The Purge: Anarchy (2014)

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I really appreciate how director James DeMonaco has a second chance to fully embrace his absurd premise of the Purge a year later, and now seems to finally get it. The only way a film like “The Purge” could be any kind of fun is if it embraces its exploitation and darkly comic roots, and “Anarchy” achieves just that. DeMonaco also makes a case in the opening that you really don’t need to see the first movie to understand what the film is aiming for. Truthfully, unless you have a real weakness for home invasion films, “The Purge” can be skipped entirely. Director James DeMonaco blames a lot of the first film’s problems on budget constraints and really gets to explore his premise more with a wider scope, and better grasp of his own idea this time around.

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Robot Ninja (1989)

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J.R. Bookwalter‘s movie about a comic book artist that becomes a superhero seems to have had a budget of fifty bucks. Because of that much of the movie’s elements are sacrificed. This includes common sense, continuity, logic, a coherent story, tolerable acting, and even the most fundamental special effects. Somewhere embedded in the seams of this nearly unwatchable farce is a good movie. But the director spends more time trying to get mileage out of the cameos by Linnea Quigley and Burt Ward, than he does trying to elicit a genuinely good narrative. Who can blame him when the movie garners a cast of terrible unknowns? I’m surprised Ron Jeremy doesn’t pop up at some point.

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The Karate Kid (1984)

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Even as a kid, I was constantly replaying my parents’ VHS copy of “The Karate Kid” and never quite found it to be a masterpiece. Not that it’s a bad movie, in fact “The Karate Kid” is a very good under dog action drama with director Roger Avildsen taming the tale of “Rocky” for a younger more diverse audience. It’s a film for an audience that can identify with the slim Daniel who has to learn how to defend himself, or suffer endless torment by the violent Cobra Kai dojo and their ring leader Johnny.

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Top Gun (1986)

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It’s hard to believe that Tony Scott’s “Top Gun” was not only a pop culture milestone, but very influential for its time. It’s such a ridiculous and silly testosterone laced fantasy based around sexy women, war machines, and a military comprised almost exclusively of sweaty Caucasian young men. It’s tough to take it as anything other than an absurd cartoon that’s valuable for its laugh out loud camp value, and bold faced homoeroticism it embraces and yet ignores like the elephant in the room until the very end. You can argue that it’s a cool movie, but is “Top Gun” a good movie? I’d definitely say “Hell no,” topped with “Are you kidding me?”

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The Raid 2: Berandal (2014)

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Way too often have I invested time in a martial arts film only to find the sequel is pretty much just a repeat of the same beats from the original. Thankfully “The Raid 2” is a wonderful and seamless extension of the original Gareth Evans’ crime thriller. Evans returns to deliver what is now a much more complex narrative based around deception, the mafia, and a very elaborate revenge ploy that promises to bring down even the most valiant heroes in the story. Evans manages a very fluid timeline that makes “The Raid 2” a very good chaser for the powerful first action entry. Immediately after the massive raid in the first film, we find out that things never quite worked out too well for hero Rama.

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The Mighty Ducks (1992)

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“The Mighty Ducks” is just one in a long line of “Bad News Bears” wannabes that pits a crotchety man with a bunch of misfit athletes to use sports as a form of self realization. Thankfully “The Mighty Ducks” is one of the best of the bunch, choosing hockey this time to help a group of smart aleck kids come of age. There’s also Emilio Estevez who is a cynical businessman with the heart of a hockey player, who finds that he still loves the game despite his regrets.

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Teenage Mutant Ninja Turtles (1990)

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It’s surprising that for a movie about anthropomorphic talking turtles that director Steve Barron takes the premise with as much seriousness as possible. Director Barron just seems to get the appeal of the Ninja Turtles, walking the line between the mainstream versions and the original Eastman and Laird R rated comic book. The turtles here have a hard edge, but are entertaining sympathetic heroes, and they’re the center of what is still a damn good action film about family, revenge, unity.

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