Andrew Leavold, a cult video store owner, goes on the search for a mysterious movie star from the Philippines, the 2’9” action star Weng Weng who did less than a dozen films but left a huge mark on his fans. Leavold through his documentary shows the star’s childhood, rise, and fall until his untimely death. Written by Andrew Leavold and Daniel Palisa (as Daniel Haig) and directed by Leavold, it follows its director’s journey from Australia to the Weng Weng’s native Philippines where he finds footage of the star he had never seen, movies he had never heard about, and plenty of people ready to talk about the star.
Tag Archives: Action
Home Alone 2: Lost in New York (1992)
“Home Alone” already stretched the idea of logic and suspension of disbelief already, but when Dreamworks squeezed out a sequel hoping for equal to more success, we instead got “Lost in New York.” Not only did this follow up basically prove that the original’s premise was a tad far-fetched, but something of a flash in the pan. This sequel is just leaps and bounds sillier than even the third “Home Alone” and even presents a ton of misguided morals within its narrative. You can sense the movie is one giant misstep, when it casts the likes of Tim Curry as one of Kevin’s adversaries, and turns Rob Schneider in to a hilariously slimy bellboy, and wastes them in favor of rehashing the same dynamic we saw with Marv and Harry from the first film.
Independence Day: Resurgence (2016)
One thing you can always count on with aliens, that no matter how advanced or sentient they are, their primary form of security is always two huge closing doors that slide together and seal as gradually as possible. You assume in their world they’d have laser doors that seal up in a matter of milliseconds, but no. It’s always very slow closing doors that never quite close fast to stop our heroes. But of course they always murder the alien pilots because–they’re obviously not trained to zip through the doors I assume. “Independence Day: Resurgence” is a sequel with such an obvious mission to launch an “ID4” cinematic universe that it’s almost not really worth watching “Resurgence” at all, when you get down to it.
Legends of the Hidden Temple: The Movie (2016)
“Legends of the Hidden Temple” always had a fun Indiana Jones vibe to it, and was often well loved despite being notoriously difficult for its contestants who deemed it almost impossible to topple. I am one of the many nineties kids who spent a lot of time watching “Legends of the Hidden Temple” and immersing myself in the imaginative obstacles and fun history lessons. While the game show will never be revived for modern audiences, 2016’s cinematic adaptation is a perfect fit for an audience that loved the game show and for everyone else tuning in to see a good fantasy adventure movie. “Legends of the Hidden Temple” garners the right amount of menace and awe that the game show held, and evokes classic adventure films like “The Goonies.”
Holy Hell (2015) [Blood in the Snow 2016]
After witnessing a troubled family, the Bonners, decimated by a murderous family, the MacFarlanes, Father Bane goes on a rampage punishing those he deems not deserving of forgiveness with his new handgun, The Lord. As he punishes left and right and protects the only surviving member of the family, he also decides to go after the murderous, incestuous killers. Written and directed by Ryan LaPlante, Holy Hell throws everything possible at the screen, violence, sex, incest, rape, murder, blood, gore, inappropriate jokes, insensitive jokes, bad jokes, and the whole nine in an effort to be shocking or subversive. This is done with zero good taste and penchant for exaggerated action and ridiculous dialogue.
Don’t Breathe (2016) [Blu-Ray/Digital]
Director Fede Alvarez’s thriller is a pitch black take on “Wait Until Dark” with a hint of “People Under the Stairs” taking a blind man who turns the tables on perpetrators. This time around though, the blind victim is a very prepared war veteran who skulks around like a predator even in his own home. When he begins challenging the thieves that infiltrate his oddly armed home filled with various pitfalls, he stalks them with confidence, even without eye sight. Stephen Lang’s Blind Man is an oddly horrific and intimidating new horror character who works on his own moral code. Whether or not he’s a villain may depend on the interpretation by the audience, and what they consider pure evil or just pure justification. Fede Alvarez teams two groups of victims against one another in a world that’s taken away all of their futures and ideas of hope.
Ratchet & Clank (2016)
The way critics savaged “Ratchet & Clank” in 2016, you’d swear we were given an animated move in the same league of “Norm of the North” or “Doogal.” Instead, we get a funny and entertaining science fiction adventure that doesn’t re-invent the wheel, but manages to be a fun animated movie nevertheless. I have never played the video games “Ratchet & Clank” is based on, but I know enough to understand the basic concept and premise. “Ratchet & Clank” is a eye catching and very good action film that touches on all bases and delivers one very interesting underdog tale about a potential hero trying to prove his worth. Director Kevin Munroe stages a prequel to the games that widens the universe of Ratchet and Clank and genuinely attempts to add another dimension to the titular duo for the sake of their fans.