Using A Tale of Two Cities, this documentary tells the story of Mike Giant in San Francisco and Mike Maxwell in San Diego who are both artists and friends who connected through tattoos the first put on the second. Throughout the film, their lives are paralleled and compared until it eventually brings them together.
Category Archives: Movie Reviews
Country: Portraits of an American Sound (2015)
This documentary made in 2015 and released in early 2017 explores how the image of country singer is developed through photography and has been since the very start of the music genre. Through interviews with photographers, artists, singers, and musicians, the history of country music is explored and the emphasis on how image can help make or break an artist’s popularity are explained as well as the process behind some memorable photographs done by various photographers, some specializing in country portraits and other specialized in portraits.
Glimpse (2016)
I don’t know how many audiences will click with “Glimpse” but for folks that can appreciate film as an experimental form of art with no real narrative, John Nicol’s movie is solid. It has no story and no dialogue and often time feels like some kind of music video, but it’s well made. Director Nicol seems to know what kind of movie he’s making, even if it’s never quite clear throughout the eight minute run time.
Drifter (2016)
Two brothers on the run come afoul of one group after the other until they reach a seemingly abandoned desert village. There they meet a young woman who helps them and meet with a family of crazy cannibals. Written by Chris von Hoffman and Aria Emory, based on a story by von Hoffman who also directed, Drifter is a film about survival in the desert post apocalypse that shows every character but one as bad people. The “bad guys”, the cannibalistic family unit, are truly bad, while the brothers come off as being bad people out of necessity and desperation. Only one character seems mostly good but also a victim of some weird form of Standahl Syndrome. She’s the one who attempts to help the brothers before things really go to shit for them.
The Red Turtle (La Tortue Rouge) (2016)
This is one of the very few animated productions where Studio Ghibli’s fantastic storytelling is given a hint of European flavor. While “The Red Turtle” is branded a Studio Ghibli production it garners much of the same elements from Ghibli’s library including a wide open world, a menacing series of creatures and the overtones of the symbioses of nature and humanity. It’s best to think of “The Red Turtle” as a fairy tale, as the movie relies on a lot of inexplicability to tell its thin narrative. The narrative being thin is by no means a criticism as “The Red Turtle” is a lot about raw events, and simplicity at its finest.
A Second Glance at 2016’s Oscar Animated Shorts
Time seems to be the central theme of the animated shorts for the Oscars this year, as all of the animated shorts have some semblance of the theme of time. Most of the shorts spend their story examining the beauty of the past and the present, while others examine the tragedy of the past, the present, and the future. As with most years at the Oscars, you won’t always find typical animated entries, but this year’s crop have been quite special and incredibly thought provoking. I take a second glance at the shorts this year, and what I am voting to win come February 26th.
Art as a Weapon (2012) [San Diego Film Week 2017]
Made in 2012, Art as a Weapon is a documentary about using street art to publicly send a message, may it be of peace, hope, a political one, or any other messages sent to the mass public by way of graffiti, paintings, etc. The film follows an art class in Burma learning to use art with the most effectiveness and contrasts this with American street artist Shepard Fairey. Directed by San Diego documentarian Jeffrey Durkin, the film mixes the Burmese school students’ scenes with scenes shot in San Diego while artist Shepard Fairey was in town painting a Buddhist monk on the side of a building.