George A. Romero’s “Creepshow” is almost a spit in the face of everyone who decried comic books a sheer stain on humanity and the youth, blaming the colored pages for the evaporation of morality in the fifties and sixties. “Creepshow” is an absolute celebration of horror comics and a love letter to the EC generation who had their stories robbed by hack psychologists who blamed comic books for homosexuality, crime, murder, and drug use. “Creepshow” is a joint effort from many people just filled with talent that simply can not hold this entire film at times. An absolute orgy of laughs, scares, and thrills, “Creepshow” is one of the finest, if not the finest anthology horror film second only to “Black Sabbath.”
“Cold Storage” doesn’t have much in the way of a narrative, but then the whole purpose of “The Walking Dead” webisodes is to whet the appetites of fans craving more of Robert Kirkman’s world, and to give producer Gregory Nicotero something to do. Show producer and special effects master Gregory Nicotero is slowly making his way in to the directing business, lensing some of the episodes for the hit series, and directing both web series for the hit horror drama. “Torn Apart” was a much more meaningful and concentrated effort in the Walking Dead mythology as we got to know the origin of bicycle girl. “Cold Storage” has a link to the show, but only in a mere lip service sense. It’s an “oh look!” moment and then it passes.
The main problem with “Still Screaming” is that though it does cover one of the most popular horror movies of all time, the story of “Scream” and its inception just isn’t very interesting. Sure, Wes Craven happened upon one of the most trendy slasher films ever made and created something of a resurgence in a decade that almost saw the death of the horror genre, but the making of the film and the series of weak sequels is just a series of normal studio anecdotes compiled in to a ninety minute mediocre documentary. There isn’t a lot of magic behind “Scream.” Not like “Return of the Living Dead,” “A Nightmare On Elm Street,” or even “Psycho.” It was a studio fueled film that brought the right talent to the forefront and it succeeded in reviving a sub-genre. It’s barely a tale of independent filmmakers scraping dollars together to make a bang up horror film.