The sequel to Genndy Tartakovsky’s entertaining “Hotel Transylvania” is what I’d define as blatant cash grab. It’s a follow up with a very typical and broadly written turn of events, what narrative it offers for the follow up is slim and often times nowhere to be found, all the while the sequel as a whole feels like a glorified pilot for the inevitable “Hotel Transylvania” TV show. I almost expect an announcement after the initial sales for the home video release about a TV show coming down the pipe. The movie essentially sets up characters for a TV series, and it’s barely competent as a sequel. Of course rather than focus on the dynamic between Mavis and new husband Johnny, we now view them as parents.
Author Archives: Felix Vasquez
Our Top 10 Minority Movie Heroes Part II
I had a good time compiling a list of some of the best and most entertaining minority movie heroes, so I thought it’d only be fitting to offer up a sequel to the list with ten more movie minority movie heroes. I had a lot more suggestions this time thanks to the help of some friends, but narrowed them all down to these ten interesting and magnetic heroes of film. Did I miss any characters that you feel should have been included? Let us know!
The Diary of a Teenage Girl (2015) [Blu-Ray/Digital]
You have to appreciate the gutsy turn “The Diary of a Teenage Girl” takes when it dares to enter in to a coming of age tale that is about as realistic as it can get. When our character Minnie begins realizing her own sexual attraction to her mother’s boyfriend, it comes off more as creepy and awkward, no matter how much dreamer Minnie tries to romanticize it. She paints the dynamic between her and her mom’s boyfriend Monroe as something of a realization of her adulthood, when really it’s downright hedonistic self satisfaction with absolutely no thought toward the consequences she and her would be lover may face.
Though Minnie finds it fun to tempt Monroe by sucking his finger during a play fight, it’s about as gross as you’d expect with a thirty year old man hitting on a fifteen year old girl. When they finally do sleep together, director Marielle Heller drives the point of Minnie’s coming of age, when post-coitus, Monroe proudly smears Minnie’s blood along his thigh. A lot of Minnie’s own affair with Monroe is pure pleasure, and its eventual fall out is very real, causing her to sink somewhat in to a darker world of drugs and drinking. It becomes especially harrowing when she begins to dabble in darker corners of her city as a means of coping with her pseudo-affections for Monroe.
Alexander Skarsgård is very good as the slimy Monroe who presents opportunities for Minnie to dabble in to areas of her life she’s always been afraid to visit. All the while star Bel Powley handles the material like a champ, providing a very unique turn as main character Minnie whose actions eventually transform in to self destruction and self inflicted punishment. Her own moral code and decisions will cause the viewer to consider time and time again whether they really like Minnie or not, and even when we close the film, it’s never a surefire bet that she’s a good person that will redeem herself in the future. For her it’s something of a dreamy fantasy she’s fulfilling, while it looks to the objective viewer, like an older man preying on something of an idyllic young girl.
If I have any complaints it’s that Christopher Meloni and Kristen Wiig are wasted and never given a chance to really shine; especially Wiig who is given a smaller role that doesn’t compliment her ability to be funny or complex. “The Diary of a Teenage Girl” is nonetheless an entertaining and often compelling drama comedy that dives head first in to the coming of age of a young woman, warts and all.
Featured in the stuffed blu-ray is an audio commentary with director Marielle Heller and Actors Bel Powley and Alexander Skarsgård. The commentary is fine enough with some fun anecdotes, and information about the filmmaking process. There is a trio of deleted scenes all of which clock in at an average of two and half minutes.
“Marielle’s Journey: Bringing the Diary to Life” is a twenty three minute look at director Marielle Heller’s history with the source material, the look at the stage adaptation and the transition to feature film. There are interviews with the cast and crew, a look at the themes and details of the narrative, including characters, the process of casting, the process of including the sex as a plot element, the film’s tone and so much more. There’s a twenty five minute Q&A with Marielle Heller, Alexander Skarsgård and Bel Powley with moderator Jenelle Riley who engages in a very informative Q&A. Finally there’s the original theatrical trailer.
The Lion Guard: Return of the Roar
With “The Lion Guard,” you have to keep telling yourself, it’s mainly a show for the kids, and you might be able to forgive some of the mistakes it makes. While it does make the wise choice of somewhat ignoring the lackluster sequels to “The Lion King,” it also adds unnecessary dimension to what was already a complex animated movie. Since the series “The Lion Guard” is touted for kids, I doubt Disney will do much to patch up continuity problems, so you have to decide if you want to acknowledge “The Lion Guard.” This time around, “The Lion Guard” is set somewhere during Simba’s reign and obviously before “The Lion King 2.” As a matter of fact, “The Lion Guard” essentially ignores “Simba’s Pride,” altogether.
The Intern (2015) [Blu-Ray/DVD/Digital]
Robert DeNiro gets a lot of crap for basically losing the drive and just giving up and starring in any film he can get a role in. Granted, those arguments are valid, but in films like “The Intern” there’s at least some of the fine actor we once knew and will always know even after DeNiro has passed on. DeNiro has something of a twinkle and spark in “The Intern” where he conveys a lot of the charm we know him for. I don’t know if he was really just phoning it in the entire time, but in “The Intern” he plays the role well and works off of the potential sitcom trappings director Nancy Meyer tries to peg him in to. DeNiro plays seventy something Ben Whittaker, a man who’s lived a long life with a good career, and has lost his wife years before we meet him.
He’s spent the rest of his time travelling around the world and getting in touch with his son, but is still very restless. Hoping for a new chapter in life, Ben enters a work program for a dot com company that’s specifically hiring senior citizens. When he gets the job, he begins working under Jules, an ambitious young woman on the verge of forming a media empire who finds her marriage and relationship with her daughter crumbling under the weight of her success. With Ben garnering some sympathy toward Jules’ dilemma, the two bond as Ben tries to help Jules garner some clarity, while gaining insight in to her stressful life. Surely, it’s a movie like “About Schmidt” about a senior citizen looking for a life after his marriage, but the movie is less about the meaningless of life, and more about how character Ben doesn’t have it so bad.
He had youth, he had ambition, and now that he’s experienced it twice, he can now just relax, and he’s content with that. Being without a job and a marriage does not mean one is purposeless. Meanwhile when we meet Ben working in a chic office without walls, where the workers live on their computers and cell phones, DeNiro comes off surprisingly dignified. “The Intern” doesn’t paint Ben as a man stuck in the digital age, but as a man who accepts today’s generation and tries his best to adapt. This involves hanging on to his email where he anxiously hopes to be called upon by his superior Jules. Even the relationship he develops with a trio of comedic interns ends up quite charming and entertaining, as they learn from his experience and use it as a means of bettering themselves in the professional and personal world.
“The Intern” promises again and again to become this stale sitcom, but surprisingly it’s a very unique and charming drama comedy with DeNiro carrying the weight of the film. Anne Hathaway is great as Jules, a young upstart CEO for a dot com company that is promising to destroy her personal life with her husband and her daughter. Hathaway succeeds in playing such a tragic character bound by traditional relationship roles and finds her ambition is ruining the dynamic in her marriage. Granted, “The Intern” can be a bit sickly sweet with some goofy moments injected, including a silly break in scene after Jules sends her mom a graphic email, as well as the romance between Rene Russo and DeNiro’s character that begins with a groan and literally goes nowhere.
In either case, “The Intern” is a charming and simple drama comedy with some genuine sincerity and heart to it. The Blu-Ray release comes with a DVD copy and Digital copy. Among the special features, there’s “Learning from Experience,” a five minute obligatory EPK with interviews with director Meyers, and other cast members. “Designs on Life” is a six minute visit with the set decorators, production designers, and costume designers, as well as interviews with various cast members, and director Meyers who discusses the film’s look. Finally there’s “The Three Interns” a six minute look at Zack Pearlman, Adam DeVine, and Jason Orley, all of whom have funny supporting roles as young eager co-workers. They speak about working with DeNiro and on the film.
Intruders (2016)
Adam Schindler’s “Intruders” (formerly “Shut In”) works with a fairly solid concept that begins with a clever note and then uses the concept to keep out of gimmicky trappings and implement it as a means of exploring a very unique kind of horror protagonist. By the end of “Intruders” you’ll either really care about Anna’s plight, or really fear what kind of maniac she’s capable of becoming, especially when she decides to approach her enemies with a swift and merciless motion.
Backcountry (2015) [Blu-Ray]
“Backcountry” is not “Jaws” so much as it is “Open Water” set in the woods. It’s more of an unsettling survival drama centered on a young couple, both of whom bite off too much when they venture into the wilderness. As with most survival dramas, director Adam MacDonald begins the film on an more serene albeit unsettling note and, much in the vein of “Frozen,” begins setting up a lot of mistakes our characters make that will come back to haunt them much later on. Mainly, “Backcountry” is a slow boil where Jenn and Alex find themselves slipping up at every turn and can never seem to take a hint on looming danger.





