Andrew Leavold, a cult video store owner, goes on the search for a mysterious movie star from the Philippines, the 2’9” action star Weng Weng who did less than a dozen films but left a huge mark on his fans. Leavold through his documentary shows the star’s childhood, rise, and fall until his untimely death. Written by Andrew Leavold and Daniel Palisa (as Daniel Haig) and directed by Leavold, it follows its director’s journey from Australia to the Weng Weng’s native Philippines where he finds footage of the star he had never seen, movies he had never heard about, and plenty of people ready to talk about the star.
The State of the Cinema Crazed Address – 2016 or “The Year of Too Many Movies”
There are too many movies!
It’s unbelievable, but we’re in the tail end of 2016, and I didn’t even see most of the movies I fully intended to. And I also want to try to catch “Edge of Seventeen” and “Rogue One” before the beginning of 2017.
2016 was a rough year. It was a tough year. It was a weird year. It was hell most times. I suffered through summer, I lost a best friend I had for eighteen years, and I had to endure a ton of health problems. However, it wasn’t all bad.
Two Lovers and a Bear (2016)
In the very Northern part of Canada, where not much happens and people do as best they can to survive and entertain themselves, two damaged but passionate souls in love are trying to make it and better their lives. Written and directed by Kim Nguyen, based on an original idea by Louis Grenier, the film follows the lives of two young adults fighting inner demons and rough past and trying to love each other and do what is best for each other. Their struggles feel rather real and the way they push and pull at each other grabs the viewer and brings them in. The characters built feel like actual people, filled with issues and difficulties, self-loathing and worries.
If There’s a Hell Below (2016)
A young, ambitious journalist meets up with a mysterious woman in the middle of nowhere as she has a big revelation for him. She puts him through a lot before starting to talk and having things take a bad turn. Written by Nathan Williams and Matthew Williams and directed by Nathan Williams, this thriller gains from its simplicity. The setting is almost desolate with fields and wind farms as far as the eye can see and mountain background.
Curse of the Man Who Sees UFOs (2016)
Christo Roppolo is a former filmmaker who now sees UFOs. Through interviews with him and people around him and videos he took of what he claims to be UFOs, this documentary explores his history of UFO sightings, how it has affected his life, how he almost preaches about them, and how he is seen as he basically obsesses over these sightings and what they may mean. Roppolo reached out to director Justin Gear by sending him hours and hours of video from his sightings and investigations of them. Gear takes this footage and mixes it with interviews of Roppolo and his neighbors, friends, and people of his town to show what he sees or claims to see with experiences from others and feelings directly from the source.
The 5 Best Segments of the “V/H/S” Trilogy
After the 2012 horror anthology “V/H/S” fan reactions were mixed, but the opening segment “Amateur Night” garnered quite a following and even made a celebrity out of its star Hannah Fierman. After four years, Chiller Films decides to adapt the very popular horror segment and realize it in to a feature length film. Now on VOD, DVD, and limited release, “Siren” is a larger version of the original story with the gorgeous Hannah Fierman reprising her role. In honor of “Siren,” here are five of the best segments of the “V/H/S” horror trilogy. What are your personal favorite segments from the acclaimed found footage horror series?
SiREN (2016)
Gregg Bishop adapts for the big screen one of arguably best segments from the “V/H/S” horror anthology entitled “Amateur Night.” The original segment was the most memorable of the bunch and was filled with tension, disturbing gore, and a very memorable final scene. Thankfully, “Siren” grabs on to most of the original short film’s aesthetic, including a lot of call backs to the original segment. Wisely, the director and studio re-cast Hannah Fierman who has a haunting beauty that most viewers really will have a hard time forgetting any time soon. What made “Amateur Night” so haunting was that Fierman could be oddly beautiful and shockingly horrifying at the drop of a dime. Here she invokes the same qualities, playing arguably the same character.