Watch These Films (WTF) Shorts Block
Director and Writer Ronald Short’s horror comedy is a great little Halloween treat just a few months before the festivities begin, and I loved the spirit behind it. Short’s horror comedy leans more heavily in to comedy as a small Frankenstein monster Halloween decoration causes chaos in the house of a normal married couple one night.
Dangerous Visions Shorts Block
We traded our privacy for security. And when we lost the privacy and kept the security and realized it didn’t make much of a difference it was too late to get our privacy back. We live in a world where there are cameras everywhere, and everything is taking footage of something going on in the background and foreground. More than ever we’re being viewed through some kind of robotic lens.
And we’ve yet to really prepare ourselves to know how far that rabbit hole goes.
The new standard for horror entertainment has become the lo-fi, filmed on VCR fodder that had lent something of a realism to even the more outlandish premises. The aesthetic has been used in a lot of facets of horror in the last eight years, including horror movies. The classic ARG aesthetic just works and it works well for the short from skilled animator and concept artist Vivien Forsans entitled “Bedroom People.”
“no more room in hell” is a masterclass in how to make a horror documentary without skimming copyright and licensing fees. Rebecca Shapass directs a de-construction of the Romero movie series by taking a deeper more abstract look at how environmental and ecological elements contributes to the rush of the dead, and the downfall of society. Shapass includes snippets of dialogue from the various scripts and spends a lot of the documentary’s time peeking in to various industries including excavation, as well as the rule of capitalism.
I imagine Olivier Labonté Lemoyne’s is going to lend itself to all kinds of interpretations. Maybe it’s just abstract for the sake of being abstract? Who knows? In either case, “Nu” succeeds in being as oddly creepy as it does in being kind of silly, exploring the idea of fear vulnerability. The whole concept of beings that look like nudists plays on the whole nature of voyeurism and the reluctance by many to engage in it.
Director and Writer Sonia Estévez’s short stop motion film is a beautiful depiction of the life span of the normal woman and how she perceives their existence as a whole. The idea of the normal woman being depicted as some one living on strings is a fascinating bit of symbolism. Over the course of ten minutes, the animation depicts her as someone being held up by strings who seeks independence almost immediately.
