I think anyone could connect with the characters in “Paperman.” Particularly the mal protagonist of the short animated film who may very well have met the girl of his dreams at a train stop, and can do nothing but hope they will meet again. When he sees her in an office parallel to his work high rise, he does everything he can to garner her attention.
Don’t Tell Mom the Babysitter’s Dead (1991)
After the massive success of “Home Alone” in 1990, every studio was searching for their own twist on the formula. “Don’t Tell Mom…” has the privilege of being held down mainly by its ridiculous title, and by the fact that it’s not really a “Home Alone” clone when all is said and done. Sure, the movie is about a group of suburban kids left to their own devices, and yes it shows kids wreaking havoc in their house, but it’s not really a clone of the Chris Columbus film. It’s nowhere near as funny or interesting, either. But you can sense the studio working for their own franchise.
Cujo (1983)
What I love about Lewis Teague’s “Cujo,” is that while it is a story about a rabid dog mercilessly ravaging a mother and son in their car, the movie seems to be more about karma gone awry. Dee Wallace as Donna Trenton is a woman who is devoted to her son, but is also very committed to the affairs she’s currently having on her husband. The first half of “Cujo” is spent on familial discord and how Donna’s misdeeds with a colleague seems to be rotting this unit from the inside out.
Zero Dark Thirty (2012)
I love the storytelling and directorial subtleties of Kathryn Bigelow in her concerted effort to explore the folly of war and violence in the name of patriotism. In the end of the film Maya stands in the belly of a massive jet that is ready to carry her home, and she’s lavished with praise by the pilot who insists she can sit anywhere. Maya sits at the very end of the massive passenger wagon out of ear shot from the soldier. When asked where Maya wants to go, we see the fallout from the raid on Bin Laden once and for all. What was it all for? And in the end, did we really manage to gain something of ourselves back when we finally eliminated Osama Bin Laden? Or did Osama really win when he brought down the towers, destroying our very identities? “Zero Dark Thirty” is a very thoughtful and objective look at the events that led to the death of Osama Bin Laden. And for folks convinced Bigelow would stage a rah rah America film are wrong in their assertions.
Cult
The premise of “Cult” feels like a new age serial version of John Carpenter’s “In the Mouth of Madness.” Wherein the former title examined the rabid fandom of literary fans with author Sutter Cane who was an amalgamation of HP Lovecraft and Stephen King, the new “Cult” examines the sheer lunacy that can arise from the fandom of television shows. The series so far isn’t an indictment on the dangers of fandom, but it does explore how passionate fans can be, and how they can often breed a cult-like following that’ll do anything to honor the spirit of their favorite series.
What’s interesting is that much of the pilot of “Cult” is constructed like the aforementioned Carpenter horror film, where the episode is so absolutely meta and self-contained, that we can never be sure what is reality, nor can we be certain what is a clue for our audience, or what is merely a red herring. What we think is the prologue of the show is something else entirely, the dialogue is often cryptic in delivery, and there are many subtle subliminal clues peppered throughout the episode that could lead the fictional and actual audience to decode the mystery of “Cult.”
Conspiracy Cinema: Propaganda, Politics, and Paranoia [Paperback]
The reason why society hasn’t completely written off certain conspiracy theories is that decades after the introduction of certain theories, some of them have turned out to be true. Many people write off or dismiss conspiracies and the people that believe them, as quacks or nut jobs. Most times many people conclude that conspiracies and their believers are merely trying to find rationale in a senseless world, and feed off of their conclusions. But to them, someday they will be proven correct. It’s happened before with certain conspiracy theories once thought completely insane or moronic, and there is a fraction of society that are firm in their stance that we’ve yet to see the secrets unfold before our very eyes.
Author David Ray Carter doesn’t so much build a reference guide of movies that contain conspiracies, or movies about conspiracies, but offers up a very detailed guide of movies that are about some of the most unusual and popular conspiracies of all time. The author thankfully takes an objective tone for much of the book, allowing the reader to pretty much approach the material with an interest and an open mind. Much of this will be ridiculous upon first glance, and some of it may seem absolutely moronic, but the point of the book is to keep an open mind and consider that there are people that actually subscribe to these theories and will go to war for them. I can only imagine how mentally exhausted author David Ray Carter must have been combing through all of the titles for the book, but lo and behold, there are so many documentaries here for consumption that will appeal to the interested viewer.
The Pirates! Band of Misfits (2012)
Normally I love Aardman’s output. I think Wallace and Gromit are fantastic and I even enjoyed “Flushed Away” on some levels. “The Pirates!” is a kids film that doesn’t entirely play the film to their standards. Aardman has a talent for appealing to children without talking down to them, offering them the likes of Wallace and his put upon sidekick dog, but “The Pirates!” is so incredibly convoluted that it fails to deliver any essence of entertainment. The animation from Aardman is up to their usual quality with some wonderful stop motion scapes and hilarious characters, it just falls flat in terms of story.