The Monster Project (2017)

A group of filmmakers decide to do a reality tv/found footage project about real monsters.

Written by Victor Mathieu, Shariya Lynn, and Corbin Billings, the film is directed by Victor Mathieu who takes a found footage approach to things, having the show within the movie and the action of the people behind the scenes all being in found footage style, for better or worse. The story here is one found footage fans are familiar with. A team goes into a building with the hopes of filming real monsters and interviewing them. In what looks like something very inspired by ghost hunters tv shows, the crew shoots themselves doing this in night vision on very shaky cam. The monsters here may or may not be real, something the film hopes to blur with its approach and how the characters are brought on.

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My Father’s House: A Journey of Love and Memory (2017)

Hannah Reimann’s nonfiction short is a video diary of the final four years in the life of her father, Dr. Peter Reimann, whose life was slowly weakened by dementia.

The German-born Dr. Reimann served as a medic in the German Army during World War II – the film briefly states he was anti-Nazi, but never goes into depth on his war record. He married Korean psychoanalyst Dr. Myunghee Kim in 1957, eventually settling in New Jersey. Dr. Kim’s death in a car accident during a 1996 vacation in Chile was an emotional loss from which Dr. Reimann never truly recovered, and the sense of melancholy resonates throughout his on-camera footage. When asked during a birthday what it means to turn 89, he responds, “You didn’t die at the right time.”

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Justice Served (2017)

In the modern social and political climate, Patrick Rea’s “Justice Served” is going to play well and perhaps stir up some much needed controversy. While director Rea delivers his usual slick special effects and morbid tone, “Justice Served” is a brilliant commentary on society and how far we’ve come. Society is nothing but people exploiting people, exploiting people, we’re devils and devil’s advocates. Director Rea creates a backward world where the society we witness is shockingly not that different than what we’re seeing today.

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Blood Honey (2017)

A woman returns home after an extended absence to find that things have not changed much, yet they are not what it seems.

Written by Doug Taylor and director Jeff Kopas, the film works with themes of family, grieving, mental illness, trauma, and related ones.  As it delves into the family dynamics and relationships between daughter and father, sister and brother, and others, the film develops characters that all have a connection one way or another and whose relationships are strained to say the least.  The characters created seem a bit limited as they pretty much only exist in relation to each other, except for the lead who is a somewhat more fully fleshed character.  Her trauma and evolution are central to the story here, so she makes a decent lead.  Her story is interesting and the twists keep the attention, however, the story feels like something is missing.  But, by the end, things feel more complete in a way.

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