There is a certain undertone of sadness present in “Best Worst Movie,” as its mainly a testament to the dangers of filmmaking and the potential for either making a masterpiece or what is considered the worst movie of all time. “Best Worst Movie” is a charming and enthusiastic portrait of the lives of an array of actors, all of whom took part in the 1990 abomination entitled “Troll 2.” What we learn is that these people have been affected by it and its cult status whether they know it or not and we follow star Michael Stephens around as he re-connects with his co-stars and attempts to comprehend why this film has suddenly caught on. Perhaps it was ahead of its time, perhaps cynical horror fans just need some absurdity and innocence and are just bonded with its sense of innocence and incoherency. Regardless Stephens, who refused to touch the movie again after starring as protagonist Joshua, grabs the legacy of this film and discovers an underground of followers who treat “Troll 2” as an almost religious experience.
Category Archives: Movie Reviews
Troll 2 (1990)
“Don’t let them eat, Joshua. For the love of God don’t let them eat.”
Making a really bad horror movie and linking it to a respectable movie for the hopes of financial returns and name recognition is not a new thing. Video companies have been doing it for decades, it’s a common practice in the direct to DVD market. Not to mention the cult classic “Zombie” alludes to being a sequel to “Dawn of the Dead,” even though it really isn’t. But somewhere down the line to avoid being thrown in to obscurity as it rightfully should have been, “Troll 2” is not a sequel at all, it is instead a really god awful movie about Goblins and… really bad acting. There isn’t a single decent performance in the entire film and it’s all so laughably embarrassing that it’s almost impossible to deem this as so bad it’s good.
The Loved Ones (2009)
If John Waters and John Hughes ever conceived the idea for a modern day “Misery,” we’d essentially get this Australian horror gem known as “The Loved Ones,” a movie that’s centered around an impending prom and two rather demented love stories that concern fractured love and new relationships. After accidentally crashing in to a tree Brent kills his father and six months later is a train wreck committed to smoking pot and putting himself in as much danger as possible. He also makes a hobby out of cutting himself and inflicting pain.
Lost Boys: The Thirst (2010)
After the disastrous and god awful “The Tribe,” which was just a remake of the original film, “Thirst” takes every chance to link to the original film convincing audiences that it really is an honest to goodness sequel and not just a wannabe of the “Lost Boys” variety. In its essence though it’s still just nostalgiasploitation, as it takes every precaution to connect to the original movie trying to create a fluid sense of continuity. We hear the classic theme song played in the opening, there’s a re-make of the vampire train track diving scene in the original, Edgar has flashbacks (i.e. clips) of his fighting days with Sam and Alan, Edgar and his brother take the time to explain to one another what happened to the rest of the characters (Corey Haim who died before the film, is told to have suffered a slight case of vampirism and staking), and Alan re-appears as a supporting character now in vampiric form.
Altitude (2010)
One of the elements I truly loved about “Altitude” is that director Kaare Andrews manages to convey a sense of isolation in the open skies. He constantly zooms back upon open spaces and landing strips mountain ranges, all of which are dwarfed when the people inside the small aircraft find themselves in the middle of a mysterious nowhere land in the sky being terrorized by unexplained phenomenon threatening to throw them in to oblivion. Andrews who has a past in comic books really knows how to express a sense of the EC Comics atmosphere where every scene is painted like a graphic novel, especially when the group of friends venture in to the blue sky to be confronted with a black cloud that brings them in to an endless abyss of lightning, darkness, and zero answers for survival.
Zombie Girl: The Movie (DVD)
Justin Johnson, Aaron Marshall, and Erik Mauck’s 2009 documentary from R Squared is probably one of the most simplistic stories ever told but also proves to be fodder for one of the best independent documentaries I’ve ever seen, a film about an enthusiastic little girl who loves movies and is doing everything in her power to make a zombie film, the film community of critics and movie buffs that embrace her for her enthusiasm, her mom willing to do whatever it takes to feed her daughter’s ambition–as long as she goes to school, and the movie that became a cult classic in its own right because of its charming production qualities and overall creativity.
Halloweentown High (2004)
While “Halloweentown High” really isn’t the most subtle of films with monsters and knights acting as symbolism for civil rights, it does excel in fully realizing the character of Marnie who is no longer a student and now just a matriarch of other students looking to make their way in to the human world. Kimberly J. Brown is as good and charming as ever in the role of heroine Marnie who takes it upon herself to play civil rights leader by insisting some of the monsters from Halloweentown should be allowed to go to human school for the sake of diversity and equality. The catch is by Halloween if she hasn’t made progress, her powers will be stripped away. This allows for a more open forum for new characters, all of whom have their own likable traits and quirks. One if a goblin, another is a werewolf, another a wood nymph, and so on. Marnie plays more of a protector this time watching over the new exchange students, and falling for a new guy named Cody.