can be to move and move forward after happiness has disappeared. How do you begin? Where do you begin? And most of all, when can you begin?

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No Way Up (2024)

It seems like not many remember what a good survival film is, anymore, and while so many present prime opportunities for knuckle biting tension, often times they tend to fall so flat. Claudio Fäh’s “No Way Up” is a great idea for a survival thriller where the odds are deliriously stacked against a group of people. It’s just shocking that so much of this opportunity is wasted in favor of what is mostly a flat, redundant, and dull thriller. I don’t know how you take a great idea like “No Way Up” and leave it feeling like nothing is ever really fleshed out or fully developed.

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May December (2023)

Director Todd Haynes’ dissection of the groomer and predator relationship really is a movie that deserved so much more notice in 2023. Haynes’ approach to tackling a real criminal case notorious in the nineties is a fascinating platform to stage a complex drama and darkly comic film about stunted growth and Hollywood exploitation. Haynes’ film peels away at so many layers and how relationships tend to be somewhat glorified and sensationalized, especially in the realm of what occurs in “May December.” For those involved in this kind of dynamic, the whole interplay between the partners is somewhat spur of the moment, but the long-term effects amount to much more psychological baggage that the movie only skims the surface on.

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The ABC’s of Book Banning (2023)

Can now be Streamed on Paramount Plus. 

Director Sheila Nevins’ Oscar nominated short is an Important film and one that provides a scathing indictment of the American Education system and our head on collision with fascism and anti-intellectualism across the board. With the rise of smaller special interest groups, the idea of book banning has become a niche topic for aspiring politicians seeking power, thus creating a maelstrom of controversy. Rather than comment on the entire absurdity herself, director Nevins hands the platform over to a group of prepubescent children.

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