Much like Tim Burton’s most recent films, “Sweeney Todd” looks brilliant, but beyond that you’d be hard pressed to find any material here worth taking home with you. Like Burton’s previous films, there’s not much beyond the gorgeous coating of colors and tones, it’s all hollow inside filled with one-dimensional characterization and actors so out of their element it’s astounding. While Depp is gritty as Sweeney Todd he can’t carry a single tune to save his life, so Burton and co. rely on him talking as he sings to mask the fact that he can’t truly vocalize. The same can be said for Helena Bonham Carter who is just average as a singer and nonetheless very forgettable as a character.
Category Archives: Movie Reviews
Laid to Rest (2009)
If you’re in the mood to watch a He-Man villain chase three buffoonish horror characters around deserted locales, eternal night, and a dull as day old bread funeral home, armed with a camera that seemingly never runs out of tape or battery power, then step right up to “Laid to Rest.” I can’t believe I waited anxiously for my chance to see this movie and wanted to welcome the new horror character to the slasher fold while enjoying the creative hook all to be welcomed with nothing but endless bickering among characters, a killer who doesn’t do much of anything unless the plot conveniently calls for some scares to keep audiences awake, and fifteen minutes involving three people trying to find the password to a cell phone to call police.
A Nightmare on Elm Street Part 2: Freddy’s Revenge (1985)
“He’s inside me and he wants to take me again!”
Ever since the remake of “A Nightmare on Elm Street” rather than looking back at the original film, many movie buffs around the web have been examining the infamous follow-up to Wes Craven’s sequel entitled “Freddy’s Revenge.” And after seeing it in its entirety for the first time ever, I’ll just say what everyone has examined from the get go: “Freddy’s Revenge” is one big metaphor for repressed homosexuality and its main hero’s confrontation with his demonizing and acceptance of his true sexuality.
Candy. (2010)
If you’re willing to buy that the beautiful Sage Hall somewhere likely in her early thirties is the mother of a man also in his early thirties, then “Candy” might just tickle your funny bone as something of a creepy and unusual horror short film. The appeal of “Candy” is Hall’s directorial style in which she enlists her experience as a video artist to paint a vivid and often uneasy little portrait of a family celebrating Halloween. Hall plays Candy, the curvaceous but coddling mother to her son who experiences jealousy and resentment when he brings home his girlfriend to get in on the festivities.
Never Sleep Again: The Elm Street Legacy 2-Disc Collector's Edition (2010) (DVD)
Whenever someone purports to make the ultimate of anything, there’s a good chance that nine times out of ten, there will not be anything remotely resembling ultimate about the product. The makers behind “Never Sleep Again” thankfully live up to their promise that “Never Sleep Again” is “The Ultimate Nightmare Documentary” not only because it is undoubtedly one of the best horror movie documentaries ever made, but it surely is the definitive look in to the Nightmare series that is not just the chronicling of the evolution of a bonafide horror icon, but of a studio that began as an independent film studio and worked its way in to becoming a corporate juggernaut that in a sense worked against what filmmaking was originally all for in the first place.
A Nightmare on Elm Street (1984)
“A Nightmare on Elm Street” remains Wes Craven’s master opus, a film that is his most creative and most visually appealing. There aren’t many horror films that dabble in the iconology and symbolism of dreams and end up being truly horrifying, but Wes Craven’s film continues to be something of a crowd pleaser to this day. While it hasn’t aged too well since its initial release (which is the case with all of Craven’s films, I’ve found), it remains one of the most influential films of all time considering its primary character is a dream demon who plays more of a supporting role than taking center stage.
Resident Evil (2002)
Back in 1996 when Capcom and Playstation released “Resident Evil,” the horror and gamer world were awash with buzz and raves of a game that while lacking in voice acting department (seriously if you’ve ever seen the filmed intros to the American game, you’ll laugh non-stop), was an all around horrifying and inventive survival horror game that begged to be made in to a movie. It featured all of the tropes of the classic horror genre from a large spooky mansion, a bunch of mercenaries called out to investigate strange goings on all of which lead them to clash with undead dogs, birds, ravenous monsters and–worst of all–hordes of flesh eating zombies.