It’s quite rare that in today’s movie market you’ll find a film that appeals to the male and female demographic so vehemently, but “Bridesmaids” manages to accomplish being a film for the men and the women simultaneously. And it took an SNL alum to conquer such an impossible feat. Possibly the funniest movie all year, “Bridesmaids” is that coming of age romance dramedy that never takes itself seriously, but knows when its time to act like an adult. And that’s due to Kristen Wiig’s ability to play the most unlikely movie heroine you can imagine.
Shrunken Heads (1994)
I remember seeing the preview for “Shrunken Heads” back in 1994 during the end of a double feature from the video store and even then I thought the idea was a weird one. A kids movie about disembodied shrunken heads getting revenge on their murderer is unusual. “Shrunken Heads” is a strange god awful movie, but one that affords itself some nostalgic value so while it is a waste of talent and resources, it’s not totally a waste of time. Whether it’s Danny Elfman’s involvement as the sound track artist, or Meg Foster curiously cross dressed as an Italian mobster with a pomp haircut, every single move to this movie is confusing and often times disorienting.
Goobers aka Mystery Monsters! (1997)
It seems Charles Band is in no short supply of excuses to bring small animals and monsters on the screen and “Mystery Monsters” is proof of it. At only fifty two minutes in length, Band’s 1997 (I miss the nineties) family film is much too rushed to even be considered worthy entertainment. Worse yet the film revolves around three magical monsters who seemingly do nothing and serve no purpose. We’re told they have to be minions of evil, but they’re moved around so awkwardly and lazily by the puppeteers it’s tough to imagine they can do much of anything worthwhile.
Best of Sesame Spoofs 1&2 (DVD)
With almost two hours of assorted sketches, “Spoofs!” from Sesame Street is probably one of their most pleasant titles. From “True Blood” (True Mud here), to “Mad Men,” right down to “Columbo,” nothing is off limits and they make great usage of adult shows and turn them in to constructive segments that can utilize lessons given by the show. Oscar the Grouch teaches Mike Rowe how to sort our property out in “Dirtiest Jobs,” and we learn how to rhyme with “True Mud” where mud is confused for spud, dud, and thud but there’s no mention of blood. It’s funny and not crud.
Puppet Master: The Legacy (2003)
Ah, the search for Toulon’s formula, this is what accounts for plot with “Puppet Master Legacy.” It’s not uncommon for horror films to feature clips from their earlier films, but the Puppet Master series has made it ridiculous by saving money through obvious manners. One is showing the puppets but only in their docile form, and two is padding the film with about as much filler as possible. This filler is clips from the past movies that the director uses to compensate for lack of fresh footage of the puppets. This method would later be included in the rank “Axis of Evil.”
Demonic Toys (1992)
With a screenplay by David S. Goyer, Charles Band’s brand of miniature madness presents the audience with something of an imagination and creativity. It’s “Demonic Toys,” another in a brand of Full Moon tiny terrors that I loved as a child and continue to to this day and for a Full Moon fan like yours truly, “Demonic Toys” has somewhat evaded me over the years. The 1992 horror film is a wicked entry in to Brand’s trademark creativity where director Peter Manoogian manages to make good use of the single setting piece he sets up for the audience.
Unknown (2011) [DVD/Blu-Ray/Digital]
The key to a great mystery is the lead in, the ultimate catch and macguffin that will bring us in to the cusp of a surprise. “Unknown” has the surprise, there’s no doubting that, it’s jut the problem that the lead in provides that makes it an entirely mediocre piece of thriller that’s almost about a nonsensical as you can imagine. The writers literally write themselves in to conundrums throughout the movie as plot points go unexplained, only for them to completely undermine their previous direction, and you can sense them almost trying not to destroy the narrative from minute one.