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Bunks (2013)

bunksMix “Meatballs” with “Return of the Living Dead” and you have “Bunks,” a horror comedy that should not be so entertaining. For a movie that’s rated PG and is primarily for kids, “Bunks” is shockingly exciting and often creepy, but that’s how far the zombie sub-genre has embedded itself in to pop culture. We now have PG horror comedies with brain eating zombies. What’s even more surprising is that director Tibor Takács is able to get away with a lot here, including some mild violence and a lot suggested intense violence.

After Dylan and Dane manage to fool their rivals Sanjay and Delory in to attending boot camp, the pair of brothers takes their identities and play counselors for the summer at Camp Bushwhacked. While exploring an old cabin, the brothers and fellow campers find a mysterious book filled with scary stories. Little do they know that “Bushwhacked” is cursed and has instilled a no scary stories policy. Unaware, they tell the legend of a group of campers that fall victim to a scientist testing his zombie serum, trapping Anson Minor in the lab forever. Telling the story unleashes Anson once again to roam the woods feeding on the brains of local campers. As the zombie plague begins once again, Dylan and Dane have to figure out how to end his reign of terror.

When a rival camper discovers Anson in his lab, he breaks the collar that can control his urges, thus unleashing a zombie apocalypse. “Bunks” is a surprisingly creepy and tense movie that relies on slapstick comedy and interesting twists on the zombie formula to entertain the audience. Not only does the impending zombie apocalypse release a furor of chaos, but the campers have to work together to figure out a serum to end the zombie plague, and tame Anson. Tibor Takács pulls off balancing kid friendly comedy with zombie horror well, implementing some really atmospheric zombie attacks, along with a lot of laugh out loud fodder.

From the motorized ball machine attack, to the camp counselor that refuses to admit her boyfriend Crawl is a zombie due to his status as head counselor, “Bunks” uses the camp setting to its advantage and never slows down. The performances all around are top notch, including Aidan Shipley who is hilarious as the slacker Dane. Tom Keenan is also great as Anson, the “Bub” of the film who is good natured enough, but deadly when his collar malfunctions. Tibor Takács’s “Bunks” works well and gels together as a fine amalgam of sub-genres and classic summer camp fun for the PG crowds. For potential horror buffs, “Bunks” is a worthwhile introduction to zombie cinema.

Fire in the Sky (1993)

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Director Robert Lieberman’s horror drama has a lot going for it, one of which is the immense dread that drips from every minute of the film. We’re never quite sure what occurred to character Travis Walton in the woods, and why he was abducted by Extraterrestrials, but I was very interested in finding out how the various sub-plots would fare. Sure, “Fire in the Sky” is a very loose adaptation of the original abduction accounts, but it works as a horror film that side steps awe inducing UFO sighting. There’s not even much of a focus on the abduction of Travis Walton.

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Stranded (1987)

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“What the hell is that?”
“I don’t know, but it’s got tits and a ray gun.”

I’d be lying if I said “Stranded” has aged well, but then I’d also be lying if I denied loving it mostly based on nostalgia. “Stranded” is a childhood favorite I recall borrowing a billion times from my cousin and loved every minute of it. Today it’s still a solid science fiction horror film, but one filled with flaws. Surely, it mixes “ET” with “The Desperate Hours,” but its charms are undeniable. And it’s tough to hate anything with Ione Skye. There’s just no arguing that.

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Darkman II: The Return of Durant (1995)

I was worried that Steven McKay’s follow up to Sam Raimi’s original pulp tribute would stink, but thankfully it’s a very good sequel. It not only keeps to much of the formula from the first film, but increases the pulp aspects of the story. There’s the return of an old villain, a mad scientist, a super secret weapon, underground lairs, intrepid reporters, and our dark anti-hero who mainly keeps to himself. Arnold Vosloo takes over for Liam Neeson as the character of Peyton Westlake, who is now living in a large underground subway.

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Darkman III: Die Darkman Die (1996)

It’s interesting how solid the “Darkman” series ended up being. While “Darkman III” is by no means on par with Raimi’s original, it’s still a very entertaining exit for such a unique superhero. Director Bradford McKay pushes Darkman toward the Phantom of the Opera style super heroics rather than the grisly monster in the shadows this time around, and Arnold Vosloo returns to really provide a passionate turn as Peyton Westlake, once more. While Liam Neeson gets credit for the role, Vosloo really is a great successor in his own right.

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Dark Skies (2013)

Dark-Skies

Your attitude toward “Dark Skies” depends on whether or not you want to see a remake of “Signs.” In reality, the entire movie is one big reworking of the M. Night movie sans the religious overtones. There’s the disjointed family, the bonded siblings, the static laden communication devices, the doe eyed youngster who can sense the aliens, the barking family dog, and there’s even an awkward dinner where the dad begins sharing stories about his children. And yet, despite the obvious derivations from the aforementioned M. Night film, I really enjoyed “Dark Skies” through the very end.

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Darkman (1990): Collector’s Edition [Blu-ray]

Leave it to Sam Raimi to take lemons and make batshit crazy insane lemonade. Pulling a George Lucas, “Darkman” was once the efforts from Raimi to adapt “The Shadow” on the big screen. When that fell through, he created his own superhero, a demented horror oriented avenger named Darkman. And he’s about what you’d expect from the man who gave us Ashley Williams. Liam Neeson gives a very entertaining turn as Peyton Westlake, a scientist who becomes the unwitting victim of a mob scheme. After Peyton’s fiance Julie discovers a document that can incriminate her boss in his efforts to develop land over the deserted docks, Peyton is tortured by local mob boss Robert Durant’s gang and murdered.

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