“Ju-On” is a sheer test of terror, tension, and heightening suspense, and director Takashi Shimizu who also writes the script gives some inspiring direction that echoes Hitchcock’s directing style of silence and horror within everyday aspects. Though the haunted house movie has been done as far back as movies have been around, Shimizu does one hell of a job with the formula creating not a movie with ghosts, but demons. Starting off with a gritty and frightening sequence in which a man murders a woman, her cat, and proceeds to make his way up to a young boy, and we skip to present day where we watch victim after victim fall under the unrelenting spell of the demonic entities that live in the house.
Category Archives: Movie Reviews
The Hunted (2003)
Tommy Lee Jones plays Lt. Bonham, an ex agent who is now a guard for a nature society tracking animals and stopping poachers and illegal hunters. After two hunters are found gutted, Bonham is called back into duty by an old colleague who needs his help to track the killer, Aaron Hallman, an ex-agent who has begun killing hunters in the forest, brutally gutting them without mercy. Bonham instantly goes into action and begins tracking Hallman making way for a really cool fight scene at the top of the film as the two duke it out in the forest. Director Friedkin manages to direct a very dark and interesting thriller with some good camera work and smooth editing, plus he knows how to create tension and surprises.
Spy Kids 3-D: Game Over (2003)
Well, it’s clear by this series that Robert Rodriguez has had his influences. The first film was a throwback to the old spy movies, the second was a throwback to Ray Harryhausen and Indiana Jones, while this is more of a throwback to that amusing science fiction yarn “Tron”, that other yarn “Running Man”, and the unknown gem “Star Wars” (har har). This has been just an adorable exciting fun series with adorable stories and adorable kid actors, and this is no exception.
Vampire Hunter D: Bloodlust (2000)
I loved the original “Vampire Hunter D,” I remember watching it for the first time with my jaw hanging down, drool and some snot hanging down. So, I was obviously excited to see this, and after I popped this bad boy into my DVD player, I was not disappointed. I was weary about the new design for Vampire Hunter D at first, I wasn’t sure what was wrong with the original design, but he looks so much better here. With a design that Universal ripped off in 2004’s “Van Helsing” he’s just so stylish here with a beautiful costume that not only acts as a shroud but protection from the sunlight and they make his vampiric appearance better here with a white pale face and just a cold exterior that makes him such a great character to watch.
Shaun of the Dead (2004)
If you were to ask me right now which I prefer, British comedy or American comedy, I’d reply without a moment’s hesitation: British comedy. Uh-oh someone’s being unpatriotic! Think about it: they gave us “Monty Python”, “The Office”, “Coupling”, and inspiration for “All in the Family” and “Three’s Company” (and so much more), I love all British comedy because it’s just so utterly brilliant. Regardless, the British have comedy down to a tee, down to an art and theirs is subtle, so sharp and so unbelievably funny and sometimes weird, case in point: Shaun of the Dead. It’s quite obvious when watching this film that creators Simon Pegg and Edgar Wright are not only pop culture buffs, but also horror buffs as they pay homage to the great George Romero with every aspect of a good zombie film, and yes there’s walking zombies, no runners here.
Duplex (2003)
I don’t mind dark comedies, I’ve seen a lot of them, some of them have been really good (Serial Mom, War of the Roses), and then there are the dark comedies that just shouldn’t be made (Death to Smoochy). “Duplex” is another one of them. With a plot right off of a sitcom, and with a script written with such a mean spirit and sense of disgust, we meet young couple Alex Rose (Ben Stiller) and Nancy Kendricks (Drew Barrymore). The two up and comers are nitpicking looking for a house. After a really cheesy set-up from director Danny Devito, the two finally stumble upon a really old but beautiful house which they discover has two floors and the second floor is being lived in by a little old woman Mrs. Connelly (Eileen Essel) who is a seemingly sweet lady but cannot be kicked out because she’s on rent control.
Monster (2003)
“Monster” is the biographical film and story of Aileen Wuornos, deemed the first female serial killer of Florida murdering five men from 1989 to 1990 who picked her up while she was a prostitute, attempting to get money without sex. Traumatized after being brutally attacked and raped, she no longer wanted to continue having sex for money and began killing the men who picked her up to support her lesbian girlfriend Selby. “Monster” is more of a tragedy than an actual biographical picture starring Charlize Theron who is basically stunning here transforming into the infamous serial killer who was executed on 2002. Theron is the most convincing actress to play Aileen Wuornos ever and really dives into the role of Wuornos. Here we witness not the birth of a monster, but the evolution of a monster, a woman who was always an outcast, always disliked, always abused, and always brought down, so inevitably she’s transformed into a ruthless killer.