I always get a laugh from people who pretend to be shocked that someone would dare create an animated series intended to tout merchandise to children. Though the series “Yu Gi Oh” was god awful, many people pretended to be appalled that it existed solely to sell cards. Attention people: this has been common practice as far back as the late sixties. Some of the greatest and most beloved animated TV shows in America were created just to sell or market toys. “Transformers” was nothing but a massive toy commercial, for god sake. The nineties were littered with many attempts to create a marketable toy franchise, and there were as many memorable misses as there were hits.
Casper (1995)
For all of its flaws, 1995’s big screen adaptation of Casper the friendly ghost, actually manages to be a dark fantasy worth watching. Not only does it play all the right chords by casting in vogue and talented child star Christina Ricci as the heroine of the film, but it depicts a Casper the Friendly Ghost who isn’t a downer. While the animated shorts almost made you get in to a bathtub with a toaster in both hands, the feature film is life affirming and uplifting in its own ways. And to give Casper something of depth and plot friction, there’s the wise addition of three rude, crude, and disgusting specters who make everyone’s lives miserable.
The 1995 “Casper” wisely gives an identity to the ghosts that loved to scare while Casper refused to submit to his duties, and in the end, the feature film works very well. Much more than “Richie Rich” ever did. “Casper” is mainly a coming of age film that features Casper as a key to main character Kat to not only growing up but dealing with the concept of her mother’s death. Years after the death of her mother, she and her father James spend their days travelling and trying to uncover the secrets of the paranormal and the after life. Though James passes it off as research to his daughter, secretly he hopes to uncover the secret to connecting with his wife one more time and speak to her.
The duo decide to live at Whipstaff Manor in Maine where the mansion has been abandoned by its descendents thanks to its rabid hauntings, in spite of the fact that there is rumored to be a treasure hidden within the bowels of the house. While there James attempts to uncover the psychiatry of specters, dealing with random pranks and mean spirited play from the trio of uncles, all of whom take every chance to make the father and daughter miserable, while Kat finds a friend in Casper. Thankfully the portrayal of Casper is never cloying or abundant with cutesy dialogue. Casper as a character is lovable, and utterly adorable. He’s a being filled with optimism and love, but has also lived long enough to mutter nuggets of wisdom about death, the after life, and what it means to be alive.
And though originally many thought the addition of Casper’s uncles Stretch, Stinky, and Fatso to the fray would be a cheap grab for merchandise, the film actually sparks a great and logical argument for their presence. Ghosts are often thought as restless spirits that dwell in their past homes. Casper is a boy who died from a painful illness and died saddened and in terrible conditions, thus his state of misery keeps him perpetually stuck as a ghost. His uncles were three rotten and awful individuals who were so evil in their past life, they’re forever stuck as specters haunting their mansion because their evil prevents them from a peaceful slumber in the after life.
For a film made in 1995, “Casper” really does manage to re-invent the formula in many ways that are clever and very welcome. Rather than just animating Casper, he’s a very gelatinous translucent being who seems to be stuck between the after life and our life, thus he’s always faded but very eye catching. The trio of evil ghosts are almost always in a tint of green inadvertently creating this sense that they’re made from the same essence of Slimer from “Ghostbusters.” Christina Ricci is one of the finest child actors of the nineties, thus her role as Kat is empathetic and very heartbreaking, if derivative. Kat’s whole journey as the new girl in Maine plagued by bullies is very cliché as the main lure of the story is her relationship and bond with Casper, who offers her clarity in her darkest times.
What keeps “Casper” from being excellent is that though it’s touted to children, it tries to pass off a painfully ridiculous deus ex machina involving a machine and magic potion that could transform ghosts in to living beings once more, and never makes a really definitive bit of reasoning for even injecting it in to the story. Save for the final scene where Casper gets one of his biggest wishes, a fleeting and heartbreaking moment but one that really defies the film’s logic. Nevertheless, “Casper” is still an entertaining and adorable fantasy film that gives the character of Casper a hint of dignity and respect. It’s a shame this was followed up by endless piss poor direct to video sequels. In a decade that gave us “Flintstones” and “Richie Rich,” the cinematic adaptation of “Casper” is one of the very rare instances where they not only got it right, but improved on the original formula. Offering a sweet story, smart casting, and a sense of humor, “Casper” is still a nineties favorite that doesn’t get enough credit.
Body Snatchers (1994)
It seems every other decade or so, there has to be a big screen adaptation of Jack Finney’s seminal science fiction novel about aliens that transform in to you when you’re sleeping. 1956 saw the Kevin McCarthy masterpiece that basically explored the fear of McCarthyism, 1978 had the pretty damn good Donald Sutherland creep fest journeying in to the fear of conformity in an age where the free love movement had died, and even in 2007 there was the reworked flop “The Invasion” which attempted to prey on our delirium about biological warfare and terrorism (and failed). 1994’s version is a horror film that’s meant to pretty much just be a horror film.
The Devil's Advocate (1997)
When the credits roll, “The Devil’s Advocate” reveals itself to be a massively ambitious but incredibly mediocre supernatural thriller that sanctimoniously dismisses big city, big business, and law as the stomping grounds of the devil, while casting out its protagonist Kevin as evil for leaving the small country and submitting to the potentially successful life in the big city. There, the skyscrapers are empty, the streets are endless, and the folks are demons of excess, vanity, and sheer adultery. Taylor Hackford’s supernatural thriller seems to be built on and around the final monologue of Al Pacino’s character John Milton, who gives a rousing speech about God, sin, and everything else to protégé Kevin.
Stephen King’s Cat’s Eye (1985)
In spite of many other genre fans and movie critics objections, I’ve always found “Cat’s Eye” to be something of a near flawless horror fantasy thriller. It’s one of the finest anthology films I’ve ever seen. And sadly enough it’s the anthology film I wish “Twilight Zone: The Movie” could have been. Hell, “Tales from the Darkside: The Movie” is the anthology movie I wish “Twilight Zone: The Movie” could have been, and I’m not even that much of a fan. But I digress. “Cat’s Eye” is a near perfect horror anthology film that adapts various Stephen King short stories with the wrap around of a seemingly sentient stray Tabby cat who incidentally always seems to find himself playing an important role in every one of the segments of the film. Whenever a segment begins he’s just there, but oddly enough he’s also a character on a mission of his own and we want to know what he’s up to.
Best of Bond… James Bond: 50th Anniversary Collection (Digital)
I am by no means a James Bond fan. I am one of the few people in the world that have never seen an actual James Bond film in full. Granted, I am a big fan of Daniel Craig and Sean Connery, but the film series never called out to me. However while I am not a Bond fan nor have I ever seen an actual Bond film in full, I am very much aware of the music behind the Bond films.
For fans of the film series, “Best of Bond…” is a remarkable and utterly incredible compilation of the some of the best and most iconic Bond music ever made. From scores to soundtracks and themes, this music compilation has it all. And then some.
Creepshow 2 (1987)
What with the resurgence of the anthology sub-genre in the eighties, and the release of the hit horror film “Creepshow” that managed to be a near flawless masterpiece, a sequel was not only inevitable, but a no brainer. Director Michael Gornick’s follow-up to “Creepshow” is admittedly a much more low tech and less enthusiastic outing for the series, but damn it, it sure is a lot of fun. Granted the film falls short of being excellent, but as a follow-up to the riveting and entertaining original, it’s a very strong and occasionally creepy sequel. It’s been one of my favorites since I was a kid, and though it’s shown its wear since 1987, it’s still a fun horror film. Lacking the star power and novelty of the first film, “Creepshow 2” slims down the story count and relies more on a bleak atmosphere.

