The Martian (2015)

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It’s been quite a while since director Ridley Scott brought a film so rich and entertaining to the big screen and it’s a thrill to see Scott bring audiences what is one of the more riveting tales of a castaway trying to survive in the wilderness. Adapted from the novel, Scott delivers a truly compelling drama about lone astronaut Mark Watney left stranded on Mars, who spends his time trying to survive and build his own ecosystem in a harsh alien world incapable of supporting life. What’s most exceptional about “The Martian,” is that it tells the tale of a very motivated hero who spends all of his time trying to solve his problems and very little of it moping around and fearing death.

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Creed (2015)

creed-2015

Sylvester Stallone paid proper tribute and respect to his character Rocky Balboa with the final chapter in his saga “Rocky Balboa.” The character deserved the poetic finale after the clunker that was “Rocky V.” Ryan Coogler’s “Creed” is an utter accomplishment that works as a part of Rocky Balboa’s tale, and as the beginning of a new underdog saga. What initially seemed like a lame cash in, is a brilliant twist on the underdog tale with Stallone turning his sights Balboa’s rival and friend Apollo Creed. What was viewed as a sad death in a camp classic in “Rocky IV” carries over in to “Creed,” where Apollo’s death has had a serious significant effect.

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Crossworlds (1996)

crossworlds

Before “The Matrix” there was this wonky surreal tale about existentialism, the meaning of existence and reality, and a suited mad man trying to infiltrate worlds through concepts concerning being, matter, and dimensional travel. By way of “Star Wars,” director Kristin Rao brings us a tasty goofy bit of direct to video goodness with Rutger Hauer as an uber-Obi Wan Kenobi who helps a young man find his way as a warrior and help him learn about his mysterious past involving his father. Hauer even waxes poetic and dons his own combat attire while venturing to save our reality from interdimensional beings looking to conquer various dimensions, including our own.

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A Sister’s Nightmare (2013)

sisters-nightmare

What almost ruins the experience of “A Sister’s Nightmare” is its pacing. The pacing and tension are glacial to the point where I wondered if writer Shelley Gillen had any idea where it was going. Thankfully sticking with it leads in to a very interesting pay off in the finale where events unfold in to a welcome twist climax. I pretty much anticipated what would occur, but in the end I appreciated that the writers opted for a twist rather than simply turning “A Sister’s Nightmare” in to a typical protective parent thriller we’ve seen a thousand times. I’m not saying “A Sister’s Nightmare” is top notch thrills and chills, but it definitely builds up to a neat bang that compensates for the general mediocrity of its storytelling.

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Avenged (2015)

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I wish “The Crow” sequels took as much of an advantage with a creative premise as director Michael S. Ojeda does with “Avenged.” While his film isn’t exactly a revenge masterpiece, it’s a strong contender for one of the finer revenge films of the past five years, working as a tragic love story, and a vicious horror themed tale of vengeance. Amanda Adrienne Smith is rather compelling as the victimized Zoe, a deaf mute who ends up at the wrong place at the wrong time.

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Sinister 2 (2015)

Sinister2

Someone should really tell the creators of Slender Man that Focus Features went ahead and ripped off their character, except their version sports rockin’ long black hair. Here we are with the direct follow-up to “Sinister” and the mystery of who or what Bughuul still isn’t interesting, nor is the actual character of Bughuul. His motives are still a mystery, his quest for luring children still unknown, and there’s not a lot of explanation to what purpose the children serve for him. Are they his willing minions? Are they individual manifestations of his persona through the souls of the children he’s consumed? Are they possessed by him? Or are they his eternal slaves? The writers don’t seem to know just yet.

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Jack’s Back (1988) [Blu-Ray/DVD]

Jack the Ripper is one of the most fascinating serial killers of all time mainly because of the way they (I always assumed it was more than one killer) murdered, and their targets. Sadly, the entity has managed to inspire so many horror films, some very good, and some known as “Jack’s Back.” A cheapy little vehicle, “Jack’s Back” has vague connections to Jack the Ripper, but it overplays its hand by sidestepping the slasher motif, trying to be a cerebral character study. It fails on most fronts. Instead watching like a goofy, often muddled mess that I had a tough time keeping up with.

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