I liken “Frankenhooker” very much to the classic “Re-Animator.” That is if “Re-Animator” were conceived by a mentally deranged chimpanzee. Even as a dark horror comedy “Frankenhooker” is a film that has to be taken with a grain of salt. It’s so monumentally moronic and ridiculous that I couldn’t believe what I was seeing most of the time. Of course going in to a film named “Frankenhooker” you’re not going to get high art, but Frank Henenlotter takes viewer expectations and drags it in to the mud with a shit eating grin. “Frankenhooker” is yet another take on “Frankenstein” with a bit of a Lovecraft twist that really is never as creative as it thinks it is.
Matt Cordell is back and it was only a matter of time before he continued to seek pure vengeance on those who wronged him in his past life. Going back to the events of the first film, “Maniac Cop 2” traces its steps from the original film to continue off where Cordell started his journey for revenge against the people who framed and jailed him, leaving him to die at the hands of inmates he’d busted years before. “Maniac Cop 2” is a film intent on not only continuing the narrative but finishing off the loose ends of the original film.
William Lustig is no stranger to films that dabble in the anarchic and try to play with our conceptions of paranoia and fear. The director is responsible for one of the most infamous slashers to ever come out in theaters “Maniac,” so delving in to the opposite spectrum of the premise is not surprising. “Maniac Cop” is almost an unofficial spin off of “Maniac” in where the former title was about a maniacal psycho on the loose in the city, the latter is about a maniacal authority figure on the loose in the city. Lustig doesn’t detract from the same tone and atmosphere that “Maniac” succeeded in and injects much of the same chaos and paranoia in this slasher film.
My main weakness ever since I acquired the internet in 2000 is fan films. I can’t get enough of them, no matter how good or bad they are. The good thing about them is that if they’re good, they show us that some properties have potential to really shine as great movies. Director Olan Rogers proves that with his fantastic adaptation of “Megaman X.”