Aw man, where’s Human Weapon? Why isn’t it on History Channel anymore? I was still waiting for the episode when the guys go to a Woman’s self defense class and scratch some dude’s eyes out. Oh well, for folks still waiting for it to come back some day, there’s the next best thing: Dinosaurs fighting! Now I know, many of you guys are pumping your fists at the thought but there’s a lot more to “Jurassic Fight Club”! There’s explorations in to the defenses of animals like the T-Rex and Raptor, there’s the different methods of execution to which these dinosaurs were capable of, and of course the inevitable question: How did dinosaurs form a fight club?
Space Angel Collection One (DVD)
Syncro-Vox is defined as being an animated still or still picture that is given motion through the lips by an actor whose lips are voicing the character and providing the motion of the lips. If you’ve ever seen “Conan O’Brien” or the opening of “Spongebob” then you know what Syncro-Vox is, and it’s an obsolete method used in the rather creaky science fiction animated series called “Space Angel.”
Much like the animated series “Speed Racer’s” propensity for barely moving the characters at all while talking, Syncro-Vox was used as a form of saving money for the animated team, which is made very obvious when you see what “Space Angel” has to offer.
Lost Boys: The Tribe (2008)
You know originally there was supposed to be a sequel to “The Lost Boys” or at least an allusion to one in the original script for Schumacher’s vampire comedy that revealed the origins of Max, and that there were many, many more lost boys and girls out there looking to do his death some justice. Frankly, I would have preferred “The Lost Girls” a movie I pictured as a vampire thriller with less comedy and an all star cast of young female actresses currently taking Hollywood by storm. That was about six years ago. “Lost Boys: The Tribe” is that sequel I wouldn’t have completely wanted, but found reason to anticipate it anyway. I think that there could have been much more added to “The Tribe” to make it feel fresh and unique.
The Dark Knight (2008)
When I tell you that “The Dark Knight” is an incredible sequel, read the words carefully. “The Dark Knight” is Christopher Nolan’s ace film taking the throne as quite possibly one of the best superhero movies ever made. Is it a masterpiece of modern filmmaking? Not really. Is it an incredible example of comic book adaptation that transforms in to a genuinely epic story? Why certainly. Bringing about shades of “LA Confidential” with a dash of the classic mobster movies, Christopher Nolan’s follow up to “Batman Begins” is a brutal and exhausting gangster epic that brings to the forefront a slew of complex and intricate sub-plots that question how far we’re willing to go to maintain law and order, how much violence changes us, and if the peace keepers are really any different from the law breakers and murderers.
All the Boys Love Mandy Lane (2006)
I loved “Mandy Lane,” I can’t deny it. It’s damn good, probably one of the best slashers in the last ten years. A masterpiece? Nah, not really. But what it is is a strong and surprising slasher film with characters that are actually engaging to watch. All the while it sets us up for some of the most vicious kills I’ve seen since “Sleepaway Camp.” Humorously enough, “Mandy Lane” is exactly what I was reminded of while watching, because both films feel like two completely different genre fueled narratives.
Jack Brooks: Monster Slayer (2007)
Jack Brooks: Fuck man, I broke a bottle over my head once because I couldn’t open it! I mean, you know… that doesn’t even make any sense!
People were way too quick to write “Jack Brooks” off as some sort of “Buffy” clone when in actuality director Knautz never actually strives to gear his film in that vein. I for one hate “Buffy” so I was very immediate in my defense of the film, and more so after watching it. Director John Knautz’s horror comedy has some epic possibilities with a character almost as cool as Ashley Williams, because even on its small budget and obviously modest production it’s shocking in its ability to involve the viewer with dark comedy that’s actually funny, and horror that’s about as good as anything else being released.
Mamma Mia! (2008)
There’s not a better trio of respective dads than the likes of Stellan Skaarsgard, Pierce Brosnan and Colin Firth, all of whom are quite entertaining in their hapless roles as men pulled in to a wedding of a girl that may be their long lost daughter. Probably the stand out is Pierce Brosnan who presents a great chemistry off of Meryl Streep as Sam, the man pushed away after a brief fling. These three are never afraid to get goofy in their performances and can handle the singing quite well when they need to. Amanda Seyfried is given a big responsibility to carry the role of Sophie, an idyllic dreamer who hopes to find her father bringing the entire scenario together and shines vocally and charismatically as this young girl who uses her wit to bring together this group of people to bring closure to her biggest question. Seyfried handles the role well and she’s a thrill to watch.