This is a side of director Shane Ryan that I’ve never seen before. Intended to be in competition for the winning slot in the highly publicized 2013 horror film “The ABCs of Death,” Shane Ryan gives us “T for Tag.” Now known as “Tag,” Ryan’s short film is a spooky, unnerving, and gruesome bit of revenge cinema that channels the likes of Takashi Shimizu for a short that’s based heavily on violence, murders, and the ever merciless demon of guilt that plagues our young protagonist.
Les Misérables (2012)
Sadly, I’ve never been to the iconic musical of “Les Miserables,” nor have I ever seen any of the previous adaptations of the Victor Hugo novel. I’ve also never read the novel. In actuality the most I’ve ever seen or known about “Les Miserables” is through an episode of “Animaniacs” where a condensed version of the musical was adapted through animated cats and dogs. When you’re through laughing at me, I like to think that not being knowledgeable about the material gives me somewhat of a different perspective. I’ve seen fans of the musical bash the film for missing the point, and vice versa. As for my thoughts on Tom Hooper’s 2012 adaptation, director Tom Hooper’s adaptation of Victor Hugo’s novel is an often breathtaking and compelling bit of epic musical that kept me considerably compelled and entertained from the moment it began.
Silver Linings Playbook (2012)
I don’t subscribe to the Hollywood notion that all you need to cure a crippling illness that affects the lives of your loved ones is a good girlfriend or boyfriend. In actuality, it takes almost a decade or two to cure a crippling mental illness. In that regard, “Silver Linings Playbook” fails. But as a film that seeks to be a unique and unusual romance comedy about two people that are anything but normal, director David O. Russell’s dramedy is pure excellence, and one that’s teeming with talent from minute one. “Silver Linings Playbook” doesn’t seem to rely on a strict formula per se, and that’s why it’s such an oddity in the realm of romance dramedies. Sure, in the end it’s about two people falling in love, but O. Russell spends time on focusing on their inadequacies and their malfunctions that make it impossible for the pair to function in reality, and then draw them closer and closer as the narrative unfolds.
The Terminator (1984)
When James Cameron came aboard the “Alien” series, he essentially took what was a dark science fiction horror film and transformed its sequel in to a action packed monster movie. When it came to Cameron’s love child “The Terminator,” Cameron seemed to work in reverse starting his series off as a tale about a robotic monster from the future, and then transformed his premise in to a darker science fiction parable about the imminent apocalypse and the sheer labyrinth that is time travel.
Argo (2012) (Blu-Ray/DVD + Ultraviolet Copy)
Director Ben Affleck has compiled a wonderful and small list of films that bring substance, relevance, and real depth of cinema to the table. Once a man on the verge of fading in to obscurity, Affleck has now really re-invented himself as a man who has something to contribute to the world of cinema that doesn’t involve a smile and a cleft flash. Ben Affleck has revealed himself to be an understated and often under appreciated cinematic artist, who can often explore the worlds he chooses with great complexity and restraint. “Gone Baby Gone” remains his truly unnoticed masterpiece, but Affleck has managed to completely topple the last film, with thrillers and dramas that provide audiences with something unique and bold, while exploring themes of redemption, salvation, and hatred.
2 Hours (2012)
There was something particularly haunting about director Michael Ballif’s short film “Two Hours” when I was finished. I have seen short zombie films over and over in the course of three years, but “2 Hours” manages to achieve a certain morbid and disturbing nature to it that will stick with viewers long after the credits have rolled. Shot on an apparently small budget that’s defined as “no budget” over the course of two years, director Michael Ballif manages to paint an interesting post-apocalyptic world based around the walking dead.
Alma (2009)
Director Rodrigo Blaas’s short film “Alma” presents the illusion of whimsy and magic at first sight, but deep down “Alma” is one of the spookiest short films made in years. Its entire premise seems to be a metaphor for child endangerment and how easily children could get sucked in to the darkness of the world and disappear forever. The sentient store in the story could very well double for a stranger offering a child a treat, while the young girl in the movie is the child submitting to the temptation and paying a deadly price.