Musings On An Ear

“Torture you? That’s a Good Idea. I Like that One. Sounds Fun.”

I’m often given a stink eye when I proclaim “Reservoir Dogs” as one of my lesser liked Tarantino films. While I think it’s stellar, I also think it possesses a lot of the hallmarks of a fresh talent desperate to impress right out of the gate. That said, I would agree “Reservoir Dogs” is a wonderful example of crime cinema, and a wonderful exploration on the levels of brutal violence. All at once Tarantino explores cartoonish action movie violence, brutal realistic violence, and a personal kind of violence that people still talk about to this day.

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“Beavis and Butt-Head Do America” is the Zenith of the 90’s Most Notorious Duo’s Popularity

I was lucky enough to live through three generations of animated characters that not only drove adults crazy, but caused unnecessary havoc in schools and church for me. First there was Bart Simpson, who I remember listening to my teacher lecture us about him being a bad influence. In the late nineties we met a foursome of foul mouthed boys from “South Park” that also sparked immense hysteria and controversy. In between though there were two products of the 1990’s. They were the slacking, burnt out rocker, bare minimum, anti-establishment pair of losers who did nothing but watch TV and try to get laid.

They were known as “Beavis and Butt Head.”

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“You’re Next” is Still One of the Top Ten Slashers of All Time

Simplicity has always been the best friend of the slasher movie. Nine times out of ten the best slasher movies aren’t convoluted or complex. Most times they’re just simple premises with simple motivations but a lot of subtext added throughout the narrative. “Halloween,” “Scream,” “Friday the 13th,” all benefited from being fairly simplicity and so does “You’re Next.” Adam Wingard’s horror thriller came like a wrecking ball back in 2011, sideswiping me and just blowing me out of my seat. Although now he’s headed for the bigger blockbusters, Wingard’s horror outings tend to channel John Carpenter with how they mesh sub-genres.

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Dracula 2000 Or: Before Gerard Butler was a Meme

Dammit I love “Dracula 2000.”

I’m not too sure what the ultimate plan was for the Dracula character in the larger scheme of things, except the fact that everything had to be rebooted in the new millennium apparently. Everything had to press the reset button, including Dracula. This Dracula was a hunky vampire for the modern age where he would once again roam free to build his army, and do battle with Van Helsing. And he would do it set to rock music that ruled the radio, wreaking havoc to the tune of System of a Down, Linkin Park, and Disturbed, to name a simple few.

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30 Years Later, I’m Still a Big Fan of “Freddy’s Dead: The Final Nightmare”

You could probably make a great argument that the only reason why I love “Freddy’s Dead” is because of the memories attached to it. Back in 1991, Freddy Krueger was still a household name, and him dying on film was a big deal. My dad took my brother and I to see “Freddy’s Dead” when it premiered and it was the first (probably only) 3D movie going experience I’d ever had. We had a great time, and then afterward we went to have pizza and we were allowed to blow quarters on a Simpson arcade in the pizzeria. We then went home to watch “Eerie, Indiana.”

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How “Jason Lives” Became My Favorite “Friday the 13th”

As a kid horror movies were forbidden. But they were forbidden in the way that staying up late was forbidden. Sure, it was a no no, but our parents always looked the other way if we caught a sneak peek at one of the stronger horror shockers. Plus, growing up with a mother with an insatiable appetite for all things horror, it’s pretty tough to re-enforce a ban when she’s showing up every other day with VHS copies of “Texas Chainsaw Massacre” and “Sleepaway Camp.” For some reason though, growing up, my mom always discouraged my watching “Jason Lives.” I could never quite figure out why, though.

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Celebrating Women in Horror Month 12!

Women in Horror Month 2021 is upon us! This means that, as opposed to last year (due to momentary insanity of the schedule pre-nothing-to-do-life), this year, I want to celebrate, I want to take the time I did not have last year to really put forth the ladies of horror. I want to cover as many as I can in as many horror discipline as I can. This means that you can expect interviews from all kinds of awesome creative ladies who love to work with fear and/or blood. You’ll also get some articles about films from women in the genre and other fun stuff. I am hoping to get so much in front of your eyeballs that you will be a total fan being of Women in Horror in general.

So to start, let’s go with a bit of an overview of past articles to wet you palate for what’s to come.

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