One of the most widely publicized and infamous hauntings in American history that ended up being one of the most widely publicized hoaxes of all time resulted in an acclaimed novel, and a cinematic adaptation. Said film ended up garnering nine sequels, and one remake, all of which are infamous for being either very bad, or immensely silly horror entries. However, there is a charm there for horror fans that love supernatural cinema, and for those that love the “Amityville” series, Scream Factory allows fans to pick up the first trilogy in a Blu-ray box set just in time for Halloween. Some horror fans prefer to think of the first three films as the true Amityville Horror arc, and it’s available with the original cover art for the films in tact.
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National Lampoon’s Animal House (1978)
Before the millions of utterly atrocious rip-offs, there was the first, there was the only, there was the grand daddy of college campus comedies, there was “Animal House” Set in 1962, John Landis’ comedy masterpiece tells the tale of two new college recruits attempting to pledge to an elite fraternity. They’re basically cast aside from the elitist frat house, so they must now pledge to the worst frat on college, the Delta House to which they’re instantly accepted amidst the dysfunctional and odd array of members. But when they cause a ruckus and fail to live up the school’s academic standards, the dictatorial Dean Wormer decides to close down the house once and for all.
The Amazing Bulk (2010)
The only way I can come to grips with the fact that “The Amazing Bulk” actually exists is that someone on the cast or crew needed to pay off their gambling debts for a violent loan shark. They were faced with paying off their debts but couldn’t really afford it. So, in order to prevent getting hurt or murdered, they whipped together a movie out of Windows 95 clip art, Microsoft Paint, an old HD camera someone owned, and a lot of green screens in under a week at the director’s loft somewhere in California. They were able to get it out on the market to pay their debts, and now we’re stuck with this festering pile of unwatchable crap called “The Amazing Bulk.”
A Good Day to Die Hard (2013)
I am of the opinion that it would have been an excellent idea to pass the “Die Hard” franchise over from John McClane to his daughter Lucy. That would not only have been a fantastic move for an iconic franchise but breathed fresh air in to a stale movie series. Mary Elizabeth Winstead could have proven herself as an action heroine, the series could have revived the idea that females can lead action movies, and we could have visited a brand new character from the McClane legacy who could have brought a bold new angle to the “Die Hard” series. Sadly, casting females in action movies is still considered bold and new. The producers missed out on a golden opportunity to really change the genre as a whole. Instead we’re given this.
Ancient Evil: Scream of the Mummy (1999)
One of the worst things about fiction is bad exposition. It’s pretty clear from the beginning that “Ancient Evil” probably wanted, but couldn’t afford an entire shot of archaeologists discovering the evil mummy of the film, so we have to have an opening shot of a group of doctors discussing the mummy. One doctor even tells the other doctors where they found the mummy. That’s just bad writing. Why would she reiterate what they already know? Clearly, it’s for the audience.
A Handful of Pennies (2012)
Director E.E. Charlton-Trujillo and Josh Flowers’s “A Handful of Pennies” is a very entertaining and morbid crime short that demonstrates the classic concept behind the gangster picture. Someone did something wrong, they’ve been caught, and they’re paying for their crimes. In this instance, gangster Lyle has his prey in his hands and is not going to be satisfied until he garners information from the poor bastard named Arnold, who is strapped to a chair.
Atlantic Rim (2013)
The Asylum’s answer to Guillermo Del Toro’s upcoming “Pacific Rim” is goofy, and often times inadvertently funny. But in the realm of science fiction from The Asylum, I’ve seen so much worse. The Asylum has been pretty good about their science fiction inputs, offering another solid robot movie “Transmorphers,” so I was much more open minded with this endeavor. I would take writer Jared Cohn to task for offering no build up to the action, but if he went the opposite route, I’d be complaining he took too long. So in that respect, “Atlantic Rim” gets a pass for knowing exactly what kind of film it is.



