The Farrelly Brothers, after a long stretch of production issues, have seemingly taken The Three Stooges and turned it in to their own unofficial sequel to “Dumb and Dumber.” Except the Three Stooges are now the unofficial ancestors to Harry and Lloyd, three inept and woefully moronic men unaware that everything they do is beyond social norms. The world around them is vastly different to the world they inhabit. With a shockingly respectable cast of folks like Jennifer Hudson, Jane Lynch, Larry David in drag, and model Kate Upton (mainly cast for a money shot of her in a bikini), the Farrelly’s come with all guns loaded for the sake of keeping the comedy moving non-stop. As a hardcore fan of the trio, I was open to the potential that the Farrellys would do justice to the classic comedy team, and thankfully they pull it off for the most part.
Category Archives: Movie Reviews
Ordinary People (1980)
Guilt is a complex anomaly in the human psyche. It’s remorseless, it’s unbiased, it lingers for decades, and many times it takes on different forms. It can take on the form of blame, and it can form into blame of the most unlikely people, just to make sense of the senseless in our lives. In the face of tragedy some people just need to point fingers and blame the innocent just to help us cope with a horrible trauma, and the same can be said for the characters featured in one of my favorite dramas of all time.
The Land Before Time (1988)
I really can’t imagine a film like “The Land Before Time” being released today. As a kids film it teaches about strength, courage, and the willingness to look for hope in darkness. But as a film in general, director Don Bluth offers a story drenched in sadness, terror, and an almost endless amount of sadness. “The Land Before Time,” like much of Bluth’s work, has held up monumentally well over the year with a beautiful eye for detail, painting a massive world on the threshold of evolving in to something new, while also losing much of its own species to death and turmoil.
The Hunchback of Notre Dame (1996)
What does “Hunchback” teach the audience? Whether you’re gorgeous or ugly, if the hot girl says you’re cool, you’ll become the hero. Also, the nice guy always finishes last. Surely Quasimodo rides off in to the sunset with his crowd of supporters in the end, but who is Esmerelda going home with later that night? “The Hunchback of Notre Dame” is a bastardization from Walt Disney, where they take the tragic and brilliant tale of Quasimodo and water it down so much it’s barely an adaptation when we see it in animated force.
Ancient Evil: Scream of the Mummy (1999)
One of the worst things about fiction is bad exposition. It’s pretty clear from the beginning that “Ancient Evil” probably wanted, but couldn’t afford an entire shot of archaeologists discovering the evil mummy of the film, so we have to have an opening shot of a group of doctors discussing the mummy. One doctor even tells the other doctors where they found the mummy. That’s just bad writing. Why would she reiterate what they already know? Clearly, it’s for the audience.
Come Out and Play (2013)
Like the original film it stems from, “Come Out and Play” offers the question “Who Can Kil a Child?” If your seven year old cherubic daughter was trying to murder you with a hammer, could you kill her? Laugh all you want, but if it comes down to me, and an evil eight year old intent on hacking me to death with an axe, I’ll gladly bring the child down and any other evil children trying to murder me with a machine gun.
Lifeforce (Collector's Edition) [Blu-Ray/DVD Combo] (1985)
Occasionally silly, but still unique and very entertaining, director Tobe Hooper’s “Life Force” is a great contrast to his penultimate “Texas Chainsaw Massare” which relied on muted colors and grimey shades of brown and black to depict his world of vicious violence. “Life Force” is a vibrant and brilliantly filmed horror science fiction film filled with bold shades of bright blues and reds, with a premise that’s all too entertaining to ignore. Hooper doesn’t just create a vampire or alien film, but collides them to form a demented amalgam of a horror classic.