Another leg in Frank Sudol’s “Budget Gore Series” of animated genre entries, and the final cut out style animated movie from BlackArro, “Shock Invasion” is pure Frank Sudol available solely for the open minded genre buff where in Sudol channels Bakshi in a gore soaked science fiction tale that is about as creative and surreal as Sudol can be. Going from zombies, to demons, now on to merciless aliens, Sudol enlists his mini-budget and vocal talents to animate a sick little gem that chronicles the fight for survival of a group of rag tag denizens of a futuristic city. Ral Foster awakens one day to discover his entire city has been infested by aliens who have taken over the living and can inhabit their shells.
Hack/Slash My First Maniac #1 of 4
This is the story of Cassandra Hack, a young nerdy woman whose own insults and tormented high school life led her tortured obese mother to seek revenge on all of the young girls who made Cassandra’s life difficult and painful. Cassandra lived to see her mother become a classic slasher, a woman called the lunch lady who hung and mutilated and devoured these girls and it was up to Cassie to bring her down once and for all.
Now that Tim Seely and “Hack/Slash” have moved from Devil’s Due to the higher profile Image comics to stand alongside the greats like The Walking Dead and Invincible, Seely and co. are working backward now to tell the story of Cassie Hack and how she became Cassie Hack and learned to hunt down the undead killers known as “Slashers.”
Serenity: Float Out
I would have killed to be in the audience of hardcore Browncoats as Wash led the Serenity through a swarm of deadly Reavers and land the ship within an inch of his life only to be impaled and die before our very eyes. I can only imagine the gasps and cries among the women as their favorite character died in a flash. Admittedly the “Firefly/Serenity” graphic novels and one-shots have been mixed. They range from mediocre to just plain abysmal, and leave it to nerd extraordinaire Patton Oswalt to take the reigns of the Whedon Universe and bring it down to its emotional core.
Plague Town (2008)
Adding to the continued xenophobia themed horror sub-genre, “Plague Town” is a movie that acts as a form of torture on its movie viewing audience implementing some of the most absolutely irritating and obnoxious characters I’ve ever seen put to a horror film, ever. Director Gregory tries to bring us in at eye view on a family of travelers who are griping and bitching at one another with some issues that have yet to be resolved. But that attempt to add these warring characters to the fold of horrific freaks on the Irish countryside works against him as there isn’t a single sympathetic character in the lot.
Mortal Kombat: Rebirth (2010)
At the end of this, I don’t know if I’ll be writing a review for a fan film, a review for a promotional reel for a director shopping around to sell this new vision or just a glorified game promo for an up and coming new game of the “Mortal Kombat” universe, but as someone who played this game religiously, I had to offer up my thoughts. I can only imagine someone sat down in front of a monitor, was watching “The Dark Knight” and said: “We have to take this approach.” And what we inevitably have is a grim and grotesque take on the Mortal Kombat universe.
Frat House Massacre (2008)
Admittedly I wasn’t the biggest fan of Alex Pucci’s “Camp Daze.” While it was an original concept for the camp slasher it was a bit too reliant on throwbacks to the slasher sub-genre to be the perfect horror film. Pucci bounces back though with “Frat House Massacre” an excellent horror slasher that sets down in the late seventies revolving around familiar themes of revenge, karma, and the inevitable twist. It’s surprising that with such a small budget Pucci is able to accomplish what Ti West did in “House of the Devil,” hearkening back to the decade of the seventies so adamantly and making this feel successfully like a capsule of the time with fashions, hairstyles, and a killer soundtrack and synth score that makes this seem utterly genuine.
The Death of the Video Store
Written by Ed Tellier
When I was a kid growing up, my family bought their first VCR in 1985. I was 8 years old. I’ll never forget the day as long as I live. I’ll never forget my grandfather renting 1980’s The Dogs of War. When the movie was over, he had no idea on how to rewind the tape back so we did it manually, going all the way back through the movie in reverse order. That whole experience awakened the movie buff in me. The convenience of being able to watch a movie at home without commercial interruption was quite appealing. As the 80’s went on, the popularity of VHS rentals exploded.