Masters of Horror: Pro-Life

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I love Ron Perlman. Whether as the bad ass demon ass kicker “Hellboy,” or in a long-winded turkey like “Desperation,” there are not many instances where he can lose with me. In “Pro-Life” his performance is powerful, and I utterly loved him as the anti-abortion terrorist doing anything to get his daughter back from the clinic. He’s the highlight, here. “Pro-Life” drops down on a reality where abortion clinics have armed guards and fences that keep out protestors. Apparently, this is the near future but nonetheless, the whole concept of Carpenter’s installment is to somewhat paint the pro/anti-abortion issue into a more horrific light.

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Masters of Horror: Sounds Like

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The new installment “Sounds Like” is not so much a horror story with blood and guts, but an examination of a man who has special hearing. Special hearing that serves as a great service to his company, and a curse. As all gifts are. He can hear when a service rep at his software company is about to become angered at a customer, and he fires them upon this instinct, yet he was also able to hear the defect in his son’s heart before his death. Brad Anderson’s installment is a solid character study, a facet of the horror genre he’s strived in with “Session 9,” and the excellent “The Machinist.”

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Halloween Night (2006)

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Asylum’s “Halloween Night” is a film cashing in on a popular horror flick in the same vein, and they won’t admit it. Heaven forbid we should notice the similarities. Pumpkin inter-spliced with knife in hand, and the words “Halloween” and “Night” plastered on the cover. As much as I revel in bashing Asylum for their blatant horrible rip-offs, they’ve become just like every other film company. They chose to unofficially remake big budget films and they’re no better in the fact that they basically remake “Halloween” before Rob Zombie, and say, in a press release, that this film is better than both “Halloween” and “Friday the 13th” combined. For shame. Now, let’s get to the meat of the situation, I’m roasting the big pig known as “Halloween Night.”

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Mantis (2005)

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mantis_still001The whole perception of society, marriage, and spousal abuse is put under the microscope, as director Foster-Algoo examines the whole picture of man and woman and how many times men can be victims too. Director Brendon Foster-Algoo first sets up the film as Adam is with his children in a stand off, and he’s depicted as a somewhat possessive husband. But throughout the course of the film, we not only learn that abuse is not just a woman’s cross to bear, but he also challenges our thoughts on the sexes, and how we instantly perceive the man as the violent aggressor, and the woman as the submissive persona. The funny thing is many of you won’t realize that you’ve made a snap judgment, and that’s what Foster-Algoo aspires and succeeds with.

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Dust Devil – The Final Cut (1992) (Limited Collector's Edition DVD)

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dust-devil-19922Richard Stanley’s “Dust Devil” is “The Hitcher” with a supernatural twist. It’s a compelling story about a man who kills random drivers on the road, yet is also a monster impossible to kill. With the special edition of “Dust Devil” from Subversive Cinema, now on DVD, you don’t only get one DVD, you get five. You receive the final cut, the more extended work print, and three other film works from Richard Stanley that are very avant-garde. Like the “Cannibal Holocaust” boxed set, this is well worth the money because it gives film collectors something to really bite on with a wonderfully constructed library of goodies with extras, booklets, production diaries, and even a “Dust Devil” comic book.

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Future-Kill (1985) (DVD)

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514bYHgDDAL“Future-Kill” is an immensely dated and standard science fiction punk flick from the era of leather jackets and Mohawks. In some unsure futuristic world, a gang of mutants and gladiators in the vein of “Mad Max” meets “The Warriors” are battling among one another, and the tensions are obviously high. You can see that by the opening where the leader confronts the loose cannon Splatter, a violent individual who hides behind body armor and is basically an intimidating presence. Moore then introduces a comedic element for some reason with a group of frat boys curiously detracting from the future element, that have to pledge a fraternity. Moore’s film has not held well over time.

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Jesus Camp (2006)

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jesus_camp“This will be the greatest day in your life; the day you got saved,” says Becky Fischer to a room filled with five-ten year olds. What could a group of small children have done that warrants being saved by a god? You answer that for me. “They’re so usable in Christianity,” boasts Fischer. Catholic, Christian, or Atheist, “Jesus Camp” is a testament, and serves as physical proof that religion can be a horrible device in the hands of lunatics and wielded on impressionable children. I’m one who thinks religion is an unnecessary part of society, but I accept that some people feel they need it in their lives. But if you are religious, heed the images of “Jesus Camp” and watch how a beautiful concept can destroy children’s mentality in the wrong hands.

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