Fish, and dogs, and bears, oh my. It’s ninety minutes of bumps, and shadows all leading in to basically nothing but a movie that doesn’t even deliver the money shots as far as “The Hills Have Eyes” wannabes go. Maybe they’re saving it for a sequel somewhere down the line? If you’re looking for some vicious mutants attacking silly Americans on a tour, “Chernobyl Diaries” never seems to be sure how to handle its premise. It never seems to try to gratuitous, so it skimps out on literally everything that could have made this a disturbing film, altogether. There’s little to no bloodshed to be had, most of the action is either implied or off-screen in to the darkness, and as far as monsters go? If you want to see some annoying wild dogs chase after our heroes for thirty minutes, then this might be up your alley. The confusing aspect of “Chernobyl Diaries” is that it’s been lumped in with all of the other recent found footage titles, but in reality it isn’t.
Our Top Ten Tarantino Characters
Above all else, director Quentin Tarantino has a talent for creating some of the most memorable film characters of all time. Ever since his debut with “Reservoir Dogs,” he’s shown that he can take much of his favorite influences and transform them in to appealing and charismatic characters with great back stories that you can quote until the cows come home. Whether you think of him as a hack or a true artist, Quentin Tarantino is one of the rare filmmakers who can build his characters as pastiches of his favorite pop culture influences and still be able to come out fresh as a daisy. While most of his characters are all derived from some source, Tarantino’s charismatic writing, sharp one-liners, and flashy personalities for each persona grants even the weakest character in the Tarantinoverse some sense of staying power in the collective memories of fans and movie viewers alike. Whether it’s the Bear Jew, Vinnie Vega, or English Bob, you know when it’s a Tarantino character. And you love them, even when you hate them.
In celebration of Tarantino’s newest, and very explosive film entitled “Django Unchained,” we present our Top 10 Tarantino Characters of all time. So far.
TCM Presents AFI's Master Class – The Art of Collaboration: Robert Zemeckis and Don Burgess
Turner Classic Movies, the best cinema based channel on US cable television, has so far remained one of the go to channels for rare and wonderful classic films that cineastes can explore, and while they have yet to really sully their reputation in exchange for original programming, they are being wise to include original shows that explore film in the spirit of the channel. Celebrating his newest live action film “Flight,” director Rober Zemeckis and frequent collaborator cinematographer Don Burgess sit down to discuss their filmmaking careers and the techniques used through some of their films that they found most notable and entertaining. The discussion never quite touches on Zemeckis’ motion capture animated films, and there isn’t so much explanation as to why he chose motion capture as a medium upon which to tell stories.
Our Top Ten Bugs Bunny Cartoons!
Mel Blanc was a genius, and with the driving force of his multi-faceted voice work for Warner Bros. on the Looney Tunes library, he managed to pack a lot of power and life in to some of the most iconic cartoon characters of all time. From Porky Pig, Daffy Duck, Foghorn Leghorn, and Tweety, to Sylvester, Elmer Fudd, and yes, Bugs Bunny, he gave them personality, idiosyncrasies, and quirks that made them feel alive, even though they were animated.
Originally a wacky ne’er do well, Bugs Bunny turned in to a sly and quick witted under dog hero whose humility and charm was contradicted by his sharp wit, and ability to out match any villain mentally. Except for that damn tortoise. But that’s another story for another day. Bugs Bunny is easily the best cartoon character of all time, and he’s managed to pack more laughs than most iconic cartoon characters combined. Paying tribute to ol’ Bugsy in the new year, we count down our top ten Bugs Bunny toons of all time!
5 Choice Indies of 2012
Special Mention:
88:88
Directed by: Joey Ciccoline
Written by: Sean Wilson, Joey Ciccoline
Official Trailer
Watch It Now!
Originally a contender for an online short film festival, director Joey Ciccoline’s short “88:88” is a wonderful and absolutely remarkable horror short about a woman who simply can not escape her destiny. She’s built her life around her over night occurrences, and on the day we meet her, she’s decided to stop becoming a victim and start resisting. In spite of her life around her wondering where she is, our young heroine spends her time building mechanisms and odd devices around her room.
Though she’s calm and resolute throughout the course of the short, she is racing the clock, and before she knows it, night has fallen and it’s time to sleep. With a wonderful eye on the small budget, and low maintenance special effects, Joey Ciccoline delivers an onslaught of horrific images, and devastatingly traumatic monsters that desperately try to bring this woman in to their throes and by her own clever instruments, shows them that she’s not one to be reckoned with any longer. A striking and downbeat short, this is a film to watch, if only because it’s one of the few extra terrestrial films that have succeeded in turning its menaces in to terrifying beings that have been tamed over the years.
The House at the End of the Street (2012)
Elissa is the new girl in town. Elissa just met Ryan, a good looking neighbor of hers, who she really wants to sleep with. Elissa doesn’t realize that Ryan may or may not have a dangerous past behind him. You know, he has no parents, and every time she enters his house, he screams for her to run for her life and never come back, but you know, Elissa wants him to come over for dinner. Elissa’s mother Sarah is uncomfortable about Ryan and tries to warn her about him, but where does she get off? What is she, her mom or something?
The Babymakers (2012) [Blu-Ray]
If anything, what makes “The Babymakers” such a tolerable bad movie is that Olivia Munn is gorgeous. Granted, she’s yet another “I’m hot but I’m edgy and funny, too!” actress in Hollywood, but in “The Babymakers” she mostly plays it straight. Munn is a beautiful and often sexy woman who glows in this film, and she serves her purpose as the woman character Tommy Mackland is desperate to please. Hey, if I were married to character Audrey, I’d be dipping my testicles on a pot of stew, too. Munn is mainly a straight man for the comedy, who spends most of the movie longing for a baby of her own, and tries to remain faithful to Tommy, who is a well meaning and mild mannered man with a lot to offer. Sure, he’s another comedy loser, but he has a good job, and a lot of courage when it comes to standing his ground. He’s a man you can respect, and somewhat pity. Because I guess pity is funny and respect is not.