Tetsuo: The Iron Man (1989)

A man slowly turns into a metal/man hybrid after killing The Metal Fetishist. His life changes at an alarming rate and so does he.

This piece of Japanese weirdness was written and directed by Shin’ya Tsukamoto almost 30 years ago and it still maintains its shock and awe. The film has a fairly simply story at its basis but is constructed and directed in such a way that it’s dizzying and purposefully messes with its viewer’s angle on it. The film is somewhat hard to follow but that’s part of how it works in the end. It is messed up and messes the viewer up. It’s one of those oddities that don’t feel like it was made just for the shock or just to disturb, but it still achieves both with flying colors. The way Shin’ya Tsukamoto tells this story is masterful yet filled with lunacy.

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Amityville: The Awakening (2017)

After five years on the shelf constantly being rescheduled and postponed, “Amityville: the Awakening” is here and–makes apparent why it was postponed for so long. At ninety minutes, “The Awakening” feels like there are at least twenty minutes of good exposition missing. What we get is a pretty ineffective and monotonous horror film that feels very much like another run of the mill sequel in the oddly long running “Amityville” series. It has a lot of potential to really break out of the doldrums of being just another cash grab, and could have done some great things with its emphases on family, but every time it reaches out to become something different, it inevitably just pulls back again and seems intent on just making it to the end credits with no real effect.

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Gerald’s Game (2017)

Mike Flanagan is one of the best directors working in film today. His list of genre offerings have been impressive, not just because the movies have been great, but because he knows how to build a damn good narrative. Flanagan has consistently impressed me, and with “Gerald’s Game” he delivers a stellar horror drama from the works of Stephen King. Even the best directors have fallen under the weight of the difficult to adapt King tales, but “Gerald’s Game” manages to be an unnerving and complex dramatic thriller that is focused on character and the sometimes weird coincidences of life and fate.

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1408 (2007)

Stephen King has always been less about ghosts and monsters, and more about the ghosts and monsters in man. “The Shining” and “It” were so much less about the supernatural, as they were the darkness that is already there in humanity that helps breed evil and allow it to thrive. The stay at the Stanley hotel, the experience that inspired “The Shining” also helped King garner a keen insight in to the human condition. “1408” is something of an extension of “The Shining” where a man is already doing battle on the inside and comes face to face with a presence that is only a mere extension of himself.  That’s scarier than anything that anyone can conjure up.

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Wes Craven Presents: Dracula III – Legacy (2005)

The “Wes Craven Presents Dracula” series has been one of the kookiest and oddest trilogies ever conceived by a studio. Obviously the trilogy is just a hodgepodge of three vampire movies connected because Dracula. But it’s an eccentric trilogy when you take a step back. The first was a sleek action horror film with Dracula being the reincarnated Judas. The second is a goofy thriller about scientists trying to manipulate Dracula’s blood in to a healing medicine. The third is a romance with a martial arts fighting rogue priest who is trying to stop immigrants from becoming Dracula’s imported food.

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