Director Joseph Kahn basically creates the “Scott Pilgrim vs. The World” of slasher movies, a movie so meta and so self-aware that a subset of audience members may be convinced this movie is actually an affirmation of the fads this movie tackles. I imagine some folks will smile thinking “He really gets us” while Kahn is pointing and laughing at them in the background. Kahn seems to have little respect or regard for people in to fads and spends most of the movie skewering just about everyone in this odd vacuum of cyclical nostalgia and retro crap with a modern age lacking an actual identity of its own. “Detention” is a film that many movie fans will either love or hate. I often fell in to the category of despising it but also kept dabbling in the area of admiration for being so unpredictable and original.
Category Archives: Movie Reviews
Screaming in High Heels: The Rise & Fall of the Scream Queen Era (2012)
Like pretty much any documentary involving the video age and golden age of horror “Screaming in High Heels” is a love letter to the genre, and a requiem for a period of horror and filmmaking that is dead and buried. Granted there is the occasional Danielle Harris and Diora Baird, but the facet of the scream queen is defunct, thanks to a new wave of horror directors who feel they’re above such elements. Scream Queens were once upon a time a big lure for potential horror audiences to a new title. Director Jason Paul Collum sets the spotlight on three of the most beautiful women to ever rule the horror world, and examines the highs and lows of being a scream queen.
Albert & Juliet (2012)
I don’t know exactly what the intended meaning behind “Albert & Juliet” was originally, but the entire time I sat through Nic Barker’s gut wrenching short film, all I could think of was “This is a film about a mom and her child.” I mean it would be a bit overbearing in dramatic weight to feature a mom with a newborn baby being relentlessly tortured by everyone around her, but in a sense I felt as if “Albert & Juliet” was symbolic of a single mom and her baby.
Batman (1966)
So we learn in ten minutes of “Batman: The Movie” that Batman manages to store and keep handy a Bat Copter in a warehouse manned by a bunch of workers without actually giving away his identity as Bruce Wayne, office buildings oddly house a large group of scantily clad groupies all of whom will willingly stand on a launch pad to wave at Batman (so much for covert operations), and that Batman labels the ladder in his copter with “Bat Ladder.” Oh so this is the Bat Ladder! I often get it confused for the Hyena Ladder and the Panther Ladder. Good thing it’s labeled. Prudent. Also, even if a shark is robotic, it’s vulnerable to shark repellent.
The Bat (1926)
Batman creator Bill Finger cites 1926’s silent crime thriller “The Bat” as one of the primary inspirations for Batman. And it’s easy to see where he draws his influences from. The Bat in this film is actually a criminal and a master one who steals from the rich. Like Batman he has a bat beacon, he brands all of his calling cards with a bat shaped symbol, The Bat dresses up like a giant bat with a cape and all, and rather than a utility belt, he wields a utility bag where he stores his tricks and supplies including a bat shaped grappling hook. The similarities just don’t stop there. The Bat climbs tall buildings with his ropes and uses the rooftops as his stalking grounds, lurking in the darkness.
Yarasa adam – Bedmen (Turkish Batman & Robin) (1973)
For readers unaware, the Turkish film industry has a long and hilarious history of taking Hollywood films and remaking them sans copyrights and approval from creators. Cult film lovers know of Turkish films and their many knock offs but to see them for yourself is an experience. The Turkish film industry has created their own low budget versions of films like “Superman,” “Star Wars,” “The Exorcist,” “The Wizard of Oz,” “ET,” and of course “Batman.” These films can only be found by bootleg dealers and online sources as they’re so illegal and ripe with potential for lawsuits, the chances of seeing deluxe editions is laughable.
James Batman (1966)
It would be a rare treat if one of the many Batman rip-offs from one of the many foreign countries would actually get Batman right. I think my head would explode if I stumbled on to a Batman wannabe that channeled the tone of the Batman comic books. But, like every other Batman knock off, “James Batman” is a copyright infringing take off on the Adam West Batman series even including a variation of the iconic theme song. This version of Batman however is played as a buffoon by Filipino comedy star Dolphy who takes on the cape and cowl and makes Batman someone as immeasurably incompetent as Inspector Clouseau.