Lego Star Wars: Droid Tales (DVD)

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Ever since Disney bought “Star Wars,” the company has been working over time to put back the credibility in the series. Lego always has a knack for delivering some of the wittiest and most entertaining animated series, but they have a great time with “Star Wars.” Not only do they pinpoint the inherent wackiness of the universe, but they have a ball taking the piss out of the awful prequels. Set immediately after the climax of “Return of the Jedi,” C3P0 and R2 are asked by their friends to regale them with tales of the clone wars and fall of the Jedi. With C3P0’s memory conveniently in hand thanks to R2, they begin telling them the oh so inconsistent tales of how Anakin descended in to the dark side. Hilarity ensues.

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The Good Dinosaur (2015) [Blu-ray/DVD/Digital]

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It’s a shame that “The Good Dinosaur” will forever be regarded as one of Pixar’s black sheep titles. Because as a whole it’s one of their most original and unique tales that channels the modern Western to invoke a tale about family, getting over one’s own shortcomings, and learning that life is often senseless and unfair. Pixar uses the aesthetic of the dinosaur to help induce the idea of nature and how the environment around us is both an element we must fear and respect in the long run. As with most Pixar films, “The Good Dinosaur” doesn’t justify the idea of death with simplicity, nor does it coddle the intended target audience. It instead takes us through a large journey and tells us that yes, life is hard, yes life is very unfair, but that doesn’t mean we have to stop living.

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The Lion Guard: Return of the Roar (DVD)

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If you’re like me, you’re a hardcore fan of “The Lion King” and didn’t mind extensions of the mythology. Sadly the follow ups were all sub-par, and “The Lion Guard” muddies up the mythos even further. Granted, “The Lion Guard” is a perfectly fine animated movie, and you’ll likely say “Felix, this series isn’t meant for you,” but even kids will have a difficult time figuring out the time line if they decide to do the math. “The Lion Guard” is set immediately after part one and before part two. So that means everything after “The Lion Guard” doesn’t matter, and the central focus of the series is back on a young lion cub rather than the lioness Kiara, originally Simba’s spunky daughter. “The Lion Guard” works on actively erasing the latter story line by reworking the entirety of future story lines, which include Skar’s children, his wife, and the lack of a mention of the plot elements in the sequels.

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Fuller House

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Speaking as a guy who loves “Full House,” grew up watching it, and even spent his own money on the complete series on DVD, I’m surprised that I’m not the person “Fuller House” is apparently targeted toward. Granted, I love my fair share of nineties nostalgia, and will spend hours savoring on even the most minute nineties details, but “Fuller House” fails mainly because it is painfully aware that it’s a television show. Granted, I wouldn’t argue “Full House” is high art, but they embraced the sitcom formula, despite the far fetched story line and inconsistencies in story. “Fuller House” knows it’s a sitcom, feels like a very long sketch for a late night talk show, and even breaks the fourth wall. Even in the worst of episodes, “Full House” never broke the fourth wall and never acknowledged that it’s a goofy sitcom mainly for the family.

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Just One Drink (2016)

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Director Andrew De Burgh does a good job channeling the classic revenge pictures that focuses on what’s going around eventually coming back around again. What I find fascinating about “Just One Drink” is that there aren’t any clear protagonists or clean cut noble heroes. Director De Burgh doesn’t really side or empathize with any one character per se, except examines the almost destructive and chaotic path of vengeance that can steam roll through people’s lives.

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Refuge (2016)

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Andrew Robertson’s post apocalyptic drama is quite the accomplishment. it’s almost like a zombie film without the zombies, focusing primarily on the threat of mankind and how ugly we can be when the resources run low. Robertson’s film presents a villain in every person that the family we center on meets, and how vile people can be when they’re hungry and dehydrated. “Refuge” is set directly after a pandemic involving a plague that is untreatable with any known antibiotics. After most of the population is wiped out, the rest of mankind is left foraging for food and trying to maintain some sense of humanity.

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