Whether or not you love Tarantino’s movies, one thing you have to give him credit for is his ability to include some incredible music in every one of his films. He’s introduced me to some excellent songs over the years from the Smith version of “Baby it’s You” played in “Death Proof,” right down to “Stuck in the Middle with You” from “Reservoir Dogs.”
With “Django Unchained” it’s no real exception. The film is admittedly anachronistic in its soundtrack since the film is essentially a nod to the blaxploitation westerns of the seventies.
In vogue bright eyed teen stars are a dime a dozen in America, and they have a shorter shelf life than a can of beans. Often times a teen star can rise and fade before anyone even remembers their name, and it’s a struggle to fight for career success beyond being young and beautiful. What’s worse is teen stars are more and more presenting talent and aren’t the manufactured product that Disney keeps churning out. Miley Cyrus has shown beyond a shadow of a doubt that, like most teen Disney stars the studio churns out year after year, she’s pretty much fading in to the background.
The first mistake “Retribution” makes is that it assumes people actually care about the story. Not to make an assumption so early, but “Retribution” has a story that’s very paper thin and used as a guideline for stunts and featuring Jovovich naked. What story there is makes no sense and is convoluted as hell. Assuming the audience cares, “Retribution” plays catch up for the audience in the first five minutes with a look back at the first four movies almost as if this is a some exciting epic we just have to catch up with. If you are watching the fifth part of a movie without having seen the first four, why are you wasting your time? And if you’ve seen the first four and are intent on watching this new entry, when did you decide good movies were no longer worth your time?
