If you’re a child of the nineties, you’ll remember that back then, animated series had texture. They weren’t like today where it was colorful and filled with characters with no basic coherent storyline. Back then animated series had stories, arcs, brains, and influence. Gems like “Talespin”, “Captain Planet”, and “Mighty Max” were what made animation so incredible. But they were intimidating, and that’s why networks sought out to bring them down and cancel them.
Such is the case for “Animaniacs”, which was so influential, the network sought out to sabotage its presence by dumbing down its clever and sharp gags and historical references, and forcing it to include educational interludes that never fit with the program and talked down to its audience.
Not surprisingly enough, the whole “Final Destination” franchise has become like a carnival ride, too. You get on, you sit down, and watch the magic happen, and then watch people die in the most gruesome fashions imaginable, and then you shut it off and somehow feel content with your exercise in sadism. Death once again proves to his master that he’s kind of a moron, because every film involves someone guessing his tricks as he causes a death like a game of “Mouse Trap” personally created by Rube Goldberg at his most sadistic.
