“The Wind Rises” is such a beautiful note for Hayao Miyazaki to leave us on. It’s a bittersweet affair as a film and an animated feature, mainly because Miyazaki hasn’t lost his ability to tell stories. He’s the most incredible animator working today, and his retirement is heartbreaking because the man has many more years left to deliver lucid, entertaining and thought provoking stories to his fan base. “The Wind Rises” is not an explosive, fantastical exit for Miyazaki, but a respectful and quiet bow out. One that really does stick with you long after the credits have ended.
Category Archives: Movie Reviews
Hollywood (2007)
Director Christopher L. Golon’s short film “Hollywood” is a decent effort, with a keen idea of what it wants out of its short run time. It’s rough around the edges, and definitely could use a larger length, but as it stands it’s a solid attempt at a short neo-noir about the damnation of living in Hollywood.
The Hunger Games: Catching Fire (2013)
Director Francis Lawrence’s “Catching Fire” is set directly after the events of the first serviceable installment of “The Hunger Games,” and sadly Katniss has not emerged victorious. After her attempt to end her life with Peeta, incapable of fighting to the death, the pair became celebrities. Rather than be wounded by their violation of the rules of the Hunger games, the Capital took advantage of this moment. Katniss and Peeta are now a celebrity couple and the world wide sensation, and the capital has done everything they can to exploit this opportunity. Katniss and Peeta started a revolution when they agreed to a suicide pact, and now they have to once again maintain their image.
The Borrower Arrietty (Kari-gurashi no Arietti) (2012)
I can understand why Disney loves Studio Ghibli so much. Many of their epic films revolve around death and lack of parental units in the lives of youngsters, and Hayao Miyazaki quite often depicts a world where children are either without a mother and father, or are at risk of losing their mother and father. Like many of Studio Ghibli’s animated works, there’s an entirely vast and amazing world that many never explore unless they’re given that privilege.
The Hunger Games (2012)
I guess at the end of the day, you could find worse entertainment than “The Hunger Games.” Most of the concept has been nothing but hype that leads in to narrative that’s entertaining in its own right, but is nowhere near being a masterpiece. I wouldn’t even call it a great movie, when pressed. It’s been touted as violent and disturbing for a PG-13 film, but when the centerpiece of the film involving teens and preteens slaughtering one another at the start of the Hunger Games approaches, it’s all so tame. It’s off-screen blood splatter, and suggestive brutality, all softened by a dizzying shaky cam that renders it impossible to make any of the chaos coherent for the viewer.
The World’s End (2013)
Director Edgar Wright finishes his “Cornetto Trilogy” (the first two being “Shaun of the Dead,” and “Hot Fuzz”) finally with “The World’s End,” a film very much in the tradition of the first two installments. Wright and co. dwell on the prevalent themes that have fueled the first two stories. They’re tales about xenophobia, alienation, conformity, coming of age, the fear of progress, and the dangers of nostalgia. Much in the way Woody Allen did with “Midnight in Paris,” director Wright warns about nostalgia and how our memories can lie to us and become a crutch, preventing us from growing up and moving on with our lives.
This Is the End (2013)
You would think that “This is the End,” a movie about a group of Hollywood actors that basically play themselves for no reason would be self serving and self indulgent. And you’d be correct. Even in its breaking of the fourth wall and satirizing of its stars (that probably only the stars and their friends really would find laugh out loud funny), “This is the End” isn’t a bad movie. In fact for the first forty five minutes, it’s really funny and works as a goofy apocalyptic horror comedy. The rest is just filler, endless montages, and flat improv (mostly from Rogen).





