Hereditary (2018)

The first time I was ever introduced to the work of Ari Aster was in 2010 when I watched his demented short “The Strange Thing About the Johnsons.” Much like “Hereditary,” it’s a very disturbing tale that focuses on a family and a heinous secret among the family that threatens to consume them whole. My words do the short no justice. “Hereditary” is very much in that vein, exploring the terror of mental illness, the idea of manifest destiny, the inescapable fate of inherited disease, and how overbearing and abusive loved ones can keep their power over us long after they’ve passed away.

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The Sin of Jesus (1961)

Up until the 1960s, the cinema depiction of Jesus followed a consistent standard in terms of how He was depicted – the long-haired, bearded, white-robed Jesus of Renaissance paintings – as well as in the manner of how He conducted himself. The big screen Jesus was a symbol of piety and respect, with filmmakers and actors working with a clearly defined parameter.
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The Incredibles 2 (2018)

“You can’t count on anyone, especially your heroes.”  – Syndrome

Leave it to Disney and Pixar. They have the stable of Marvel superheroes at their disposal and they approach “The Incredibles 2” not as a cash grab but a sincere look at the idea of superheroes in the modern era. Sure superheroes seem like a great idea in theory, but “The Incredibles 2” uses its concept as a means of exploring the world with superheroes and how it can have its definite upsides and crushing downsides. The first film had the concept of the idea of the meaning of being exceptional, our natural advantages, and how mediocrity has become the norm for society that only accepted stellar, once upon a time. “The Incredibles 2” takes it a bit further dissecting the need for heroes and whether self-reliance is the only thing we have in this world.

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Every Act of Life (2018) [FilmOut San Diego 2018]

This documentary tells of the life and work of playwright Terrence McNally, who during his 60 years of career wrote many plays including Ragtime and Master Class. The film also tell of the LGBT rights movement, his life through addiction, recovery, love, and a desire to be more, to work more, to be his best possible at all those things.

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A Selection of Shorts from FilmOut San Diego [FilmOut San Diego 2018]

Hookup (USA) (2018)
Adam found a hookup on an app and is going to meet up with him at his place. When he gets there, he is smitten by the man and his great taste. Once things start moving forward to their intended destination, Adam finds himself in a regrettable situation.

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The Strangers: Prey at Night (2018)

It’s a shame that “Prey at Night,” the long awaited sequel to “The Strangers” hit like a thud in 2018, because it sure is a top notch follow up to the atmospheric original we saw a decade ago. Where as the original was more an homage to the Manson family murders, “Prey at Night” is a slick hodgepodge of slasher and thriller nods and winks that paint our trio of Sack Face, Pin Up Girl, and Baby Doll as more aggressive individuals that spend less time tenderizing their victims before they go in for the ultimate kill.

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