“Dream Child” is admittedly one of my favorite of the Nightmare sequels. While it doesn’t do much to further the lore like “Dream Master,” either, it does strike me as something of an entertaining installment in the series. Even years after watching it on network television time and time again, it still holds up very well to scrutiny. The premise is actually very creative this time around. Though it’s still a cheap excuse to keep the series moving, it’s quite innovative. Freddy has been revived once again and this is through the dreams of Alice. He revives his mother who gives birth to Freddy yet again, and Freddy is able to take on his true form as an adult. He knows something Alice doesn’t.
Category Archives: Halloween Horror Month
Freddy's Dead: The Final Nightmare (1991)
“Freddy’s Dead” is what you would call absolute zero for the franchise and god help me if it isn’t one of my all time favorite guilty pleasures. This is the film that my dad took my brother and I to decades ago and we experienced it in its full 3D glory, loving every single solitary second of it. This is the moment when Freddy Krueger finally dropped all pretense and became a demonic Scud Farkus, a clown prince of the dream world who resorted to cartoon tricks and treats to murder his victims rather than revel in the evil of it all. It’s a shame too because this is technically the final entry in the series and rather than play to the Craven crowds and deliver us a helping of frightening Freddy, we’re instead given funny Freddy. I use the term funny loosely, of course.
A Nightmare on Elm Street 3: Dream Warriors (1987)
As a person who has taken part in lucid dreams, it’s refreshing to see a sequel strive to turn the premise of “A Nightmare on Elm Street” completely on its head. With states of dreaming and forms of the sub-conscious there is so much one can do with the premise that it’s a dream come true to see folks like Frank Darabont and Wes Craven re-visit the material and figure out a new way to deliver it to fans. Considered arguably the best of the “Nightmare” films, “Dream Warriors” takes a look at what would happen if the kids in Freddy’s dream world decided to finally start fighting back once and for all.
A Nightmare on Elm Street 4 – The Dream Master (1988)
With “Dream Warriors” there was a purpose for its premise. It was the last of the Elm Street children and they had a score to settle with Freddy. With this Renny Harlin installment there isn’t much that can be done beyond the visual and Harlin brings it to the forefront with all sorts of surrealism that audiences will appreciate. Sadly, the cause for Freddy’s revival isn’t too creative, nor is the reason for the continuation of this narrative. There could have been a lot more to do with the concept of the dream warriors, and “Dream Master” is sadly just a vague reflection of the creativity brought to the aforementioned.
Kidnapped (Secuestrados) (2010)
At the end of the day I really wanted to love “Kidnapped,” but the problem with Miguel Angel Vivas’ lengthy and dreary home invasion picture is that he sends out mixed messages and can never be sure where he wants to lead the audience. Sometimes our characters are merely horror movie cannon fodder to be bashed around and humiliated at a moment’s notice, and other times Vivas seems to really want to depict these characters as fleshed out human beings for the audience. And he fails at accomplishing both tasks. From minute one Vivas almost wants to show us this family bond that is lacking from the get go and never gives us a reason why we should quite care about these people.
Chainsaw Sally (2004)
Chainsaw Sally is one vengeful woman. As a resident of Porterville, she’s the quiet librarian who takes her work much too seriously, and loves to strike down anyone who makes her work more difficult than it has to be. By day she’s an authoritarian bookkeeper who takes pride in her work, but by night she’s a wicked avenger for women wreaking havoc around her town and mutilating anyone that crosses her path. Be they folks who have forgotten to return their books, or womanizers at bars, she is never afraid to wreak unholy vengeance upon her victims and she does so with glee and a giddy laugh to boot.
The Horde (La Horde) (2009)
It’s cops and robbers meets zombies in Yannick Dahan and Benjamin Rocher’s French zombie spectacular entitled “La Horde.” One of the main things I love about today’s zombie films is that we don’t often go too deep in to what’s causing a zombie apocalypse, nor do we ever find the characters questioning what is causing this mayhem. We just know their asses are about to be chomped on and they have to move quick. From “Dead Set” to “Rammbock” right down to “The Walking Dead,” not much is made of what is the cause of the apocalypse so much as is how to work around it. “La Horde” is one of the many zombie flicks that just doesn’t understand a good zombie movie has to be about the people in and around it and less about the zombies.