Downrange (2017) [Toronto International Film Festival 2017]

A group of students sharing a car to various destinations has a tire blow-out that leaves them stranded.  Soon they discover that this was not an accident and they are now in grave danger.

Written by Joey O’Bryan and Ryûhei Kitamura with the latter also directing, Downrange is a tense, one location thriller that grabs the viewer early on and doesn’t let go until the end credits roll.  For fans of Kitamura, this is a return to sources, to his earlier style of having a story set in one location and making it a tense experience for all involved.  This, here, is very successful and works like a charm in the desolate location on a road in the middle of nowhere.  This setting works really well here and the collection of characters and how they came to be together adds to the tension and mystery.  The film uses the fact that there are many unknowns to work in its favor.  The situation is tense enough on its own but the way the characters interact and are portrayed make it work even better.

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The Hitman’s Bodyguard (2017)

“The Hitman’s Bodyguard” is the type of middling, mediocre nonsense that you’re likely going to find playing on basic cable in three years. It’s such an unremarkable, silly action comedy going through the motions and capitalizing on two men and what they’re famous for. Stars Samuel L. Jackson and Ryan Reynolds never break out of their comfort zones, and you can almost sense director Patrick Hughes asked both men to just be who everyone knows them for, and really nothing else. “The Hitman’s Bodyguard” is everything you think a movie starring Jackson and Reynolds will be like. Nothing ever really skirts the edges or thinks outside the box, and the violence seems just tacked on to what was probably a bland PG-13 action comedy in development.

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Lots of Kids, a Monkey and a Castle (2017) [Toronto International Film Festival 2017]

Julita’s lifelong dream was to have lots of kids, a monkey, and a castle. She achieved all of these. Now, her son, actor Gustavo Salmerón has made a documentary on her life showing how she got to getting her dream realized, how the castle became cluttered with all kinds of mementos and things, and how things changed once she had to move out of the castle.

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Welcome to Willits (2016)

A group of friends goes camping near Willits, CA. There, the locals grow very potent weed and smoke it as well while they are attacked and abducted by aliens on the regular.

The film is written by Tim Ryan and directed by Trevor Ryan who team up here to give the viewer a completely insane experience in which it’s hard to know what is true and what is a hallucination. The film plays with this constantly with only a few characters being sober and all there. The film also mixes in a tv show the locals watch called Fist of Justice which stars Dolph Lundgren. This addition sounds ridiculous at first, but it works in the film’s context. The way it goes back and forth between the two groups of people and the tv show creates a chaotic feeling for the story that works great with its insanity. The way characters created here are ridiculous but feel like real people in their environment and against one another.

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The Reunion (2016) [Horrible Imaginings Film Festival 2017]

A man goes into the woods looking for a missing young man with his trusted gun and his will to find him.  What he finds turns out differently than planned.

In filmmaker Francisco Silva’s short film about a man looking for something in the woods and finding out much more than he expected, he explores what one may find on the other side of the darkness and that is may not always be what one expects.  The way the film is written brings horror elements to this story and creates an interesting mystery with a surprising ending.  The film is kept simple in story and dialog as well as setting and development.

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It (2017)

Andrés Muschietti’s “It” has proven in a year of really bad Stephen King adaptations, that it is very possible to put one of King’s most popular novels on screen and remind us once again why King is King. Muschietti, like Tommy Lee Wallace before him, has the daunting task of compressing an eleven hundred page novel in to what will end up being a five hour epic. Yet, “It” manages to come out mostly unscathed as a film that is both a spooky horror film and a stellar coming of age drama. Much like “Mama,” Muschietti’s work on “It” ends in a film that can be appreciated as a human drama and a pure horror movie packed with heart, scares, insight in to growing up in an unforgiving, cruel world.

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