Alien Abduction: Incident in Lake County (1998)

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For an early specimen of the found footage sub-genre, “Alien Abduction” is surprisingly solid. It’s cheaply made, confined to one setting, and the acting is dodgy, but its execution is creepy and many moments reflect what would become common imagery in future found footage movies like “Blair Witch” and “Cloverfield.” Back before the internet, viral videos trickled in to underground collectors’ circles and even networks that sought out to convince audiences of their realism. “Alien Abduction” is a film desperately trying to convince audiences it’s a real document, and back in 1998, you’d believe it was a groundbreaking chronicle of a family facing aliens.

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Grave Halloween (2013) (DVD)

gravehalloweenSee kids, that’s why whenever you want to honor someone’s memory, sometimes a symbolic ceremony works better than getting lost in woods haunted by demons. You don’t always have to do what dreams tell you to. Despite some flaws in the narrative though, “Grave Halloween” is a solid horror film. It’s a little bit of “Evil Dead,” and a little bit of “Blair Witch” thrown together for a pretty entertaining ersatz Asian horror picture. Albeit one that’s only given the Halloween tag because character Maiko has to commit the ceremony Segaki for her mother, which happens to fall on Halloween.

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Disaster L.A.: The Last Zombie Apocalypse Begins Here (2014) [Blu-Ray]

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“Disaster L.A.” actually seems to be going for something in its prologue and set up. It props itself up as a disaster film with zombies thrown in for good measure, and for the most part the big doomsday event is grim and creepy. Then the writers completely switch to auto drive unfolding a movie that’s just a shameless regurgitation of “Cloverfield.” The hero of our tale is having a party before said big event, his ex-girlfriend shows up with her new boyfriend, they bicker, she leaves, big event, and now boyfriend pledges to go across the city to find her as the military threatens nuclear strikes. There’s even the tragic brother dynamic like the aforementioned film. It’s sad considering this is from the director of “State of Emergency” which I actually loved.

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Men in Suits (2012)

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Director Frank H. Woodward’s “Men in Suits” is one of the best film related documentaries ever made. It’s an insightful and entertaining look at a rarely covered corner of Hollywood that’s gone unnoticed and uncredited since the beginning of film. “Men in Suits” is a fantastic chronicle of the facet of Hollywood films revolving around men that dress up as monsters for horror, fantasy, and science fiction, and bring to life many of the most iconic and horrific monsters ever put to film. Woodward chronicles how the art form began in the golden age of filmmaking, and has become something of a rare form of performance art in the era where studios are dependent on CGI and polygons.

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State of Emergency (2010)

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I always think that if an independent filmmaker is going to make a zombie movie, focus on characters if you can’t deliver hordes of flesh eating zombies. While I’m not sure how director Turner Clay approached the script initially, “State of Emergency” is sparse on zombie carnage, but rich in human drama and characterization. Most of “State of Emergency” focuses on a small cast of survivors trying to wait out the zombie apocalypse, and how they deal with their day to day activities. Whether its boredom, restlessness, and desperation for help, director Turner Clay unfolds his narrative wisely, adding an ominous presence to his zombies, while also transforming our protagonists in to characters we can root for, and empathize with.

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Invasion of the Scream Queens (1992): 20th Anniversary Edition

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Director Donald Farmer’s “Invasion of the Scream Queens” is an interesting memento of the horror world that should be preserved for posterity. Film lovers in general seem to have a very low opinion of the scream queen and how crucial they are to horror films, while they’re a mostly undocumented period of the horror and video era. “Invasion of the Scream Queen” centers on almost a dozen beautiful scream queens, all of whom sit down with director Donald Farmer to discuss their experience in the business of horror filmmaking, and their thoughts on acting.

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The Texas Chain Saw Massacre (1974): 40th Anniversary Edition [Blu-ray]

TCM40Forty years later and there’s still nothing like “The Texas Chainsaw Massacre.” Not a single film no matter how brutal has managed to be as unsettling and nerve rattling as Tobe Hooper’s masterpiece. It’s astonishing how Hooper’s master work hasn’t aged a day and still retains much of its raw guerilla filmmaking aura. The man and the cast suffered to make his horror thriller about maniacs in the South, and it shows through every single film cell.

“The Texas Chain Saw Massacre” is a horror film I not only respect, but revere, if only because it bears such a realism to it that feels as if Tobe Hooper let loose a bunch of lunatics on an unwitting cast of actors. Much in the realm of Ruggero Deodato’s “Cannibal Holocaust,” there’s the sense that Hooper clings very closely to reality, and covers every single aspect of this vicious environment. You can sense the thick stifling heat, the horrific confusion and chaos, and Leatherface. Leatherface is still the wild insane rabid dog let off of his collar, free to roam as he pleases. Gunnar Hansen as Leatherface is still a terrible force of nature who spares no one, and inflicts immense punishment on the flower children.

It’s interesting to see how Tobe Hooper doesn’t just provide a flawless masterwork of horror, but also manages to depict a very rotten and disgusting environment by sight alone. Every aspect of “The Texas Chain Saw Massacre” feels very aged and filled with years of decay, and Hooper is a master at creating so much out of very little. Hooper’s horror film is still an iconic artifact in grade A horror filmmaking, as well as building an entire narrative around chaos and pure anxiety. From Sally’s forced attendance at the family dinner, to her insane cackling in the final scene of the film as she bathes in blood, director Tobe Hooper’s film takes on a pulse all its own that’s yet to be duplicated or rivaled to this day.

The 40th Anniversary Edition comes with four audio commentaries. There are about six hours worth of commentaries, with director Hooper sitting down with the surviving cast and crew of the film. There’s an audio commentary with Director/Writer/Producer Tobe Hooper, Actor Gunnar Hansen, and Cinematrographer Daniel Pearl, there’s a second commentary with Production Designer Robert Burns and cast members Marilyn Burns, Allen Danziger, and Paul A. Partain. There’s an audio commentary with Tobe Hooper, and finally a commentary with Cinematographer Daniel Pearl, Editor J. Larry Carroll, and Sound Recordist Ted Nicolaou.