Teen Vamp (1988)

“Teen Witch” came in to existence from a studio’s desires to create a “Teen” monster franchise. “Teen Wolf” would give way to “Teen Witch,” and there was supposed to be “Teen Vampire.” Director Samuel Bradford’s super low budget “Teen Vamp” seems to aim to unofficially complete the trinity amounting to a bizarre eighties teen horror series. Although, you could ague “Love at First Bite,” “The Vampire’s Kiss,” and or “Vamp” completed the trilogy; I’d be more hard pressed to argue that “My Best Friend is a Vampire” feels so much more like a natural end to the desired gimmick. “Teen Vamp” is best left in the heap of obscure eighties video store shelf warmers.

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Primal Rage (1988)

Director Vittorio Rambaldi’s horror film is such a silly bafflingly bizarre horror movie that even after the credits rolled, I was kind of dumbfounded. “Primal Rage” feels so much like someone wrote a teen college drama comedy about an aspiring journalist, and his love interest. And then someone had the bright idea of taking a script for a horror movie and just awkwardly wedged it right in between all the twenty something romance and growing pains with mopey aspiring photographer Sam and even mopier student Lauren. Continue reading

The Black Phone (2022)

Director Scott Derrickson bring to screen what is really one of the more riveting thrillers of 2022. While “The Black Phone” almost always runs the risk of getting lost in its obvious influences of Stephen King and Amblin, “The Black Phone” ends up being a truly engaging and often scary hostage thriller. This one thinks somewhat outside the box bringing us not only in to the hot seat of the character that’s been kidnapped, but it also gives us a look at the echoes that emanate with every victim that villain “The Grabber” has ever victimized and murdered.

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