I can see why Guillermo Del Toro would be attracted to a film like “Mama.” While it is a horror film in nature, deep down it is a tragic drama about the power of love and the lengths we’ll go to preserve it. “Mama” is the first fantastic film I’ve seen in 2013, a film about spirits and how immense love can be. After their dad murders their mother in a murderous rage, sisters Lily and Victoria are taken to an abandoned cabin where their father looks to mercifully murder them. There, they’ve found something that is not only intent on keeping them safe, but in maintaining their innocence. Years later, the daughters are discovered much older and in a feral state, clinging to a presence they call Mama. Their uncle Luke and aunt Annabel seek to take them back home and establish a life free from the pain of their original lives. But the girls find it impossible not only to adjust, but to display physical affection toward the young couple. Jessica Chastain gives a strong performance as the unkempt Annabel who finds her loyalties lying with her husband Luke when he fights to take care of his nieces Victoria and Lily, and transforms in to a bonafide mother figure of their very own.
Category Archives: Movie Reviews
Bikini Round-Up (2005)
As softcore schlock goes, director Fred Olen Ray’s wild west romp is only sub-par, and not as entertaining as his previous bikini films. I mean how do you film a girl on girl on girl scene without even showing any of them chewing on rug? Hell, in one moment Beverly Lynne and Nicole Sheridan literally begin fighting over Belinda Gavin’s betweens, but we never actually see any of the good stuff. But I digress. While “Bikini Round Up” is just sub-par, what I really enjoy about the movie is that everything, from top to bottom is implied.
The Texas Chainsaw Massacre Part 2 (1986)

From what I’ve read, Tobe Hooper pretty much had to make a sequel to his masterpiece “Texas Chainsaw Massacre” in order to make films he wanted. And the sequel to his slasher classic is exactly the type of film Hooper has to make, It’s forced, tired, and a complete retread of the original film. To add to the utter lack of entertainment value, there’s even plots that are completely unresolved or unfinished that I would have enjoyed seeing explored expanded just to give this film the feeling that it was an extension of the first film rather than just a retread.
In spite of the family hiding in the outskirts of Texas and hunting travelers for meals, now we learn that the head of their family is a local celebrity thanks to his entering of his prize winning chili and wonderful meat that he keeps a secret. Dennis Hopper is Lefty, a mysterious cowboy hunting the cannibal family and trying to uncover their secrets and put an end to their chaos. And in the opening the two unlucky schmucks that get killed by Leatherface are dismissed as accidents, in spite of one of the two getting his head sawed off. Nothing is ever really expanded or realized beyond these nuggets of ideas.
The Vampire Lovers (1970) [Blu-ray]

The goddess Ingrid Pitt roams the European Countryside spreading lesbianism–er–vampirism to hapless farms and mansions as the dreaded Mircalla. Pitt is at her absolute sexiest in one of the most erotic Hammer films ever made. Pitt stars as the buxom and desirable Mircalla who masquerades as damsels and maidens thanks to her handler. Left at the manors of her hosts for weekends, she insinuates herself in to the family, and eventually seduces the innocent taut daughters of the owners of the house, engaging in affairs, eventually transforming them in to her own vampiric minions. Pitt absolutely glows on screen as the irresistible Mircalla who worms her way in to households across the countryside, and takes every chance to romance young daughters whose lives are filled with monotony and suppression.
They Live (Collector’s Edition) [Blu-ray]
Roddy Piper always seemed like an unusual choice for the role of Nada in John Carpenter’s “The Live” to me. Especially considering the film itself is less an action thriller, and more of a science fiction film that slowly elevates its horror when you consider how much this world reflects our own. The aliens themselves aren’t so much extra terrestrials, but are just us. They’re unrecognizable because they’ve submitted themselves to the decadence and subliminal commands of their overlords. The people that have chosen to act with them are akin to the Jews who chose to ally themselves with the Nazis. They’re slimy, but they’re acting on survival. The aliens have found a way to destroy society from the inside out, and we don’t actually realize it until we break the status quo and put on sunglasses.
Night of the Living Dead: Resurrection (2013)

Every three to four years, a new indie filmmaker thinks they can rise up and give a new flavor or angle to “Night of the Living Dead” and provide audiences with a new look at Romero’s classic horror film. “Night of the Living Dead” remakes are cyclical and the last time we had a remotely fresh take on the film was in 1990, and that’s due to the fact that Tom Savini had help from friend George Romero. Every other rehash since has been piss poor, embarrassing, and just damn unnecessary. How many times can we keep watching the same old story? How many new perspectives can you add? It’s impossible to make the 1968 film feel new and original when the first film mastered it, in the first place. “Night of the Living Dead: Resurrection” only has the illusion of presenting itself as a new version of the Romero tale because the entire rehash is now set in the UK. See? It’s not the same old indie filmmakers trying to upstage Romero, it’s new! In truth thiscan’t stand on two legs since it’s anything but a remake.
My Bloody Valentine 3D (2009)
No one is more exhausted with the torrent of needless remakes than I am, but I was shocked that Patrick Lussier’s treatment of the modern “My Bloody Valentine” is not only clever, but very entertaining. I was never a big fan of the eighties slasher classic, so it was a welcome treat to see Lussier treat the concept with respect, and add his own twist to it. “My Bloody Valentine” acts more as a tribute to the original film with a continuation of the storyline rather than actually try to re-capture the dark comedy of the original. This time around, “My Bloody Valentine” revolves the latter day town of Harmony that lives by the legend of Harry Warden, the psychotic pick axe killer who mutilated many during Valentine’s Day.

