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Slash (2016) [Fantasia International Film Festival 2016]

slashA teen discovers slash fan fic and writes some about characters from his favorite series Vanguard.  After an older girl reads some of it and he gets in trouble in school for its graphic nature, she pushes him to post it online for all to see and to get feedback.  This gets him noticed by one of the moderators of the forum and he’s encouraged to go read an excerpt at a Comic-Con type convention. Writer/director Clay Liford adapts from his own 2012 short of the same name, changing the lead’s obsession from Harry Potter to a fake series called Vanguard.

Here he builds a coming of age story where the two leads, Neil and Julia, are at different points in their teenage evolution and in their sexual awakening.  Both characters feel real and have natural interactions with each other and with the adults and teens around them. The characters and situations are believable, especially for someone (like this reviewer) who has encountered many a fan fic writer and read a few horrendous and other decent bits of it.  Setting the film partially at a comic-con works here as it puts the two nerds in what feels like their natural environment, where they fit in better than in their school or home settings.

Both leads here are talented and natural at their parts.  Michael Johnston plays up Neil’s awkwardness, creating a very human 15 year old nerd with dreams, aspirations, worries.  His character is never a caricature of emerging teen writers and never a send up of nerds as is often seen in these types of movies.

Playing opposite Michael Johnston is Hannah Marks as Julia, the less sheltered and more experienced fan fic writing 16 year old who shows him the ropes in terms of getting out there and finding himself.  Marks plays her character full force, never skimping on any emotions, yet never exaggerating or hamming it up.  The viewers feel with her, go through her emotional roller coaster with her.  The supporting cast, including a great Michael Ian Black leaving his sarcastic persona behind, does a great job and let Michael Johnston and Hannah Marks shine, not over shadowing them while also turning in good performance.

The film’s cinematography by Ellie Ann Fenton makes it look a bit like it belongs on current MTV or on a big screen at a convention, which is not a bad thing as this style lends itself to the subject matter at hand.  The way the scenes are shot, their settings also add to this.  The film looks good and is well framed, making it easy to concentrate on the two leads.

Slash is a well-crafted film about teen experiences and sexual awakening for the teen nerd, mainly viewed through the eyes of a fifteen year old boy.  His experiences and feelings are relatable, making even the uncomfortable moments work.  The film is touching in parts and a bit cringe-worthy in others, which are both good things here.  The film is entertaining and a glimpse into two slash fan fic writers’ lives.

Fantasia International Film Festival runs from July 14th until August 3rd, 2016.

Invasion of the Body Snatchers (1978): Collector’s Edition [Blu-Ray]

invasion-blurayPhilip Kaufman’s 1978 remake and adaptation of “Invasion of the Body Snatchers” remains one of the most resounding arguments for the purpose of remaking films. Often times like the case of “Invasion of the Body Snatchers,” directors can rework certain ideas and add something to the mythology, allowing for a starker and very bleak vision that helps a film stand on its own. John Carpenter achieved that with “The Thing,” and Philip Kaufman succeeds in adding his own layer of dread and futility with “Invasion of the Body Snatchers.” A lot of horror movies are filled with some tinge of hope that perhaps humanity or our heroes will prevail over the unusual menace threatening to consume a portion of Earth.

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The Best Thing I’ve Seen in 2016

strangerthings1Netflix’s “Stranger Things” is the best thing I’ve seen all year. TV show, Movie, Web show, et al. The Duffer Brothers “Stranger Things” season one is eight episodes long at fifty five minutes each and it’s the easiest eight hours I’ve ever spent watching a series. There’s no filler, no flab, no pointless segues in to a sub-plot that wanders aimlessly. Every element of every episode is crucial and important and The Duffer Brothers have no time to fuck around.

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You Have to See This! Bikini Academy (1996)

Odds are you probably saw “Bikini Academy” in the heyday of late night cable television. It was once a proud institution. Otherwise known as “Babe Watch: Forbidden Parody,” the adult comedy likens itself as a “Baywatch” spoof. In reality there isn’t anything that spoofs or satirizes “Baywatch” save for the fact that most of the movie is set in the beach. In fact almost every shot is filmed during the middle of a sunny day smack dab in the middle of a beach. Not that I’m complaining, mind you.

Lucki and her friend Ty-Dy work day to day in a bikini shop and aspire to compete for a job as their local beach’s lifeguards. Training with an uptight drill instructor and hunky trained lifeguard Brock, the two pursue the opportunity in hopes that it can open up their aspirations for modeling and acting. Meanwhile rival Bodacia seeks the job in hopes of improving her modeling career, and will do whatever she can to win, including rigging the contest. That doesn’t sit well with Lucki who has a genuine affection for him, despite his indifference toward her.

And there are boobs. Lots of boobs.

I can think of worse things than watching Kelli Hoffman or Tane McClure for ninety minutes. With small budgets and some pretty crummy actors, Rick Sloane has been able to pull of a pretty great film career with some entertaining schlock. Everything from the silly “Vice Academy” series to the craptastic “Hobgoblins” has managed to achieve some bit of cult fame down the road; especially the latter. Seriously, go watch the “Mystery Science Theater 3000” episode of “Hobgoblins.” It’s one of the funniest two hours of television ever made. That said, “Bikini Academy” is not a spoof or satire, it’s just a really silly C grade sex comedy set on a beach.

I think Rick Sloane probably assumed this kind of beach sex romp would fare well in 1996, which is too bad since movies of this ilk became painfully out of style by 1990. I think in 1986, this might have been just a slight cult classic, rather than simply a cheap sex comedy that you wouldn’t miss, either way. Mind you, “Bikini Academy” is a rare movie from Rick Sloane that is softcore schlock and embraces that fact, but it’s not an experience you have to have. There’s no real up and comer like Johnny Depp in “Private Resort.” It’s just a very raunchy comedy that pulls off some occasional giggles and splashes almost every scene with curvy women in small bikinis.

It doesn’t really try to be anything else but a cheapy schlock, putting gorgeous women in the film front and center, while they compete with one another for a position as a local lifeguard. Sloane’s movie is so thin in concept that he apparently runs out of story after the first forty five minutes and begins staging softcore sex scenes set to library music. You know the kind of scenes I talk about if you ever watched Cinemax After Dark. Yes, it was probably good fodder for late night cable syndication, but it becomes obvious writer-director Sloane is padding the run time as much as he can to fit a ninety minute running time.

bikiniacademy-2 “Bikini Academy” revels in its low budget to deliver some of the goofiest comedy and action ever put to film. The characters have to go through a series of “Revenge of the Nerds” like trials and performances that will make them eligible for a big position as a lifeguard and a highly coveted job that will grant them some opportunities. This is especially fortunate for villainous Bodacia, who is hell bent on winning the contest to improve her modeling career. She takes every measure to win, including bedding a judge or two. Along the way the potential lifeguards also have to help the occasional swimmer, including one woman who very nearly gets dragged in to the water by what is obviously a rubber giant squid.

And in case you doubt director Sloane, you can make out the fake wobbling squid under the water as our stunt actress tries to desperately break free from its tentacles. It’s such an inexplicable scene tacked on for absolutely no rationale that you’ll giggle for a bit and then scratch your head baffled. The laughs don’t stop there. As villain Bodacia looks for a cause to bring to the competition to compete for the job of lifeguard, she conveniently finds a single marlin on the beach covered in oil, and decides to use it as an issue to fight for. Forget how nothing else on the beach is covered in oil, but the fish is so obviously a prop that it’s stiff as a board.

bikiniacademy-3Who knew fish get rigor mortis? Or maybe Tane McClure is just that hot. Rick Sloane must know what everyone watching this movie does, because Kelli Hoffman is not only the hottest woman in the movie, but she manages to steal every single scene she’s shares with the cast. Despite only having a small supporting role, and popping up every now and then, every time she does, it’s a treat for the eyes. The real attraction though is Steven Todd Lange as love interest Brock. His performance here is so stilted and rigged, it feels like director Sloane pulled him out of his office during lunch to read some lines and pretend to be invested in his role.

Rick Sloane relies on a steady formula of repeating the same beats again and again: there’s some kind of cat fight between Tane McClure and heroine Raelynn Saalman, someone makes a few sex jokes and double entendres, there’s a few peeks of women in tight bikinis and Kelli Hoffman looks for any excuse to stroll by on screen. In the end, it all feels like Rick Sloane was still stuck in the mid-eighties, and what comes up is a fairly solid diversion that drips gratuitous schlock at every turn. There’s big breasts, big squids, and a running gag centered on corn, for some reason. It’s a classic Rick Sloane oddity.

Seoul Station (2016) [Fantasia International Film Festival 2016]

seoul“If I had a place to go… I wouldn’t have stayed at Seoul Station.”

Yeon Sang-ho’s animated prequel to the excellent zombie action film “Train to Busan” is every bit as terrifying as its successor, and occasionally much more intelligent and biting in its social commentary. While “Train to Busan” is a very emotional look at class warfare and how the society divides in the time of crisis, “Seoul Station” is a very evocative commentary on the poverty crisis in the world. This horrific zombie virus is able to thrive thanks to the massive homeless population in South Korea, and it’s confronted more than once in how the government views its homeless as animals and sub-human even before the flesh eating ghouls appear.

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Mother’s Day (2016) [Blu-Ray/Digital]

Sadly, ever since “Love Actually” became a standard of the holiday, Hollywood has enlisted hokey melodrama director Garry Marshall to give us a new holiday based ensemble piece of garbage almost every year. “Mother’s Day” is the latest insidious melodrama about a group of very rich, very healthy Caucasian people bickering about how hard their lives are. One character played by Jennifer Aniston, even decides to throw a humongous party for her sons, just because. Man, can you imagine what would happen if these people ever stepped out of their bubbles? “Mother’s Day” is about mother’s day, the mother of all holidays, everyone seems to be obsessed with mother’s day, and they talk about mother’s day because, mothers!

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Battledream Chronicle (2016) [Fantasia International Film Festival 2016]

battledreamI was a bit mixed on French anime “Battledream Chronicle” until the very end. I love the concept from Alain Bidard. It’s a very unusual mix of “Tron” and “The Matrix” where world decisions and lives are based around a virtual reality game based around gladiators and battling that results in actual lives lost. Set in the year 2100, humankind has managed to achieve paradise, but that’s been taken away by an evil computer AI. The computer has recruited various warriors from across the world to compete for the fate of their country. The team Mortemonde is on the verge of dominating the world after winning endless tournaments, and it’s up to Syanna to compose the perfect team to stop AI and give the world its freedom back.

“Battledream Chronicle” has a very unique idea that could be developed in to such a remarkable film, but in the end I had a difficult time finishing. Bidard takes such a long time developing any kind of characters and spends an obscene amount of time building up to the finale. For some inexplicable reason, entrenches us in to the middle of politics and characters bouncing dialogue off of one another, and how much is at stake if heroine Syanna doesn’t choose the proper teammates to take in to combat. I loved a lot of the concepts behind this digital tournament, including the soldiers that rule over it, and the weapons that are handed to the various gladiators to take in to combat. I wanted to know so much more about this bits and pieces.

But Bidard takes us more mystical here and there, relying on a lot of symbols and icons to represent various weapons, and conveying this digital world as something that’s one step up to achieving a higher state of mind. You’d think that would amount to a rich and complex fantasy, but I found it pretty muddled and I didn’t think there was enough glimpses in to the digital realm of Farandjun as there should have been. That said, “Battledream Chronicle” should be applauded for employing a large cast of minority heroes, including main character Syanna, who is African American. There’s also the wonderful animation which really compliments the quasi-futuristic aesthetic that kept the film walking the line between hard science fiction and dark fantasy.

I’d suggest checking this out if you’re a science fiction fan prone to experimenting and dabbling in more out of the ordinary fare. I found it fairly mediocre and severely lacking in action and excitement.