Alive in Joburg (2006)

The success story behind “Alive in Joburg” is one of the many interesting successes of the indie culture. Director Neill Blomkamp created this short mock documentary film in 2005, gained a cult status, was later expanded into a feature length film becoming “District 9,” gained worldwide praise from critics and genre fans, won many awards and eventually became a contender for best picture in the Oscars. It’s an astounding tale of a humble indie production turning in to a rather fantastic masterpiece.

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A Short Film about Letting Go (2009)

Many people have observed this and I think it’s basic fact that often it is much easier to write a bad review for a movie than it is a good one. In my case if a movie is awful, it is incredibly easy to write something negative and livid because sometimes the bad movies can inspire more creativity. When it comes to writing about a good movie, it’s almost impossible because the emotions just swell up and basically can’t translate well in to the proper words. That’s what it was like writing a review for “A Short Film about Letting Go.” Director J. Erik Reese’s film is so effective, so raw, and so beautiful, it’s impossible to describe how much I enjoyed it.

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Avatar (2009)

avatar

Watching “Avatar” is like watching a magic show. There’s lights, and sounds, and smoke, and hand waving and it’s mesmerizing if you watch without caution, but if you manage to go back stage and see what’s really happening, you’ll find that what show there is is all just an illusion, it’s all just razzle dazzle with an empty center. That’s what James Cameron’s phenomenon is like sitting through. An exhausting two and half hours basically amounts to nothing more than a carnival ride, an experience that’s interesting sure, but easily forgotten once you’ve decided to move on to the next light show waiting for you. I’m not one to besmirch Cameron for giving us this movie because no matter what I say the general consensus has been that American audiences and movie goers around the world have accepted it, but I’m one of the few who see behind Cameron’s smoke and mirrors and just craved more.

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Alive (1993)

aliveI didn’t lead a fairly sheltered life growing up. When you are raised the way I was, you tend to see many disturbing things, And yet first watching “Alive” was a very interesting experience because it shook me down to the core. Watching people eat their loved ones and best friends is harrowing enough but having to ask myself how far I’d go to survive in the middle of nowhere is something else entirely. We’ve all heard of the Donner party, and we relive that same experience with the Uruguayan Rugby team who found themselves at death’s door after a horrible plane crash left them stranded in the snow covered Andes where help was literally hundreds of miles away. Losing their lives, and their sanity the group had to rely on their faith and their strength to make it through day by day being forced to live on rations and inevitably each other.

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Angus, Thongs, and Perfect Snogging (2008)

atpsIt’s quite baffling that the latest from director Gurinder Chadha would get a direct to DVD treatment here in the states considering a few of her last movies experienced considerable theatrical releases, most notably “Bride & Prejudice” and the sleeper hit “Bend it Like Beckham.” What with the hit books and the appealing young cast, this movie could have cleaned up in a wide release, but sadly it’s just reduced to becoming another shelf hugger in a video store. Which is a shame because like much of Chadha’s films, “Angus, Thongs, and Perfect Snogging” is a perfectly serviceable and quite entertaining bit of escapism centered around teen romance and sexual awakening.

Chadha has definitely appealed to the female audience for years, but “Angus, Thongs…” is probably the movie that may only appeal to the female persuasion. It’s almost exclusively about women whom are experiencing a new form of love in the wake of separation or heartbreak and I was almost not interested in the premise because the movie is pretty much alienating to anyone who doesn’t possess a bust. Much of Chadha’s film is sold by the charm and unusual beauty of Georgia Bloome who plays Georgia Nicholson, a girl in search for something more than crushes. While on the hunt for her first kiss, two young boys move in to her neighborhood and she soon sets her sights on the younger of the two Robbie.

Most of the film is centered around Georgia’s attempts to not only secure a place with Robbie in the face of his relationship with the school bully, but to find a way to improve herself in the process. These attempts are often disastrous with the proper amount of teenage awkwardness and realism that make us feel quite sympathetic for her even when she’s being completely selfish. There’s something about Chadha’s film that manages to overcome the cheese and hokey elements. Obviously it’s a teenage girl’s fantasy what with the desire for perfect friends, perfect parents, and a perfect boyfriend, but it never cuts our female protagonist any slack even when she’s being cute. While Georgia is pleasing on the eyes, she also has a lot of individuality to her to ensure she’s an imperfect heroine who may never achieve her goals of perfection because she’s too self-centered to realize she’s pretty much already perfect in the eyes of others.

The second half of the film is devoted to her eventually coming around to realizing that, and she suffers the brunt of punishment from her peers when she sinks to some cruel lows to get her man. It’s true this movie will mainly appeal to girls, but Chadha’s talents are too apparent to just write off. She directs the movie with a subtlety that makes it feel more heartfelt rather than fluffy; pair that with a rather engaging story and there’s an instant formula for a pretty successful romance comedy that is a certified winner for the female director. I’m pretty bias of course since my obsessions with the British culture knows no limitations, but “Angus, Thongs, and Perfect Snogging” is a wonderful bit of escapism that will assuredly win over any crowd because of its realistic and relatable cast of characters, which Chadha seems to excel at spotlighting.

Whether it’s the source material or just the adaptation from Chadha and Berges, the climax to “Angus, Thongs…” is much too safe to warrant taking it seriously. While most of the film is a certified fantasy, the climax would have truly brought the story down to reality with some heartbreak and realism. Sadly, the writers instead opt for a pat happy ending that doesn’t just end on a happy note, but a giddy note where everything is almost perfect thus contradicting the original moral of the story. It’s tough to take anything here at face value when Chadha and co. are utterly unwilling to take a chance with an ending that would have been more grounded instead of just seeking to keep the audience happy.

I was mainly pleased throughout the film until the final fifteen minutes which I just couldn’t quite swallow. In spite of the clunky finale, “Angus, Thongs, and Perfect Snogging” is a perfectly entertaining chick flick with strong performances and Gurinder Chadha’s trademark appeal to female sensibilities. While the men in the audience may not find much to look for, their mates will pretty much love it.

Awake O’Sleeper (2008)

31892I was watching “Awake O’Sleeper” on my computer, in my room, in the end of a boring day, half asleep, and ready for a quick film. And what I got at the end was a pretty damn great short musical from Brandon McCormick. And when I say pretty damn great, I mean this is probably one of the best indie musicals I’ve seen in a long time and you can only say that about the 5% of indie filmmakers daring enough to try their hand at the genre.

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American Pop (1981)

Ralph Bakshi’s “American Pop” is not so much about a story as it is about music and the power it holds. As trite as it is to say, Music is the soundtrack of our lives, and as such has a power over us to help us cope, help us think, and is the key to our memories and fates. “American Pop” is not so much the story of many men through history originating from a faithful Jewish man who refused to vacate his temple during the raiding of Russian Czars one day, it’s more the evolution of music and how the people in and around the transformation are but a mere microcosm. From a Canter to a Vaudevillian, to a piano player, “American Pop” may be the exploration of music but Bakshi also manages to convey how it’s served as a source of love and emotion for a long line of men craving some sort of love and affection in their lives.

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