Return of the Living Dead II (1988)

return-of-the-living-dead-2

Hey after “Return” ended, there was really nowhere left to go. The characters were dead, zombies were taking over the world, and the government nuked an entire city. And it’s heavily implied that the rain over head would carry the nasty zombification over in to another city and a whole new batch of zombies would come up to look for brain matter. Dan O’Bannon and co. really left “Return” with nowhere else to go as it sealed up the ending nice and tight. So what else for a studio to do when they want to sap more cash from a zombie film? Remake the first film! Sort of. That makes sense, I’m assuming. In some warped manner.

Continue reading

Detention Of The Dead (2013)

e3a5941a3c7cda03cfebbe5a977fcaae

Director Alex Craig Mann’s horror zombie comedy would probably like to be considered an amalgam of “Shaun of the Dead” with “The Breakfast Club.” And while those attempts at claiming both territories are admirable, his film never quite lives up to aspiring for both heights at all. Mann’s film starts out respectably, taking beats from “Shaun” with moments of school activity interrupted by zombies lurking in the background and stumbling in to class. And then suddenly everything goes to hell. The problem is while it seems to enjoy “Shaun” very much, it’s never as humorous or clever. When it has the chance to compensate for that flaw by focusing on rich and complex characters, it doesn’t do that as well as it should, either.

Continue reading

Perished (2011)

Perished

Despite its brutally predictable ending, the Australian short zombie film “Perished” is a grueling and terrifying horror entry. Once again, a storyteller has the idea to feature less zombie carnage and explore the minutiae of survival where every little step dictates whether you live or die by tooth and nail of the walking dead.

Continue reading

The Battery (2012)

battery_07

I wish more zombie movies could be like Jeremy Gardner’s “The Battery.” The problem with most modern zombie films is that the writers forget that the humans should be the centerpiece of the film, and not the zombies. Director Jeremy Gardner’s “The Battery” is the prime example of how to handle this kind of genre entertainment with a low budget. Rather than flood the screen with zombies, the monsters are used sparingly and for great moments of terror and memorable scenes, while Gardner focuses primarily on character, building two complex and unique people we can love and hate, in many ways.

Continue reading

Best Friends Forever (2013)

BFF-Brea-Grant-and-Vera-Miao

I’ll be honest, I’ve been crushing hard on Brea Grant since her days on “Heroes,” so when I heard she had a movie out where she starred, I made it my mission to watch it. Thankfully, “Best Friends Forever” is a low budget but incredibly well realized apocalyptic horror drama with a geek edge that Grant is now known for. Grant is so adorable in “Best Friends Forever,” she may garner a few more fans. “Best Friends Forever” is basically “Harry & Tonto” meets “A Boy and His Dog.” Except with two beautiful women. To boot, it garners immense heart and rather fantastic performances by Director/co-star/co-writer Grant and co-writer/co-star Vera Miao, both of whom play friends uncertain of their future that realize the world around them has no future.

Continue reading

The Goonies (1985)

goonies

If you want a pure unadulterated ride in to the middle of the eighties, “The Goonies” is an inadvertent trip in to the complete mindset of the decade. Cyndi Lauper, adventure, escapism, work out obsession, coming of age, nostalgia for the sixties, a humongous Steven Spielberg influenced narrative, Corey Feldman, Richard Donner, Jonathan Ke Quan, if it was in the eighties, it’s likely here. That doesn’t act as a caveat, thankfully, as “The Goonies” is a very decade relevant film that still manages to work as an excellent child oriented fantasy adventure in the vein of “The Hardy Boys.”

Continue reading

Phantom of the Megaplex (2000)

dcom_phantom_megaplex

I think one of the reasons why the DCOM “Phantom of the Megaplex” has now gone on to basic obscurity is that it’s one of the weirder movies the Disney Channel ever produced. It’s not just an ode to the love of movies, but it’s a call back to “The Phantom of the Opera.” Not only does the film draw heavily from the original story, sans the violence and murder, but it actually influences its audience to check out the Lon Chaney masterpiece. “Phantom of the Megaplex” is a busy and often messy horror fantasy, but one that works, mainly because the writers of the film clearly love movies as much as we do.

Continue reading