I had such a good time with Kevin Chenault’s road trip dramedy. It’s spewing indie flavor with a lot of its narrative very much in the vein of Wes Anderson. It’s surreal without ever being pretentious, and it’s about two wandering souls questioning their own lives, but never gets saccharine at any moment. I was just won over by minute one, and had a great time watching these two individuals face a harsh world side by side, and travel in to a weird land.
Whether you love or hate George Romero and his films, there’s no denying that without his zombie movies there wouldn’t be the zombie culture we know today. Surely we might have two or three zombie movies concerning the sleepy servants of voodoo masters, but we wouldn’t have the flesh eating hordes that are currently consuming pop culture and the world as we know it. There’s also a very good interview where filmmaker Alex Cox notes that were it not for “Night of the Living Dead” becoming public domain, there likely would not have been inspiration for filmmakers to offer their own zombie entertainment for horror fans.
Weird, I always assumed Lana Lang took Clark Kent’s virginity, but that’s a mere nitpick for “Little Man of Steel.” Director Larry Zeigelman explores the more private side of the greatest superhero in DC. Set during a random night in Metropolis, Clark and Lois enter a local pharmacy after a seemingly hot date and Lois is very anxious to seal the deal with Clark. Clark is very hesitant though, and looks for many ways to stall the inevitable. He even zaps away repeatedly to stop a world crisis as Lois waits by the condom aisle.
Director Patrick Meaney’s chronicle of the group of innovative artists that gave Marvel and DC the collective bird and took control of their own lives is a wonderful insight and word of warning at what happens when there are too many cooks in the kitchen. Surely, no one person is to blame for helping Image nearly drop out of the scope of pop culture and crash, but when you team a group of artists together who could walk the walk and talk the talk, there is bound to be conflict and inevitable resentment. I consider myself lucky enough to have grown up during the Image Revolution, where most of my money was spent on DC and Marvel, and immediately went over to Image. I bought titles like “Prophet,” “Youngblood,” and “WildCATS” religiously, while cutting my teeth in Jim Lee and Rob Liefeld’s art for many years.
Dan M. Kinem and Levi Peretic really manage to pay amazing respect to VHS collectors with “Adjust Your Tracking,” an entertaining and raucous documentary that chronicles the joys and pitfalls of VHS collecting. Kinem and Peretic are the founders of one of my favorite websites “VHShitfest” and put their rabid love for the VHS format to use by profiling some of the most hardcore VHS collectors in America. The interviews and glimpses in to the collecting of the arguably defunct format never lull, and directors Kinem and Peretic manage to really give audiences a look at why this is such an appealing past time.
Director Aaron Longstreth really has an epic story on his hands, and he manages to depict so many themes and expository shots in a short time frame quite brilliantly. I really want a sequel. Or somewhere down the line a feature film continuation, because Longstreth is at the top of his game here and delivers a quality apocalyptic horror film that will appeal to audiences that love fodder like “The Walking Dead” and “28 Days Later.” Speaking as a fan of both, I loved “Shelter 5.” I watched it twice.
It’s hard to believe this film took eight hours to shoot. Director Jakob Bilinski manages to cut together such a tightly wound and excellent little horror film that it’s impossible to believe it came out so great, let alone coherent. “Lucky” is a fantastic horror film in the tradition of classic comeuppance stories that really do allow the audience to revel in the twist before us.