The Scooby gang have come across almost every popular star since they were introduced on television. From the Harlem Globetrotters to Batman and Robin, no one was off limits to them. Surely enough with WWE ruling the sports world currently, their crossover with the Scooby gang was not only inevitable but it makes perfect sense, when you consider it. They met The Harlem Globetrotters. Mike Piazza. KISS. This was a long time coming.
Blazing Saddles (1974)
You have to give credit to Mel Brooks for being so ballsy. In today’s day and age, a movie like “Blazing Saddles” would never get off the ground and become a mainstream comedy. Even with its material, Brooks runs the risk of becoming low brow, but thankfully manages to create the best comedy of all time. It’s my favorite from Brooks, edging out “Young Frankenstein” if only for the lead performance by Cleavon Little. “Blazing Saddles” satirizes the Western sub-genre, while also mocking its inherent racism, setting it in the middle of the slave era. Though the film is biting in its social commentary, it still manages to be incredibly funny, sidestepping the mockery of the slavery, and instead poking fun at the Caucasian characters.
The PC Thug: What is “Lilo and Stitch’s” Appeal?
Okay, I have to ask what the hell is the appeal of “Lilo and Stitch”? Every person I’ve come across in the last fourteen years has had something positive to say about those stupid movies. Even people that don’t like it, just find it lukewarm Disney crapola. This is the studio that gave us “The Incredibles” and “Wall E,” and they were clearly not even trying to deliver quality entertainment for their audiences. They made a movie to create a toy line pure and simple. It’s a movie created for merchandise. It’s their predecessor to “Cars, if you will.
Little Man of Steel (2013)
Weird, I always assumed Lana Lang took Clark Kent’s virginity, but that’s a mere nitpick for “Little Man of Steel.” Director Larry Zeigelman explores the more private side of the greatest superhero in DC. Set during a random night in Metropolis, Clark and Lois enter a local pharmacy after a seemingly hot date and Lois is very anxious to seal the deal with Clark. Clark is very hesitant though, and looks for many ways to stall the inevitable. He even zaps away repeatedly to stop a world crisis as Lois waits by the condom aisle.
JLA Adventures: Trapped in Time (2014)
Because superheroes fighting crime isn’t enough, DC has to water it down even further for some reason. “Trapped in Time” is only a slightly edgier version of “Superfriends” placing the greater emphases on younger Leaguers and superheroes rather than focusing on the actual Justice Leaguers. That Superman, Batman and Wonder Woman are so square, man. They don’t know today’s youth. Now, whiny impulsive Robin? He knows what the youth is about. Running at under an hour in length, and with a pacing that’s breakneck, “Trapped in Time” is kind of a Justice League movie. But then it really isn’t.
The Walking Dead Season 4 Episode 15: Us
Claiming your territory is the law of the land, Carl and Michonne really like candy, a wall o’ zombies, and Rosita’s smoking hotness, all that and more on this episode of “The Walking Dead”! Once again the casting crew for “The Walking Dead” have really done their job in sticking true to the comics by casting Christian Serratos as series hotty Rosita. She was always cute during her years on Nickelodeon, but she virtually disappears in the character garb and has proven to be an interesting heroine. This time around the episode is split between three portions of characters, all of whom are getting ever closer to the enigmatic Terminus. Except Glenn has finally found a sign by Maggie to meet her there, and he’s more desperate than ever.
The Image Revolution (2014)
Director Patrick Meaney’s chronicle of the group of innovative artists that gave Marvel and DC the collective bird and took control of their own lives is a wonderful insight and word of warning at what happens when there are too many cooks in the kitchen. Surely, no one person is to blame for helping Image nearly drop out of the scope of pop culture and crash, but when you team a group of artists together who could walk the walk and talk the talk, there is bound to be conflict and inevitable resentment. I consider myself lucky enough to have grown up during the Image Revolution, where most of my money was spent on DC and Marvel, and immediately went over to Image. I bought titles like “Prophet,” “Youngblood,” and “WildCATS” religiously, while cutting my teeth in Jim Lee and Rob Liefeld’s art for many years.