I have nothing but love for “Street Fighter,” one of the greatest, if not the greatest fighting video game ever made. My first contact with it was during my elementary school days when I’d pass by the arcade cabinet residing outside of a local auto shop. There was always someone playing it, but I would look over their shoulder and see what the game was. Later on I learned to love the “Street Fighter II” on the Super Nintendo and I’ve had an interest in its universe for many years. “Street Fighter II” set the template for pretty much every fighting game ever consumed by mass audiences, and is still a brilliant fighter based around strategy and quick timing.
Category Archives: Movie Reviews
Night of the Slasher (2015)
Director Shant Hamassian’s short horror film is a rather excellent meta-tale that takes the classic horror slasher movie tropes and places them in to a new light. What if you could control the idea of the slasher coming to your door attacking with you a set of rules a la “Scream”? That’s the case for a young beautiful girl who is home alone at night. When we first see her, she’s this insanely sexy girl dancing in her lacy skivvies, but upon fully glancing at her person are a witness to the stitched wound she wears on her throat. The scar and silence says all, as she was clearly the victim of a vicious attack by a killer meant to end her life, but somehow survived.
The Woods (2014)
Director Remington Smith’s “The Woods” is quite an accomplishment, mainly because it’s a film set in the middle of a snowy tundra implementing zero special effects. The centerpiece of “The Woods” is our character’s surroundings and how she has to adapt to the snowy wasteland of the woods. Apparently Smith and cinematographer Joshua Yates used mostly natural lighting for their film, resulting in a masterfully eerie and haunting short film set during a fight for survival. There’s so much conveyed in “The Woods” and yet there isn’t single word of dialogue spoken.
Southbound (2016)
I am loving the resurgence of the horror anthology and how horror filmmakers are playing with the format. “Southbound” is very much a new horror anthology that holds no title cards or segues, but instead features five stories that intersect in some way or another. It’s almost like “Pulp Fiction,” but just not as brilliant. in fact, in the end, it’s really a mixed bag of horror tales that are held up by a genuine sense of terror and unease that seeps through the film from beginning to the end. Even when I wasn’t completely invested in a tale, I appreciated the unnerving aesthetic set amid the endless and desolate back roads of America.
Galaxis (1995)
I consider Brigitte Nielsen to be one of the sexiest women to ever grace the big screen in the eighties. She’s a bomb shell and in her heyday was a pure sexual force that I worshiped in films like “Red Sonja.” I won’t argue that her skills as an actress, but at her prime she was insanely sexy. So with that said, I can’t stress how boring a film has to be for me to doze off during a movie starring Nielsen. “Galaxis” is a bland and soulless science fiction epic that garners all of the tropes of the genre that were tired by the early nineties and are even more worn by 1995. I’m frankly shocked there wasn’t an opening scroll setting the stage for the film like “Star Wars,” but writer Nick Davis thankfully dodges that stale gimmick and jumps right in to a massive conflict we can’t enjoy because it’s not the central focus of the movie.
Superhero Movie (2008)
“Superhero Movie” is a comedy that’s remained off the radar for a long time since its release, and that’s a good thing. As a comedy it’s a pretty solid spoof of the “Spider-Man” movies, mocking the inherent silliness and idiocy of the Sam Raimi movies. And ironically enough it manages to be a much more creative and coherent superhero picture than “Spider-Man 3” ever hoped to be. I don’t disagree that the movie is a mixed bag of humor that tackles the superhero movie craze, as well as old hat superhero tropes, but it’s succeeds as an entertaining novelty and a respectable guilty pleasure.
The Shutterbug Man (2015)
Man is “The Shutterbug Man” amazing. The only complaint I can lobby toward it is that it feels more like a prologue to a feature length horror film than an actual short, but i hope director Christopher Walsh turns this idea in to a horror movie somewhere down the line. Told in brilliant and haunting Stop Motion. the legendary Barbara Steele narrates the tale of “The Shutterbug Man.” With simplistic albeit immensely effective and haunting stop motion, Christopher Walsh tells us the tale of the Shutterbug Man, a local who spent his time taking pictures. He could only really take pictures of horrific sights and suffering as it granted him a sick pleasure.







