Blackhearts (2017)

As Norway prepares for one of its epic black metal festivals, 3 bands prepare to go and play their set there for the first time.  The film follows closely Hector from Columbia (leader of the band Luciferian), Sina from the Middle East where playing black metal is a jailable offense, and Kaiadas and his band mates (band Naer Mataron) through their preparation for the festival and what pushes them to play this type of music.  The film also explores the history of black metal in Norway, including a visit to the Rockheim museum in Trondheim, interviews and moments with members of bands such as Keep of Kalessin, Mayhem, and a few others.  Through seeing the lives of these musicians, what they believe in, and what they want to accomplish, the viewer can get a good idea of what black metal is all about and also learn about its history.

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Ma Vie de Courgette (My Life as a Zucchini) (2017) (New York International Children’s Film Festival 2017)

Courgette (Zucchini) is a young boy who has had a tough life.  His father is gone and his bother drinks a lot of beer.  One day, something happens to his mother and he ends up placed in a group home.  Through learning to trust others with the other kids in the home, he also learns to love himself and others.

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Brain Damage (1988)

Say what you want about Frank Henenlotter, but even when he makes a bad movie, it’s a guarantee you won’t see another movie like it ever again. I am by no means a fan of “Basketcase” but I still have yet to see another movie like it. “Brain Damage” is another movie so far ahead of its time and so surreal that it didn’t stand a chance at being recognized in 1988. It’s too bad too, since the eighties embraced a lot of interesting premises, so “Brain Damage” should have caught on. Thankfully it later garnered a following in the VHS rental market, and it’s a horror comedy that deserves to be embraced by the horror community. It’s short, and simple but absolutely gruesome, and a unique spin on the theme of drug addiction and substance abuse.

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Dinosaurs vs. Apes: Hollywood Goes Ape! (1994)

Don Glut is a lover of the golden age of monster movies, and his 1994 documentary explores Hollywood’s fascination with apes. Though “King Kong” popularized the giant ape in film, the idea of giant apes have been around for quite a while and even showed up every so often in silent films. Even by 1994 standards, “Hollywood Goes Ape!” isn’t the most polished documentary, but it does offer a no frills exploration in to ape cinema of all kinds. There are looks at giant ape films like “King Kong” and “Konga,” and odd ball ape movies like “The Ape Man,” and “Superman vs. The Gorilla Gang.”

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The Bootleg Files: So This is Harris

BOOTLEG FILES 579: “So This is Harris” (1933 Oscar-winning short starring Phil Harris).

LAST SEEN: An unauthorized video dupe is on YouTube.

AMERICAN HOME VIDEO: None.

REASON FOR BOOTLEG STATUS: One of those films that just fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.

In 1933, RKO Radio Pictures decided to take a chance on Phil Harris, a brash and fun-loving singer and bandleader whose star was on the rise. The studio initially cast him as the lead in the B-grade feature “Melody Cruise,” and then decided to make him the center of attention in a two-reeler.

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What Happened in Vegas (2017) [Cinequest 2017]

Las Vegas has long been a city of many mysteries, of gambling, sins, even murder.  Throughout seasons upon seasons of television shows set in the city have shown police brutality and corruption, this film shows that it may very well be closer to the truth than fiction.  What Happened in Vegas explores cases where all signs point to police execution or over reach of power that lead to deaths and subsequent framing of the victim as bad, evil people.

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We Just Want to Play (2013)

I really like where James Cappadoro and writer Frank De Rosa’s heads are with “We Just Want to Play.” There is always someone who is trying to hand us a new kind of college classic like “Animal House” or “Revenge of the Nerds,” and director Cappadoro’s short film has an infectious energy that made it a blast to sit through. The one downfall behind it all is that the movie is only about sixteen minutes in length. Chalk it up to budget or whatnot, but “We Just Want to Play” looks like it has material for at least a ninety minute movie. That said, the current short is fine as it is and works as a very entertaining and fun tribute to classic college comedies about underdogs fighting the alpha males and corrupt deans.

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